Archive for the 'Lonely Girl Loves' Category



Reaching Out My Tentacles

The inky arms of this blog have stretched out, past the confines of this page and onto other travel sites.

Voureen Taylor over at The Travel Nerd asked me a couple weeks ago if I’d like to be the first interviewee in her new weekly series profiling budding travel writers. Seeing as though I was the girl who, at 12, was convinced she’d be interviewed on Oprah by 16 for writing the great American novel—um, yes, I’d love to be interviewed.

The questions really made me realize how far I’ve come in a short period of time, and just how much I love both writing and traveling. Plus, I got called a prodigy—who doesn’t like that? You can check out the full interview here.

Matador Abroad editor and kick-ass writer Sarah Menkedick asked if I’d be into having an edited-down version of my recent post “The French Won’t Save You” published on Matador. I was especially stoked because Sarah and her man Jorge’s blog is one of my favorites. The slimmed-down version went up today, and I was happily surprised to see so much of the original post remained: my Oakland references, my back-handed throw-down to Futurism, even some profanity survived the editorial process. I’m super interested to see what kind of discussion the post generates.

And finally, Girl’s Getaway republished the post I did on my emotionally brutalizing day in Marrakesh. “Marrakesh, You Broke Me Down” appears in full, even with some of my own photos (though the girl pictured in the header is most definitely not me). It’s been rather life-affirming to read the other ladies’ comments. And you know how they say that writing is the ultimate revenge? Well, sometimes it is.

I was surprised when the editor at Girl’s Getaway approached me about the Marrakesh post, since it seems like a bit of a deviation from the other articles on the site. But it was encouraging to see, in both republished articles, that there’s a place for some of my less servicey pieces.

My next narrative piece for Girl’s Getaway will be a lighter, more cheerful one: when Melissa, Georgina, Alicia and I, sick of the incessant street harassment of Puerto Vallarta, snuck into a cheesy package resort and spent the day amid the overweight middle-management dudes and their budget trophy wives at the swim-up bar. Just in case you need a sneak preview…

This should be a good one… one more written appendage reaching out, grasping at the invisible sparks of web pages and wireless signals, submission guidelines and editors’ emails—and finding something to grab on to.

Notebook Digging

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Yep. Traveled with all 3 of these guys.

Recrafting prose or polishing turds?—you make the call.

I’ve put it off long enough. I’ve finally embarked on the task of digging through my last trip’s notebooks. I’ve set out on a spelunking mission through the email addresses, phone numbers and crudely drawn street maps that fill the stained pages, excavating hieroglyphic scrawling and jagged phrases in search of literary gems I just know are in there, buried amid the recesses of black ink/bat feces.

As per usual, these disembodied stanzas and half-poems don’t seem quite as brilliant as they did in the moment, but some aren’t so bad. I plan on bugging some writing friends of mine for feedback (that means you, Jacob), then packaging up what survives in a nice electronic bow and sending it to Literary Bohemian, a site I have a crush on. What’s left will be put on here.

Don’t think of it as a literary scrap heap, but rather that first post-Thanksgiving plate of leftovers—before you’ve gotten sick of turkey. At least that’s the spin I’m putting on it.

One of the great things about my last trip was how much I wrote. I was on fire. It’d been a long time since I’d felt that way, completely consumed, possessed. It’d been a lost couple of years, basically not writing at all; I could feel it all swimming around in there, very far beneath the conscious surface, but nothing would come out. Literary constipation. As uncomfortable as it sounds.

To my delight, I actually wrote a fair amount of poetry on my trip. Which feels more like writing to me than first-person narrative—I don’t know why. I love narrative, but it sometimes feels too easy. Just me mouthing off, you know. Of course, I find my witty insights endlessly amusing and fascinating, but I still love the rawness of writing poetry, the way an image will overpower you, how the best poems feel like they write themselves. It’s a tough place for me to tap into these days, and it sometimes feels like traveling is the only way to give my poetic prowess the necessary kick in the ass. Shock therapy via passport stamps.

In any event, here’s a fragment I wrote in Tangier about, well, writing and feeling like you’re in the pocket. And there’s plenty more where it came from…

I’m writing again

all the time

even when there’s not a pen in my hand,

always, in some back basement

of my brain, a hunched figure

banging typewriter keys,

smoke-shrouded

with only a street level window

silhouetting it

against the endless passing of feet.

I can’t keep up

with the furious clatter,

the singing of the keys,

their persistent tapping,

not for permission

but to be unleashed.

Trudging the Road to Travel Writer-dom: Struggles, Successes and a Couple Happy Dances

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The ole ball and chain

It’s been an exciting, exhausting week in my journey (bad pun alert) to become a travel writer.

It’s pretty counterintuitive when you think about it—trying to become a travel writer. As Tim Cahill said, travel writing is a forgiving genre, “because as soon as you step out the front door it’s travel writing.” By the same token, the moment your fingers start scribbling or typing, you’re writing. So, bingo-bango—I’m a travel writer.

But when it comes to the more pressing business of business, of embarking upon building a profession around overlapping passions, in an industry so tumultuous seasoned experts are scrabbling to make due—well, that’s another story. I’d like to say I’m writing that story, but I suspect that this is a story that’s writing me.

First with the successes. They say bad things come in threes, but I’m convinced good things do too. The travel-writing stork delivered three little bundles of joy to my laptop this week.

My run of good luck started on Tuesday, when a StumbleUpon link to my blog generated 346 pages views, making the day’s total 494. My previous record had been 97, so, yeah, I was a little stoked. I knew it would only be downhill after that (indeed, the downward slope in the line graph is a little sad), and the busted link-back kept the original Stumbler a shadow-shrouded enigma. But I was tickled nonetheless. There may or may not have been a happy dance involved.

Wednesday I discovered that a local TV station’s website had published an excerpt from my Dia de los Muertos post, along with a link to my blog. This is the closest I’ve come to being on TV. (Happy dance #2)

Thursday, the editor from the new female-oriented travel site Girl’s Getaway contacted me to see if I’d be interested in writing for them. Um, yes. While I brainstorm ideas of girlie stuff to do around the Bay, my post on getting hassled and humiliated in Marrakesh will be appear on their site (guess my grand entrance will be on the bummer-ish side). I’m now listed on their writers page, which evoked more of a happy giggle than a dance. My feet hurt—it’d been a long night at work.

Which brings me to the “struggles” side of things. I don’t mind the long hours at the computer, and taking my laptop over to the cafe and eating cake while I work may or may not be the highlight of my day. But that’s also indicative of the adventure level of my life right now. Which, even if you don’t want to be a travel writer, is pretty lame.

Here’s the scenario: this week, I wrote the post on Dia de los Muertos; worked on a sizable, ongoing freelance project from NileGuide (fun with regional descriptions); continued reading the Pico Iyer book I’m deep into; spent hours online reading and commenting other people’s blogs; wrote an article on Caracas—and worked full-time. This means that pretty much every minute I wasn’t at my actual job (the one where I make enough to support myself), I was at the computer, doing what I love. Now, I love writing, but this scenario doesn’t leave a lot of time for friends, for going out, for doing the kinds of things that generate compelling writing in the first place. If great writing is the end product of great living, this ain’t cutting it.

Something’s gotta give, and I don’t think it’s gonna be the writing. I’ve been grappling with financial insecurity this week, on working up the nerve to release my grip and leap into the unknown.

I face, of course, the American Dilemma. No, not Gunnar Myrdal’s—I mean health insurance. If I cut my hours at work, I lose my health insurance. I can stay on the company’s plan and pay out of pocket for up to 18 months, but the last time I did that, it cost me nearly as much as my rent. But wait—if I cut my hours at work, how will I afford another monthly bill? Ah well, who needs thyroid medication anyway? Oh wait—me.

So I’m working (in addition to working) on letting go of my comforts, and getting comfortable with the idea of less security. Or no security. Careers that offer security don’t appeal to me—thus the debauched grant writing stint. Sometimes, a lot of times, I wish they did. But we don’t get to pick what we love, now do we?

I read an excellent interview with writer and fresh lady (and perhaps role model) Daisann McLane, in which she talks about how scary a life without security can be, the life of a travel writer. But, she says, “when you travel to so many different places, and you see how people live outside of your little bubble, you realize how ridiculous the very idea of security is, from a global perspective” (Lonely Planet’s Guide to Travel Writing, p. 140).

Well, amen, sister. But now I’ve got some margaritas to sell… do you take salt?

Dos Dias de los Muertos: Oakland Vs. SF Celebrations

DSCN3892It’s not Mexican Halloween. Or Northern Californian Halloween. It’s Dia de los Muertos, and it’s everyone’s holiday now.

You can’t escape Dia de los Muertos in the Bay Area. That’s a good thing. It’s a pretty bad-ass holiday, based in the Aztec belief of death not as a definitive end, but merely a continuation in a parallel form. Aided by elaborate graveside altars, souls of the departed return for one night (traditionally two) to kick it with the living. The celebratory approach towards death comes complete with a comically macabre aesthetic derived largely from a good ole’ revolutionary, Jose Guadalupe Posada (see: my first tattoo).

What makes the holiday fascinating to me is its endurance and evolution. Dia de los Muertos is the little holiday that could: millennia-old, it’s survived colonialism, Catholicism, and more recently, the United States. But while all these outside elements have altered the holiday, the fundamental spirit has managed to survive. Observances vary wildly, both within and outside Mexico, and serve to say a lot about their respective communities (see: my latest Matador article). Case in point? Oakland versus San Francisco celebrations.

The Bay Area’s enormous Hispanic population has two established homebases: East Oakland’s increasingly cleaned-up Fruitvale district, and San Francisco’s contentiously gentrified Mission District (claimed to be birthplace of the burrito). Both host huge Dia de los Muertos celebrations that shut down city blocks and draw thousands with marigold-adorned, incense-laced festivities. Neither celebration is traditional, in the Patzcuaro sense of the term, but neither are the same. They contrast as starkly as an SF hipster’s ironic mullet and an Oakland hyphy  kid’s synthetic dreads.

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International Blvd during the Dia de los Muertos

Oakland celebrates with a family-oriented daytime street fair on the Sunday preceding the holiday, this year November 1. While drawing a healthy cross-section of the city’s ever-diverse population, the event is mostly representative of contemporary Mexican and Latin culture in the Bay Area. Powerhouse Spanish radio stations, La Raza and La Preciosa, set up stages on opposite ends of the festival and vie for on-lookers. Local taquerias set up stands that pump out carne asada smoke, while DIY vendors push helado carts and set up raspado stands. Women hawkers cry, “Churros, Churros, Churros!” while others wrap still-steaming elotes in foil. Local businesses abut booths with corporate superpowers like Safeway, while non-profits erect altars next to those of neighborhood school kids. Dancers decked out in Aztec garb (the feather- and skull-adorned headdresses are bad-ass) break into spontaneous drum-infused performances, and there’s more men in cowboy hats and little girls in mini-skirts than you can count.

DSC_0381On November 2, San Francisco holds an evening procession that a jaded friend of mine has dubbed “Gringos Gone Wild.” True, the participants are largely not of Hispanic decent and, boy, do they get down. People dress up in calavera face paint and elaborate Tim-Burton-esque costumes that I suspect derive from Victorian Catrina dolls. A modest group of Aztec dancers leads the procession, which then follows with revelers of the purely San Franciscan variety: costumed people with politicized signs, curious interpretive dancers, bicycle-powered floats, and a whole lotta candle-clutching white folks. The procession ends at a public park filled with some seriously artistic altars—this year, an anatomical heart suspended by red nerves, a papier-mache carniceria, a parlor scene that looked like the inside of Edward Gorey’s head.

I can see how people get down on San Francisco’s Dia de Los Muertos celebration for not being authentico; I understand why others deem Oakland’s as boring and not creative enough. But isn’t that just an extension of the Oakland-SF rivalry, the cities’ differences demonstrated through the observance of another culture’s holiday?

I’m an Oakland girl, so I’m partial to an event where I run into about a dozen people I know. And if nothing else, the Fruitvale festival is thrilling for the mere fact that Oakland manages to hold a peaceful public festival (I remember seeing stray post-Festival-At-The-Lake rioters pass by the bottom of my block as a kid—that was the end of that neighborhood event). Events like the Dia de los Muertos celebration remind me why I love my hometown—though I never really forget.

DSCN3907At the same time, the Mission procession captures so much of San Francisco’s cultural landscape. Just when you get disheartened, want to write the whole place off as over-priced and gentrified, the city comes through with something insanely creative or beautiful. Despite the changing demographics, beneath the paling population and depressing socioeconomics, San Francisco’s still a city with soul.

And at the center of both of these celebrations is the fact that they don’t derive from, well, here. They aren’t American, have been brought over by immigrants and subsequently Americanized. Some shout cultural appropriation, and, sure, these festivities are a far cry from the all-night graveside vigils I attended last year in Tzintzuntzan. But, at the core of these modern interpretations, both stay true to the fundamentally celebratory Aztec approach of the holiday. And if that’s not survival, I don’t know what is.

Top 5 Things That Make Me American

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That is totally mine.

“The more I travel, the more I realize how American I really am.”

This was Matt, leaning on a pole in a Madrid metro car, observing the raucous teenagers and stylishly dressed adults of an average Spanish evening. I nodded in sad agreement.

I’d like to say that traveling has made me more cultured, sophisticated and worldly. Maybe it has. But it’s also made me acutely aware of my incurable Americanness.

I didn’t really know what it meant to be an American before I started traveling; it’s hard to know if you have nothing to compare it to. I’ve now caught on to plenty of red-flag characteristics that will immediately identify one as hopelessly American. I’m guilty of many of them: holding my fork like a shovel, having obscenely straight teeth, living on my own before marriage, maintaining a staunch belief in the importance of a hearty breakfast. There’s also some attributes I don’t share with my countrymen: I don’t own a TV, I’m not overweight, and I can find Australia on a map. And I travel.

Being as though I travel, and have had the luxury to mingle with other cultures, I’ve been made aware of my grosser American offenses. Here’s the top 5 off my American rap sheet:

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From the human race, I'd like to extend my apologies, little fellow.

5. I walk fast.

I didn’t know this was an American characteristic until someone pointed it out to me. It makes perfect sense. We don’t stroll in America. Walking is not a leisure activity; it’s the lowliest form of transportation. We do it briskly to conceal our shame. Or else we construe it as exercise (as in, office workers powerwalking their lunch breaks away).

Our avoidance of walking manifests in everything from drive-thrus to elevators to Segways. Remember when MacDonald’s had step counters as a meal prize? Exactly.

4. I shake hands.

Now, this isn’t exclusively American; many cultures shake hands. But Americans place special importance on the handshake, measure relative grip and firmness to construct deep insights into another’s character and psyche. “I like that young man; he’s got a good handshake.” And I was just in Europe, where nothing announces your Americanness like jabbing someone in the chest with your outstretched hand as they lean in for a check kiss. (Sorry, Pierre, hope that doesn’t bruise.)

3. I call myself American.

America isn’t a country, it’s a continent. Two continents, actually. Filled with many, many countries. In our utterly naive narcissism, we seem to forget this (read: title of this post). Numerous travels through Latin America have taught me to say that I’m from “Estados Unidos,” not “America.” But I still have trouble pronouncing “Estadounidense,” which basically means United-States-ian. Doesn’t flow off the tongue as easily, but it is more correct.

2. I don’t speak another language.

I mean, really. It’s just ridiculous at this point.

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And the rockets red glare...

1. I have a deep and abiding love of peanut butter.

Protein, healthy fat, delicious taste: the American love affair with the peanut culminates when we grind it, jar it and spread it on stuff. Or eat it by the spoonful.

Trying to find peanut butter outside of the United States is a depressing, frustrating and often futile effort. If you can find a jar, on a lonesome dusty shelf hidden behind the Nutella and marmalades, it’s bound to be sugared to hell, rife with hydrogenated oils and staggeringly expensive. I’m not sure why the rest of the world is sleeping on the PB tip; with great taste, nutritional value and versatility, they’re really missing out.

There’s plenty of things I could change about myself to become more international, a “citizen of the world” as the obnoxious call it. Sure, I could learn 7 languages, use military time and metrics, and school myself in the finer points of kissing cheeks. I could disregard my reverence for the orderliness of lines, become a football fan (not American football, silly), even slow my roll to a smooth swagger. But I will never give up my passionate fervor for peanut butter.

There’s No Place like Oakland

3318186624_396e94a2c4_mI’m falling in love with my hometown. Again.

I’ve just come home from six weeks in Iberocco (Spain, Portugal, Morocco). And more than any other homecoming from any other trip, I’ve been struck with a swooning sense of smittendom—for Oakland.

Coming home is always bittersweet. I love so much the headspace of traveling and who I am when I’m on the road—more open and willing to roll with punches, the literal potholes and uneven pavement of shoulderless highways. I love the feeling of constantly learning, constantly adjusting, figuring out buses and city streets and how to say “thank you” in whatever language (“gracias,” “obrigada” and “shokran,” in case you’re wondering). It’s always a serious bummer to board a plane and know that that will soon slip away as I settle back into the familiar, a chrysalis of complacency.

But as the jumbo jet tilted and spun and made its descent into SFO on Wednesday, I had another usual feeling encountered when coming home: awe. Even in my dehydrated, swollen-legged state of sleep deprivation, I was floored by the raw beauty of the Bay Area, its bridges and mountains and tumble of cities. You’d think I’d have gotten used to it by now, desensitized to the rugged coast and smooth blanket of ocean. But no. It still gets me. And, surrounded by eager British tourists, I had a sense of pride—yeah, this is where I’m from.

My dad picked me up, and we chatted about exciting family developments on the drive across the bridge. My brother’s gotten engaged, wedding preparations are in full effect, baby’s on the way. It was one of those perfect Indian summer days in the Bay, and the skyscrapers and billboards of Downtown San Francisco sparkled in the lazy afternoon sun. If you’ve gotta come home to anyway in the US, I’ve always thought, this is about the best place.

And then came Oakland.

We pulled off the freeway, stopped at a light next to a woman singing along to the bass-rattling radio, hyphy dancing in her gleaming-rims car. My dad looked over at me. “Good to be home?”

“You have no idea.”

I love my hometown in a fierce, unexplainable way that transcends the normal no-place-like-home adage. There’s really no where quite like Oakland—at once diverse and vibrant, crime-ridden and corrupt, filled with the tension of violence and drugs, and with a kind of kick-back coolness that gets under people’s skin, infects them with this cursed passion for the place that won’t let them leave.

There’s a reason San Francisco is called The City, and Oakland’s called The Town: it’s a city of neighborhoods, where people say hello and chat with each other. I can’t blame the encroaching tide of gentrifiers for snatching up bungalows, sipping coffee on their porches and talking about how much they love their neighborhoods, their new city, their adopted hometown. Even for the newly arrived, Oakland just feels like home.

And seeing as though I’ve never lived anywhere but Oakland, it’s truly the only place where I feel comfortable, feel like I don’t stand out like the 5’10, tattooed, throbbing sore thumb I am everywhere else. (Even in New York City, I’m constantly being stopped on the subway, the streets, in Jewish delis, and asked where I get my work done—so much for New Yorkers being unfriendly.) Somewhere amid the dreadlocks and full sleeves, the mulleted vaqueros and the clashing-prints Asian immigrants, between the Crod-clad yuppies and the Southern-accented old men, somewhere in the seams of all that, I find this funny feeling of home.

Oakland’s not an easy city to love. My first Matador article was about that, and, judging from the comments, I’m not alone in either my love for Oakland or heartbreaking frustration with it. And, while I really can’t get enough of traveling, of seeing the world and experiencing different cultures, I’m fairly certain that, fuck, Oakland’s got a grip on my heart. I’m a lifer.

Hanging On: Porto and My Final Days

Porto, being hella beautiful

Porto, being hella beautiful

I´m nearing the end of my trip, fighting the blues and impending sense of finality not at all discouraged by the dark and brooding city of Porto.

Every place I go in Portugal seems to the up the ante. College-town Coimbra was a steep jumble of old streets and sudden squares with startlingly beautiful sights tucked inside every twist and fold. It was as pretty as a girl without make-up on, a girl who doesn´t know how pretty she is—clutching her parks and praças (plazas) and fountains to her chest like a Valentine. I wandered around the small city, sighing and thinking, This might be my favorite place in Portugal.

Then came Porto, sharply cleaved by the Douro River in a precipitous dive of rock and stone, bridges and dancing light. It´s the dark-haired, fiery-eyed counterpart forever in the Northern shadow of its shiny, more popular younger sibling, Lisbon. The two cities have a huge rivalry (most overtly expressed via football); I feel like an aunt that loves them both, for their different personalities, but that can vibe a little more with the darker side. At least, right now I can.

I spent the bus ride in yesterday not reading or writing or listening to my ipod, but staring out the window and wishing I would never arrive. Just keep riding, keep traveling, keep going. It was the last bus ride of my trip and I was savoring those precious moments of just sitting, thinking, living in that inbetween state—like when I used to ride the bus as a teenager. Having the time just to sit and stare is a huge luxury for me these days, and I´m going to miss it.

But more than even that, I wanted to hang on to the feeling of traveling, the mindset. When I´m on the road, everything seems possible; I´m more open to chance, more aware, more able to live life on life´s terms. When I´m at home, nothing seems possible; everything seems difficult and riddled with tedious and insurmountable obstacles. Of course, neither view is entirely accurate, but I enjoy the former much more than the nose-to-the-grindstone latter.

Two days ago, on the bus ride from Peniche to Coimbra, I began plotting and planning—sketching out timetables and earning versus saving projections (yes, really), trying to figure out when my next trip would be. I was seized by panic, stressed by the dismal prospect of not being able to travel anytime soon. Basically, I was future-tripping, trying to manage and arrange life before I even got home.

But I´m not alone in that. During my trip, I´ve slowly been reading Peter Matthiessen´s The Snow Leopard, a classic travelouge and meditation on the state of living. As timing would have it, Peter´s about to head back down the mountain, towards home, just as I´m about to hop on a flight and sleep in an airport and hop another two flights. In the passage I read today, he´s also losing the Zen of travel and stressing about home, “forever getting-ready-for-life instead of living it each day” (p. 244). He suggests that perhaps the greatest spiritual challenge is to live in the present, to “pay attention even at unextraordinary times, to be of the present, nothing-but-the-present, to bear this mindfulness of now into each event of ordinary life” (p. 245).

So I rambled around the shuttered shops and lonesome graffiti of Porto this afternoon, the uneven stones in the street like a repeating mantra against my worn soles: be present, be present, be present. I wandered past baroque building facades adorned with trumpet-blazing statues, up gasping stairways, into gold-dripping cathedrals, past the darkly oxidized rock (“the awful and irrefutable rock-ness”) that jutted from the earth, bold and undeniable. I felt the murmur of Roman ruins beneath the surface, beneath my sneakers, and tried to hang on to this fleeting feeling of present.

No Port in Porto

DSCN3759I ended up at port tasting in Porto today. If you know anyone who´s been to Porto (yes, the homeland of port), this probably topped their itinerary, sent them scampering up the city´s steep hillside for a free tour and tasting of the  carefully aged, exquisitely sweet wine that is as Portuguese as codfish. If you know me, you´re bound to be uttering a “wtf?”

The thing is, I don´t drink. Not even wine; not even to taste. It´s been over 9 years since I´ve had a drink, so I don´t think of this as a very big deal anymore and don´t think to announce it on my Couchsurfing profile. So when my host picked me up from the bus station, drove me around town on a personalized sight-seeing tour (this is the life), and thought, you know, it´d be fun to stop off for a port tasting—far be it from me to not tag along.

It was mildly interesting, to wander amid the massive barrels and cool stones, listening to the heavily accented spiel (I serve ports at work, which I´ll be returning to in exactly one week, so it was good to have a little refresher course). I observed everyone else´s excitement, especially for the free tasting portion, and I have to say, it was a little awkward when I was the only one not politely pushing to the counter and grabbing a glass.

I´ve been thinking a lot about drinking and traveling, since I read Matador article discussing the pros and cons of alcohol consumption on the road. The article asked whether we needed alcohol to connect on the road. The 21-and-counting comments ran the gamut, and revealed a lot about the people the wrote them. On his personal blog, Matador editor Carlo Alcos offered his ruminations on the subject. “Okay,” I thought, “I can totally write a post on this.” I saved the links and let the subject swim around in the back of my head. And, I´m surprised to say, I actually have very little to say.

So, of course, I´ll say something about that. I found the responses to the article fascinating, little boxed glimpses into the psyches of the thumbnail photos that accompanied them. The fervor and conviction with which so many people wrote intrigued me, especially when they went so far as to make blanket statements or preachy proclaimations. I observed it all with a strange sort of detachment, as though I were looking in on something that had nothing to do with me, like watching a documentary on the culture of people in a terribly far-away land. And, in a way, I was.

I´ve never drank while traveling. I got sober at 17 and never looked back. At home and on the road, people who don´t know this will offer me drinks—I casually decline, and that´s the end of it. Sometimes they notice my repeated refusal and ask why, and I tell them the truth: I´m far more charming company sober.

Drinking for me was never about the kind of camaraderie and conviviality the Matador article talks about—it was about self-destruction and oblivion.  I didn´t win many friends by cussing people out, pissing in doorways or sobbing in corners. Nor would I expect to while traveling. And while I don´t hit the pubs or search out the coke bars when I´m in another city, I do go out. To parties, yes, sometimes to clubs and bars. Sometimes to port tastings. And I dance and laugh and conversate (I´ve stopped fighting, it´s a word now) and do all the stuff everyone else does. I just remember it the next day.

Or, at least that´s the position I´ve always maintained. But in my Portugal travels, I´ve had this lurking feeling that I´m missing out on something. Wine is a huge part of life in Portugal, a cultural characteristic that culminates in the precipitous cleave of Porto and the surrounding green valleys of the Douro. And in the same way that you get a better, ahem, taste of a culture via their traditional foods, I think I´d be getting a better feel for the soul of Portugal if I were swishing a tawny port around my teeth and pontificating on notes of walnut and honey.

But even this feeling, this knowledge, I observe with a distance. It´s all so far away, drinking and the culture behind it, and I find myself regarding it with complete indifference. That is to say, regarding other people´s drinking with complete indifference. I guess what I realized with the Matador article and the responses it provoked was that I really don´t want to be the arbiter of anyone else´s drinking. I´m probably the least qualified person in the world to do that anyway. I just want to keep living my little sober, happy life—even if I end up wandering into a port cellar or two.

Livin´ La Vida Português

Beach from a bus window: NOT the way to be enjoyed

Beach from a bus window: NOT the way to be enjoyed

Nearly a week into my Portuguese travels, I am convinced of two things. One, Portugal is a country best enjoyed by car. Two, Portugal is best a country enjoyed.

On my second day in Lisbon, my Couchsurfing hosts and I chased the sunset along the granite coast, driving through increasingly posh, and beautiful, suburbs where tan bodies gleamed in beach coves, green parks and umbrellaed cafes. My hosts, recently relocated Hungarians, had spent a month driving around the country, stopping in at whatever little village or beach enticed them. As we curved down the coastline, in pursuit of their favorite sunset spot, they told that Portugal was best explored by car. Infrequent and/or nonexistant bus service cuts you off from a lot of the country, they told me; cars mean the usual freedom from timetables, but also a better glimpse into Portugal. I stared out the window, at the pinkening sky and grey sheets of cliff, and nodded—I certainly wouldn´t be feasting on that sight if it weren´t for my hosts´car. Of course, traveling solo, renting a car was far out of my budget, but I lamented my inability to see more of the country, to get off the beaten path and into the dying villages the speckle the green countryside.

But as we climbed out of the car and scurried along the rocks just in time to snap photos and sigh at the insane beauty of it all, another thing occured to me: the Portuguese know how to enjoy life. They don´t initially bowl you over with siestas and late-night partying like their neighbor; coming from a night in Seville, Lisbon actually felt a little tame. While the Spanish are a bit more flamboyant in their lust from life, the Portuguese have a subtler, but equally infectious, approach to living it up: they´ve got the beaches. And the pastelerias. And futbol and fado and seafood and port. And all of it´s twinged with this hint of melancholy that really gets under your skin.

Old folks in Obidos

Old folks in Obidos

The theories converged and cemented today, as I treked off to Obios. The medieval village wasn´t initally on my itinerary, but two Portuguese guys and my hosts assured me it was the most beautiful town in Portugal, that I had to go there. An expensive touristy place to sleep, I booked a hostel in a nearby beachtown, filled with shirtless, sunbleached Austrialian surferboys. As they tossed their towels over their shoulders and headed out a day in the waves, I walked to the bus station. And waited.

The bus ran every two hours and, when it came, made a winding route through narrow streets, stopping at what felt like every crossroad. I got to Obios and, well, was a little underwhelmed. It was pretty, had a castle and cobbled streets and lots of stores selling lace and ginja, cherry liqeuor. I wandered amid the elderly tourists and billowing bougainvillea, half-heartedly snapping photos of the lush rambling countryside and gold-dripping cathedrals. Meh.

I´d been thinking about trying to make it over to another village, only about 30 km away. It sounded even more boring, but was home to a medieval monastery with a gruesome history—gruesome in the way Quentin Tarantino meant when he wrote the line, “I´m gonna get medieval on your ass.” Murals depicted scenes of the monastery´s founder ripping out and eating the hearts of the people who murdered his forbidden beloved, while making memebers of the court kiss her decomposing hand—metal enough to put Lords of Chaos to shame.

But, alas, the bus to Alcobaça only ran once every three hours, and would put me in town only an hour before the monastery closed. I debated: wait around in pretty-but-dull Obios for the bus and try to squeeze in one more sight, or head back to my hostel and do like the Portuguese: hit the beach. I´ll let you guess what won out.

Freshly shaved and bikini-clad, I took my crappy travel towel and joined the fat old men and tattered fishing boats along the gentle coast. The water was cold at first, but soon I was breast-stroking and wave-hopping with the best of em. I´ve been told the Portuguese love their beaches and escape to them at every available opportunity—and now I can see why. Rockless and clear enough that I could see my feet, it felt pretty heavenly. I stretched out in the sand, soaked up some sun, and stopped for an ice-cream cone on my way back.

I may not be making it out to the remote hilltop villages, and I may be spending hours twittling my thumbs at bus stations, but I´m starting to get the hang of this Portuguese living thing. And you know, it´s not so bad.

The Trials of Trying

DSCN3637I´m learning to become a travel writer—which has a lot more to do with learning to travel, and travel differently, than it does learning to write.

Sure, it´s its own genre, a new craft to negotiate. And, yes, it involves hours hunched over a notebook or a computer, weaving images and experience and attempting to capture the whiffs of a place, the strange sentiments it evokes—those vague stirrings that Viriginia Woolf lamented go “fluttering through the nets” of even the best writers.

But, for me, the tricky part has been the first half of the phrase, the “travel” part of “travel writing.” It means traveling in a different way, pushing myself more beyond my comfort zone and inherent shyness in order to experience more—more interactions and more adventures mean more to write about. It means forcing myself to follow those little nudgings, those whispers to, say, delve into that shadowed medina alleyway or say yes to going out on the town when I´d really rather sleep. Fuller travels equal richer content; everyone wins.

I knew on the on-set of this trip that it´d be different for me—my first long trip since getting serious about travel writing. And I set out blazing—tromping around, joyfully holding hands with serendipity, taking feverish notes and spending long hours at cheap internet cafes, searching for punctuation marks on foreign keyboards. I was feeling positive, productive, learning more each day to let go and follow my hunches, the random doors that open.

Then came Lisbon.

I loved Lisbon. Maybe that was the problem. Maybe its bittersweet melancholy sunk in a little too deeply. It´s hard to say. But I spent my last morning woefully walking its steep streets, ruing in a mosaic of regrets not too dissimilar from the sidewalk stone designs.

Vibing well with my hosts, I´d stayed a day longer than intended, and still felt like I´d wasted my time, hadn´t used it well enough—missed out on a chance to go to my first football game, didn´t make the trek to a huge experimental design expo, didn´t go inside a cool-looking vintage toy store that probably would have made a killer (and sellable) story. I´d dropped so many balls, as my friend Katie would say, you´d think I was trying to dribble.

I´m not sure why I fell off so steeply, as precipitous as the seven hills of the city (at least I´m making some anaolgies out of it). It´s possible I´m just being hard on myself. I´m a person that always feels like I should be doing more, working harder, being better. I´m excellent at rallying, at pushing myself—working six days a week for months, saving money to travel. I told myself that for every place I visited on this trip, I´d come out with at least one story. This didn´t happen in Lisbon, and I think there´s a lesson somewhere in there.

I arrived in Lisbon tired. Exhausted, and it wasn´t just the six hours of broken sleep on an overnight bus. I´d been power-traveling for over a month, never sleeping in the same place for more than three nights. My clothes were filthy, my chest blossoming in a recurring stress-related rash. I´d had on-and-off-again diarrhoea for almost two weeks, but hadn´t had a period in over six. My last day in Marrakesh was emotionally draining, and I was ready to relax. To hang out with fun people, to eat pasteries in a shady park and watch trashy American movies. Which is what I did. Rejuvenating? Yes. Fodder for great travel writing? No.

There´s no use in wallowing in regret; all I can do now is try to learn something from it. And while I need to continue to push myself to take risks while traveling—to push open those cracked doors, to go into that toy shop—I also need to go easier on myself. Working as hard as I could got me sick for a month with summer (with swine flu, a whole ´nother story); similarily, traveling as hard as I can will burn me out. It´s tough, cause my time is so limited and my resources are so meager, but I need to move a little slower. Schedule in down time. Take moments to breathe.

Of course, it´s a spiritual challenge as well as a travel writing challenge, a lesson I´ve had to have beaten into me repeatedly. Maybe this time, I´ll finally learn.


Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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