Posts Tagged 'transition'



How Do You Write An Expat Blog, And Other Life Questions

Here's my terrace, for lack of a more relevant picture

So… you may have been able to tell by the infrequent and half-assed nature of my recent posts that I don’t know exactly what I’m doing here anymore. With this blog, I mean.

Well, okay, I guess my life too.

I know how to write a travel blog. Not a super successful monetized one, but the kind of travel blog I want to write. I know what kind of material to look for and write about: snippets, character sketches, first impressions, cultural clashes, bizarre moments—the other-worldly, almost out-of-body moments that travel affords, that I’ve been craving and chasing for years now. I can even write a good informative, service post from time to time, and not feel totally smarmy about it. And when I’m not traveling, I know how to write travel-themed posts that manage to be relevant.

But I don’t know how to write an expat blog.

I’ve been in Phnom Penh for a little over two months now. I’ve left the city once, for 2 days; I’ve got a couple little trips planned, including one to Malaysia over Khmer New Year. But for the most part, I’m staying put. I’m focused on establishing a life here—getting a job and friends and more furniture and houseplants, a routine and rhythm to my days. It’s not dynamic, exciting stuff; there’s no a big wow, must-see factor. It’s kind of just my life, and I’m not sure how to write about it here.

I’m not sure of a lot right now. I’m new at this—my first time being an expat. I’d always been intrigued by them, as a traveler. You could spot them, you know—the ease, the breeziness, the comfort with which they walked down the street, talked to vendors in the local language, went about their business with the kind of self-possessed air of a person reading a book on the train, when you just know it’s their commute home and they’re thinking about dinner or what TV show they’re going to watch or whatever—mundane shit.

Now I’m one of them, and there’s a lot of shit that feels mundane, uninteresting to write about. Which isn’t true, of course—it’s just that I don’t know how to write about it.

And I’d always wondered what expats thought of travelers. I’d talk to friends, whose feelings ranged from indifference to embarrassment; one girl I knew, living in Santiago, would avoid eye contact with other gringas, she wanted to badly to not to be associated with tourists.

But for the most part, for me, they seem to exist on this other plane, walking up and down the riverside in their flip flops and tank tops, and they kind of fade into the static of life here, right along with the construction noises and metallic audio recording of the egg vendors.

But it’s funny, cause sometimes I notice them, just kind of watch them, and it’s a strange, unexpected feeling that comes up. It’s not jealously, but a sort of wistful longing. They have a kind of structure, a context and definition: They are travelers. They are passing through. For the most part they have book ends for being here—return tickets and lives waiting, houseplants being watered by friends in their absence. They have closets, I imagine, where all those zip-off pants and Tevas will return to.

And for the first time, I don’t have that. I don’t have the security, the knowledge of a life that’s waiting for me somewhere. Here’s my life, but I’m not exactly sure what that life is yet. I’m discovering it, and it’s exciting and scary and lonely and exactly where I need to be right now.

But I don’t know how to write about that.

But inbetween-nees seems to be the theme these days. I’m 29: I’m not old, but I’m also not young anymore, and there’s wrinkles where there didn’t used to be wrinkles. I don’t know what clothes to wear; I’d go to shows back in the States over the summer, and the band would look like they were 12, and everyone would be young, so young, glowing with young in a way that seems ravaged and obscene. And not me.

But I’m not totally sure what “me” is anymore. Or I suppose I should say, where me fits in this new life, that has yet to form. It’s slowly taking shape—I can feel it and I have a faith, which might be a blind faith but is a faith nonetheless, that it’ll all gonna work out.

I just don’t know how to write about it yet.

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A Morning Ride Through The City

The morning is cold.

Well, not cold, but cool—breezy and clouded, which for here is Arctic. It’s 8am and I’m getting in a tuk-tuk a friend had arranged. He’s waiting outside of the French restaurant on the corner, holding a piece of paper with my name on it, and it reminds me of leaving an airport’s gates, all the men in cheap suits holding signs of tourists’ names, and how I’ve always kind of wanted to be one of the names, to be Arriving, instead of just wandering off with my too-heavy backpack towards the local bus.

I step in my ballet flats into the tuk-tuk, smoothe my blouse as I sit down. I hold the plastic file case, filed with copies of my resume, down in my lap. We start off.

My friend arranged for a tuk-tuk to take me to 10 different schools, where I’m going to drop off 10 resumes and hopefully get called back—a kind of carpet-bombing, I’m-out-money-and-a-need-a-quick-job technique. The tuk-tuk driver knows the route; he’s done it often, for foreigners like myself. Or not like myself—I imagine them younger, in nicer clothes, with a TEFL certificate on their resumes or at least some teaching experience.

We move through streets fresh with bustle: children in school uniforms, people in baby blue shirts driving their motorbikes to work, old men eating pork and rice at the food stalls. The monks are out, doing their barefoot rounds, and when they chant it sounds like bees buzzing.

Mornings are kind of magical in Phnom Penh—cool and alive, cleaner feeling, not yet bogged down in the heat or exhaustation. I don’t usually get to experience them, since they start at dawn; by the time I’m usually out of the house around 10am, it’s mid-afternoon by local standards, and the pork and rice stalls are shutting up shop.

And it’s cold this morning—the sun is hidden and there’s a cool breeze. It’s exciting, to feel chilly here, and I suddenly remember my dream: that I was somewhere cold and drizzly, like London, and that the air felt crisp on my cheeks, almost stinging to breathe. It’s funny—I’ve been homesick for fog, for foggy mornings, when the dense mist rushes past and the world feels quiet and still and small.

And it doesn’t feel that way this morning, but it feels close. Close-ish. There’s something almost Italian in the weather—the way the clouds sit in the sky, a feel to the air—crisp but twinged with exhaust—that reminds me, not of an ancient quarter, but of the industrial outskirts of a Italian town—Grottaglie, or that cheap hotel we stayed out way outside of Venice, with its gravely road and teenagers and 40-minute bus to the tourist canals and massive train station.

Which is ridiculous—there is absolutely nothing Italian about Phnom Penh. The smells are of fermented fish sauce and trash, steam buns instead of fresh-baked bread; the old women wear pajama suits instead of dresses, the men loose button-up shirts that hang off their sharp limbs, instead of sweaters over their big bellies and those old-school newsie caps. There’s a chaos to the street—welding shops and electric lights and women in face masks weaving between SUVs—that you wouldn’t find anywhere in Europe, even in Italy.

But there’s something in the morning that makes me nostalgic for something I can’t quite name, that reminds me of a place that isn’t quite here. We stop in front of schools—big broad buildings with mounted emblems and security guards, receptionists who take my resume disinterestedly—and I’m in and out in under 2 minutes, in most cases.

We crawl out of the city center—past gas stations and narrow pitted roads, shops with rows of potted plants—and I think of how big this city is, and how I only ever see a very small part of it. I watch, observe the sort of dance of it all that I can’t see when I’m walking in it, or snared in traffic, or sweating in the mid-day sun. And I’m kind of in awe, I realize. It occurs to me that I haven’t been in awe at all, this whole time—been so focused on not being fazed, being blasé and un-culture-shocked, that I haven’t just sat back and reveled in it.

I Skyped with a friend the day before, the familiar posters on the wall, flannel shirts and winter coats scattered across the room. I was telling him some ridiculous story—something about a chicken and a street dog and a hand-tractor full of staring eyes—and he laughed and said, “Yo, do you realize how cool that is? That you just get to be there, and have these experiences?”

And it didn’t strike me in that moment as naive; it didn’t strike me as something said by someone who hasn’t gotten to travel much, hasn’t ever left the Western world, someone who’s easily impressed by my stories, for whom even the mundane details of my daily life seem like adventure. His comment struck me in that moment as true.

I sit back in the tuk-tuk, as we bounce through the city, and I just watch. I smile. I don’t worry about being the Tough Traveler; I just let myself revel.

It’s 11am by the time I get back to my apartment. I pay the driver and step out of the tuk-tuk. The fresh breeze is gone; the clouds are heavy; the air is swampy.

The morning is gone and the spell is broken.


Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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