Archive Page 12

Scrap Metal and Tourist Scars in Phonsavan

Published May 3, 2011 Independent , Laos , Offbeat , Places , Sola , Southeast Asia 4 Comments
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On a small stand in the Phonsavan tourism office, bracelets are for sale.

So is flatware. They sit beside a postcard that reads “Make Spoons Not War.” Beside cartoon posters depicting the Dos and Don’ts of respectable Lao tourism, posted leaflets encourage you to purchase items made by villages out of metal scraped from the UXOs (unexploded ordinances) that continue to claim lives and limbs. From tragedy to hope, a brighter future for impoverished locals—your tourist dollars can make a difference.

Or something like that.

Phonsavan is an emerging tourist destination in Northern Laos. Its only draw is the scars of enigmatic history: a landscape scattered of mysterious, 2000-year-old stone jars (think Stonehenge in circular formation), and bomb craters and UXOs. The juxtaposition has, in the last few years, landed the grizzlied town on the independent traveler route, with broader tourism looming ahead like the black storm clouds of an early rainy season.

For now, the town remains rough-and-tumble and charm-challenged. A series of squalid guesthouses line its one sidewalked road. A handful of tour offices litter the same road. It’s the kind of place where you arrive, in a mid-afternoon downpour that muddies your shoes and seeps through your backpack, and think—Get In, Get Out, Get Gone.

I spent the rest of the afternoon wandering around the town. I cruised the local market, bought some rice-paper rolls and steamed greens; the hunched old woman smiled at me and refused money for the greens.

I passed Craters Restaurant; decidedly Western, it had a makeshift fence of UXO shells. It felt cheeky, performative, self-conscious—something about it didn’t sit right. But I hadn’t had my requisite three fruit shakes that day, so I sat down and watched the traffic pass.

Across the street, the sign for MAG peeked through the bomb-shell fence. The most prominent UXO-clearing agency in Laos, MAG works both to defuse and remove UXOs, and educate local communities about their dangers. They screen a few documentaries on a small TV set every evening; I left Craters and went to watch that night’s showing of Bomb Harvest.

The documentary traces the work of MAG. It’s somewhat sensationalist and self-congratulatory (“In bomb disposal, you only make one mistake”), but overall the film achieves a really good end: educating people on the realities of UXOs in Laos today.

I’d known they existed; I had more than a passing familiarity with the devastation of US secret bombing in the country. And I knew that UXOs continued to kill and maim people throughout Laos. What I didn’t know was that scrap metal had become the new cash crop. And tourism, I’d discover the next day, was fueling it.

The basic story is this: in a country as poor as Laos, a lot of subsistence farmers struggle to feed themselves. The scrap metal peeled from UXOs fetches a fair dollar—some $100 for large casings. It may not sound like a lot to risk your life for, but when you don’t have enough to eat, your life is risked already. Despite public education campaigns, people continue to harvest and sell UXOs—many of them children.

In addition to selling scrap metal, locals began to use casings for planter boxes and building supports. As tourism trickled in to the Plain of Jars sites, Westerners were charmed with the aesthetic and ingenuity of this repurposing. Tourist-geared establishments are now getting on the bandwagon.

With this backdrop, I eyed the scrap metal bracelets carefully. I liked the idea of them, liked the feel of the dented metal and the notion that I could both accessorize and ease my American guilt. “It helps the local people make money,” our tour guide explained.

“Do they make the bracelets from harvested UXOs?” I asked.

He nodded.

“But isn’t that very dangerous? Don’t people die that way?”

He nodded again, this time more reluctantly.

I slid the bracelet off and placed it back down.

Our tour continued on bumpy muddy roads. We trailed one other 6-person group, but largely had the sites to ourselves. To get to one of the sites, we tromped through rain-soaked rice fields, down wooden slats and past families bathing in brown water.

Tourists, our guide told us, had only been coming to the sites in the last few years. There were plans to pave the roads, our guide told us; an international airport would soon open near the town. Only 15 sites of jar sites were currently open; several more were being de-mined. You got the feeling that mass tourism was just around the corner.

We stopped at a modest farm house. Standing behind the bamboo fence, our guide pointed our the bomb casings used as supports for the barn. We snapped photos. “Not many houses still like this,” our guide said. “Now, the casings are mostly sold to guesthouses and hotels, for decoration.”

I thought of Craters Restaurant and cringed.

Tourism can bring a lot of good to a community. Phonsavan is poised to become more wealthy because of it. But I thought of the children I’d seen in Bomb Harvest, carefully digging through the earth, crude metal detectors and frightened eyes, and wondered at what cost.

It’s hard to always be informed about where your tourist dollars go. Over lunch, I had a long discussion with a British couple about their experience volunteering at a “real” elephant sanctuary in Thailand. They told me about the farcical nature of most eco-parks, how the Thai government worked to block the release of information about the real conditions of the animals, information that would surely hinder the precious money brought in by Westerns who unwittingly wanted to ride elephants.

“And the sad thing,” I remarked, “is that all those people think they’re helping, that their money is going towards some kind of solution.”

They nodded. I leaned slightly and slurped another mouthful of rice noodles.

My spoon, I realized, thumbing its texture, was made of scrap metal.

***

Travel Tips: Phonsavan

Phonsavan is well-connected to provincial capitals and tourist destinations. I took a minivan from Luang Prabang, a bumpy and cramped 7-hour affairs; a bus would have been 9 hours. I took the overnight VIP bus back to Vientiane, getting about 2 hours total of sleep.

Guesthouses are in a sad state in Phonsavan, especially in the budget range. I ended up at the LP-recommended Kong Keo Guesthouse. It wasn’t great by any means and I’d read some sketchy things about the owner, but after checking out three other guesthouses, it was still the least squalid.

A tour of the Plain of Jars sites seems to be the best option, especially if you can buddy up with some people. The sites are pretty far apart, so you’ll need some transport anyway. We paid 150,000 kip (little under $20) each for a group of six, which included lunch. The guide was knowledgeable, and there’s plenty of outfitters to chose from.

Fellow travelers tend to be pretty friendly and less Spring-Break-ish than the backpackers I’d encountered in Vientiane and Luang Prabang, so teaming up should be easy. Definitely visit in the dry season, until the roads are paved and facilities modernized; it was super muddy, and Site 3 becomes impassable during the rainy season.

The only Wifi I found in the town was at the Western and fairly decent Vanaloun Cafe, along the main drag. Wifi is free, espresso drinks passable, and the breakfast was actually pretty good and not too expensive. They also have a small guesthouse. Might be worth checking out, though a girl I met in the cafe told me she couldn’t ever find the shower.

Travel Tip: Accessories Will Save You

Published May 2, 2011 Dirty Tricks , Laos , Places , Southeast Asia , Tips 1 Comment
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Now really, there is just no need for this.

The rainy season may have arrived early in Laos this year. But think that means you’ve got to tromp around in ugly boots and plastic tarps?

I say nay. I say accessorize.

I once heard on Oprah that the difference between people and animals is our ability to accessorize. I couldn’t agree more. Enough of these chimpanzees in zip-off pants and Tevas. A proper display of one’s humanity obviously includes a few well-chosen statement pieces that take you from Backpacker Bum to Hobo Chic.

Take the belt. It is perhaps the most crucial travel fashion accessory—it is both practical and stylish. Kate Middleton recently made heads turn when she left the Buckingham Palace for a post-wedding getaway in a belted blue dress. There’s no reason one can’t have the same effect at tourist attractions in Laos.

The $2 plastic poncho purchased at the town market may not scream “Style Icon.” It may not be the most form-flattering and may make you feel like you’re wearing a sweaty trash bag with a too-small head hole. But don’t let that get you down.

Throw on that handy belt you’ve packed, and you suddenly have both a waistline and a powerful statement to make: “I will not be held back by weather conditions, budgetary restrictions nor poor local fashion standards.”

Yes, you can hold your head high, your pants up and your waistline in, all with one well-chosen and easily packable accessory. Oprah would be proud.

My Legs in Laos and My Heart in Cambodia

Published May 1, 2011 Cambodia , Culture Shock , Dirty Tricks , Laos , Places , Southeast Asia 4 Comments
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From the bus

“It’s crazy,” Alicia leaned over and whispered, a precipitous landscape of green huffing past the bus window, “how much healthier people look here.”

We sat in the cramped seats of a leaky-window bus, an 11-hour ride from Vientiane up to Luang Prabang. We passed mountains of limestone that rose up like the Angkor towers, dense forest and slash-and-burn fields of black, where smoke spindled like skinny incense. Punctuating the wild were villages of thatched-roofs and rusty satellite dishes, women swatting plastic bags at the flies that hovered over their roadside produce stalls, dirt-faced children who looked up, startled from inside doorways, then smiled and waved.

It was our fourth day in Laos.

I nodded; Alicia was right. There were the racial differences—lighter skin, sharper eyes—but also a kind of impoverished solidity to the people: lean but sturdy, skin firmer, less taut than that of their Cambodian neighbors.

Laos ranks among the world’s poorest 20 countries, and it endured its own US-fueled war and rounds of secret, incessant bombing. But there’s a difference between Laos and Cambodia, a lack of trauma that feels palatable.

We arrived that night in Luang Prabang, the country’s biggest tourist attraction—a Unesco-site of colonial chill. Vientiane was pretty mellow itself, but it’s hard to get a feel for a country by one city, especially its capital, often bound to be wealthier than the rest of the place.

It’s been a week now, and little differences between Laos and Cambodia have continued to reveal themselves to me. Like there aren’t private security guards sitting in plastic chairs outside every restaurant and guesthouse. There aren’t girls, bare arms folded and legs crossed in short skirts, sitting in similar plastic chairs outside of karaokes. I haven’t seen twelve-year-olds on the sidewalk, hunched over and breathing deeply into plastic bags that fill and deflate, fill and deflate, with the rhythm of addiction.

The foreigners are different too. There’s more backpackers, nearly exclusively backpackers, it feels, all wearing a uniform of flip-flops, shorts, Beer Laos tank tops and hungover sunburns. I’ve only seen a few Western white men with local women, and in most of those instances, they’ve had mixed-race children in tow. I haven’t seen any older burn-out travelers, with missing teeth and weathered skin and the particular wiriness that decades of addiction bring (think Iggy Pop in sandals).

I’ve read the newspaper a few times; it hasn’t been filled with stories about child rapes and murders and bizarre happenings (ie: a monk being disrobed for getting caught having sex with a married woman). Signs in my guesthouses haven’t advised me against having sex with children. I don’t finish all my food at a street stall, go to pack it up and take with me, then realize there aren’t street kids to give it to. There’s sidewalks, and the electrical wires stretch down the streets in smooth, discernible lines.

I hadn’t expected these differences. They’d existed in Thailand, but Thailand is wealthier, didn’t survive a war just a few short decades ago. I’ve been experiencing them as a series of little moments, realizations, that have started to add up in me, assemble in a line, make some sort of shape—a constellation of tragedy, a map of the way tragedies continue to exist in us, reverberating like sound waves or the rings inside trees when you cut them down and turn them sideways.

Cambodia, I’d thought, didn’t seem like a place that a genocide had occurred in. Phnom Penh, when I’d first arrived and walked its blossom-lined streets, didn’t seem like a city that had been evacuated, abandoned, left to crumble and rot for four years.

But the longer I’d stayed, the more I’d become aware of these strange things, little fucked-up moments that sparked and burned like dying stars. They felt like glimpses in to something too terrifying to look at squarely. So I suppose I didn’t look, didn’t think about them more deeply than a passing pang. This is how you deal with suffering, the same way I step over junkies in the Tenderloin: you build a wall around yourself, and you need this wall—if you let it all in, you might snap, go over into that dark side you’ve glimpsed and not ever come back. It happens; it sounds dramatic but you’ve seen it happen, like the kid in middle school who takes too much acid one night and is never the same. It could be you.

What I mean to say is that I normalized all the trauma in Cambodia, in the way people normalize everything—begging children and tuk-tuk drivers that couldn’t read maps, karma-scarves faces atop pick-up trucks, eyes that blazed black in the dust.

Sometimes it takes leaving a place to really know it—the way I’ve come to know the US much better by having traveled outside it. And now that I’m in Laos, somewhere chiller and possessed by a less horrible history, I’ve suddenly become aware of all these observations that were collecting quietly in me. It’s made me reconsider Cambodia, redefine it by a comparison country. And oddly, it’s made me miss it, crave it, the way we love things we can’t save.

“I was glad I went,” Suki said as we strolled the night market tonight. “There were some cool moments and it was really educational, but man,” she paused, shook her head slightly and her earrings followed her, glimmering, “I was ready to leave. It was heavy there.”

“How do you mean?” the writer in me asked, wanting details, specifics, scenes to cite.

Spooky dolls at the market

“I don’t know, it was just this heaviness in the people.”

I looked around at the gentle bustle and glowing lights of the market, and nodded. “I think I know what you mean.”

April 25: Sobreity and Getting Stolen From

Published April 29, 2011 Blunders , Dirty Tricks , Laos , Places , Safety , Sobriety , Southeast Asia , Subculture 1 Comment
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Didn't take many picture in Vientiane. So here's one of people on the exercise equipment along the riverside.

Vientiane, April 25th: it was one of those perfect days. Until I found the money missing.

April 25th is my sobriety birthday, the day I get to think to myself—“This is the number of years my life has been getting better.” This year was eleven. Eleven years of slowly, sometimes painfully, learning to live in the world and in my own body without killing myself. It’s a pretty good thing to celebrate, not in a balloons-and-cake kind of way, but in a way that’s stiller, sweeter.

The theme of the day, I’d decided, was self-cafe. Which didn’t seem like it would be hard to achieve in Vientiane. We’d arrived the previous morning, slept off our 24-hour-bus-ride aches and spent the afternoon strolling around the town, eating at the local night market, reveling in all the differences from Cambodia (“Sidewalks!”).

The air was lighter, softer in Vientiane. We were farther north, and it was cooler, an oppressive edge eased. The streets were free of rubbish, and the traffic was mellow, orderly even—girls in sarongs riding side-saddle, holding frilly sun umbrellas. With its shady streets and fountain square, its cafes and riverside promenade, the city felt—I hate to say it—European.

Everyone had talked about how insanely mellow Laos is, how when you cross the border you exhale this breath you hadn’t know you’d been holding. And it was like that for me. So I decided to mellow out with it. April 25, there’d be no hard-core traveler shit, just doing things that felt good for me.

So I spent a couple hours writing in the morning, then went for fruit shakes and Western salads. We took a tuk-tuk out to a fitness center recommended by the guidebook; I ran sprints on the treadmill, swam in the pool, read in the sun, drank fancy coffee, got an hour-long massage. We went back into town and my friends treated me to Indian food. Cool air blew off the river, and I felt healthy, serene, filled with a simple kind of gratitude you don’t need words for.

“This has been a fucking great day,” I told my friends as we walked back to the guesthouse. “Really, guys—thanks for sharing it with me.”

I needed to stop off at our room to grab some more cash. I’d changed a bunch of US dollars the day before, and I never like to walk around with too much money on me—a lesson learned, I suppose, growing up in Oakland. I know you’re not supposed to leave anything of value in hotel rooms, but it always seemed a toss up to me. And in six years of traveling, I’d never had a problem.

Housekeeping had come, we noticed: fresh towels and soap packets. I reached into my bag, a pocket that I’d left, admittedly, half-zipped. I pulled out the book I’d tucked my cash into—as it happened, my favorite recovery daily reader (yeah, that’s right). I flipped to the page I’d stuck my money in—as it happened, that day, April 25.

And it wasn’t there.

“God. Damn. It.” I closed my eyes, dropped my arms to my side. “My money is gone.”

I commenced what I knew was a fruitless effort, digging through all my shit. Alicia and Suki joined in. “Did you put it here maybe?” opening another pocket, lifting up another pile of dirty laundry.

It was gone. $150, about 5 days worth of travel. And I knew there was nothing I could do. Every hotel room I’d ever stayed in, this one included, has had signs telling you they weren’t responsible for missing property. I had travel insurance, but how do you prove you had cash stolen?

And it was partially my fault. I hadn’t been careless, per se, but I hadn’t been as vigilant as I should have. I’d broken one of the cardinal rules of traveling, right along with leaving your bags unattended or keeping money in your back pocket.

I went down to reception, even though I knew, just like searching through the room, that talking to the manager would be fruitless.

I told him about the missing money. “I know there’s nothing you can do, but I just thought you should know.” He went through the motions of calling staff (“They said no one cleaned your room today.”), searching through the video recorder of the hallway (“I didn’t see anyone enter the room.”).

He told me they’d never had a problem before; a couple minutes later, he suggested I’d lost the money. “Maybe because you are three,” he offered. “Once we had three people staying, and they also lost something. They called the police; it was a big problem for us.”

I sighed a long, pained sigh. “I thought you said you’d never had a problem before.”

He shook his head, dismissing my observation. “I trust my staff.”

“Well, that’s good. But someone stole money from me, so I don’t.”

I sat down in the gaudily carved bench in the foyer, defeated. My brain ran through a list of should-have’s, why-didn’t-I’s. I pictured all the end-of-trip indulgences I wouldn’t be able to allow myself. I felt nauseous. I got, I’ll admit it, teary.

I went back upstairs, flopped down on the crisply folded sheets. I smirked at the irony of getting money stolen from a recovery text, on my sobriety birthday, a day that had been so healthful and serene.

What do you have control of in this situation? I asked myself. I couldn’t get the money back, couldn’t file a claim with my travel insurance, couldn’t prove that it was stolen in the first place. All I could come up with was my attitude.

I sighed again. Not a pained sigh, but a long exhale, the kind they say you do in Laos. So someone took my money. Was I going to let them take my serenity too?

It’s been a few days. And while I still feel the sting, while I have to be extra careful about what I spend money on, the main thing I remember from April 25, 2011 isn’t getting ripped off. It’s of taking care of myself, giving myself what I needed—a day of fitness and relaxing and good food—and sharing it with friends.

[For what it’s worth, the hotel I stayed at was the Riverside Hotel. And they’re breakfast was pretty awful to boot.]

National Geographic Moment: Gecko Vs. Praying Mantis, Bungalow Porch

Published April 25, 2011 Cambodia , Offbeat , Places , Sola , Sola , Southeast Asia 7 Comments
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Alicia got the shot; I can't take credit.

So I love traveling sola. You know that by now. But one of the great things about traveling with friends—and fucking cool friends at that—is that they open your eyes to things you’d normally never notice. You end up, say, in a towel at 11pm on the porch of your bungalow in the Kep hillside, watching a gecko and a praying mantis the size on your middle finger in a life-and-death stare-off amid the rafters.

My best friend Alicia is a science lady. She’s a taxidermist and has a seemingly encyclopedic knowledge of animals and insects. I know shit about science, skirted through classes in high school with charm and wandering eyes. All bird calls kind of sound the same to me, but Alicia will pause, listen, then tell you all about the species that made the noise, usually some cool anecdote to go along with it. It’s kind of like having your own personal nature guide.

So when she stopped in her tracks along a dirt road outside one of the Angkor temples, I knew it had to be something good. She brushed off a frenzied pile of ants, stared at the dead body that had caused the swarming excitement. “Oh, rad!” she exclaimed, carefully picking up the insect, an unhatched cicada. She explained the reasons behind its rarity while sliding it gently into used film canister. She was bringing it back for a co-worker at Academy of Science.

And so when she tapped gently on the door to my bungalow as I was stepping out of the shower, I knew I’d better open it. “Hey,” she whispered in the glow of the porch light, “check it out.”

It was the biggest praying mantis I’d ever seen. Which isn’t saying much, since I’d only seen my first a few hours earlier. But it was big, is the point. It was near-frozen, its head bobbing gently as it stared at a small moth.

“Look,” Alicia pointed to a green head peeking out behind the rafter. It was one of the big geckos, the kind that makes the belly noise you hear in the night all over this region. I’d never have seen a big one before.

“A stare down?” I asked.

Alicia nodded. “They’re both ambush predators, so they’re waiting for someone to come close.” The praying mantis was waiting for the moth, unaware that the gecko was waiting for him. “They could sit like that all night.”

I shrugged, clutching the towel around me. “I’ll give it a few minutes.” We stared, surrounded by the buzzing blackness of a tropical evening.

Suddenly, a huge moth swooped by. The praying mantis forgot the tinier moth sleeping on the rafter, which darted away, and lunged towards the larger moth. They danced like that for a few flurried seconds—nimble bright green chasing a flurry of grey and black wings. “Oh damn!” we exclaimed. It was like a nature show, gone live.

The praying mantis leapt toward the mammoth moth, not realizing it was landing within reach of the gecko, who’d held still throughout the chase. One swift dive, and the mantis became nothing more than thin green neon hanging out of the mouth of a darker, reptilian green.

The gecko slunk behind the rafter to consume its prize. Both moths had disappeared into the night.

“Well,” I said, nodding, “that was fucking cool. Thanks for the heads up, dude.”

“No problem,” Alicia laughed. “Little excitement for your evening.”

We said good-night and disappeared behind adjoining doors.

Photo Essay: Kep’s Abandoned Mansions

Published April 24, 2011 Abandoned Places , Cambodia , Independent , Offbeat , Places , Sola , Sola , Southeast Asia , Subculture 1 Comment
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Before the war, beach-side Kep was a fashionable get-away for Phnom Penh’s well-heeled. Opulent homes were built into the cicada-buzzing green slopes, washed in the smell of salt and seafood. They were all abandoned, of course, in 1975; as the war reached on into the 90s, the facades crumbled and the green grew up in the cracks. It’s pretty much stayed that way since.

Kep is on track to regain its by-gone glory. For better or worse, bulldozers lumber across construction lots where crisp new buildings arch up behind shotty scaffolding. For now, Kep is a mellow mix of vacationing Cambodian families and independent Western travelers. Fishermen reel their nets, women season crab in fresh Kampot pepper and their adolescent children serve you at beach-side shack restaurants. You can hop on a boat and cruise out to Rabbit Island, where hammocks and coconuts and ramshackle bungalows will lure you away from any noble ambitions to trek to the top of the jungle-y island.

And of course, you can traipse through the remains of Kep’s past.

Makes my heart flutter

The squat toilet shall never die

The tile survives

View from the former second-story balcony

Peeking out: view from the street

Looking up

Looking out

Between the trees

Rising up

The walls of some of the buildings were covered, not in traditional graffiti, but children’s scribbles: faces, indiscernible Khmer, dirty drawings of women. It somehow made it sweeter, lent an innocence to the rubble that made you think of it, not as a relic of war and the country’s painstakingly slow march towards recovery, but instead as a child’s play place, a fantasy land, safe and hidden.

It’s hard to know what to say about Kep. The urban explorer in me was pretty stoked to traipse through abandoned building after abandoned building, surveying what was left and what was gone and what was growing up amid the crumble. But you couldn’t help but feel a sadness, adventuring around in this way you love, because you knew the reason for it was so heart-breaking.

It’s also hard to know what to say about the new development, the sure wave of resort tourism it will bring. It won’t be the same, that’s for sure, but will it actually go back to being something more similar to what it once was, before the war?

There’s no way to know right now. But I will say it’s a damn good place to hole of for a few days, eating crab and swimming in the ocean and climbing through ruins.

Battambang, Abandoned City

Published April 21, 2011 Abandoned Places , Cambodia , Independent , Offbeat , Places , Sola , Southeast Asia , Subculture 2 Comments
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Battambang is a dingy balcony over a deserted street. Battambang is a tangle of electrical wires sagging in the heat, is a patch of sand between busted-up sidewalk, is discarded amusement-park bumper cars fading in the sun.

Cambodia’s fourth largest tourist attraction felt post-apocalyptic when we arrived, mid-afternoon during the biggest day of Khmer New Year. We wandered through nameless, signless streets, past shutters and padlocks and beach umbrellas with no one under them, looking for a guesthouse. We ventured out for coffee, through the wilted market, strewn stalks of sugar cane and vegetables rotting in the heat. The open lot across from the evening carnival, sleeping in the mid-day sun, reminded me of an old Freddy Kueger movie, dogs sniffing around the menacing clown smiles on the front of bumper cars.

While this impression isn’t entirely accurate—it would be like coming into any US city on Christmas Day—it did prove an apt opening to two days of wandering around the city and its surroundings. Battambang was, I’d learned, a major hub for people making the journey to Thailand in the post-Khmer-Rouge days, where they’d trade gold and hire shady guides to lead them through forests and mountains, landmines and bandits, that only some would survive. It’s probable that my friends’ parents passed through Battambang, and my friend, in a sense—in utero, sleeping inside the warmth of his mother.

It was hard with the holiday to get a sense for the city as it is today. And the coolest stuff we found wasn’t the temples, where monks chanted into megaphones, and it wasn’t the bamboo norry trains that have now turned into a shameless tourist trap—a police man with a crooked smile and a limp handshake, “$5 per person.” The coolest places in Battambang were the abandoned ones.

We walked down to the abandoned train station, a sweltering sidewalk lined with New Years decorations that look like tinsel pentagrams. During colonialism, the French built a train system in Cambodia, and it was still used through the 70s. I’ve read accounts of people who, early on in the Khmer Rouge reign, were transported to various work sites by train. At some point the system disintegrated, and the Battambang train station is proof of it, the clock out front permanently frozen at 8:02—a time that comes twice a day, like a train passing, but a year and date that remain silent, that will never pass by again.

Like everything old in Cambodia, there’s nothing to stop you from poking around the lot of rusted engines, boxcar carcasses, tracks obscured by long grass and cow dung. People live there now, poor folks in thatched huts, where once the wind of the train might have blown them down, but now they only have to worry about the ghost trains passing—the wind, I suppose, doesn’t blow so hard from those. One man had set up a home in an old warehouse; I glimpsed him, through a crumble in the wall, bathing in his sarong.

You’d feel funny walking through a place like that in any other country. In the US, it’d be dripping with graffiti and crackheads. But in Cambodia it was people just living their lives, sitting on bamboo platforms with their families, small children exclaiming, “Hello!” and giggling joyiously when we responded. You couldn’t help but feel welcome, though you weren’t sure why you were welcome, why they all greeted you so goddamn graciously. Something in me felt I didn’t deserve it. I smiled anyway.

The next day I went out solo to explore the abandoned Pepsi factory. It’d been shut down, I read, when the Khmer Rouge came to power in 1975—frozen like that, like the clock at the train station. I grabbed a tuk-tuk, a man who insisted I pity him for having to work on New Years. We rattled out there, dirt roads lined with kids throwing small plastic bags of water, a New Year tradition. They smiled at me, waved, but none of them threw a bag at me. I wondered why.

The Pepsi factory was a faded concrete building with a well-tended garden. It struck me as a curious juxtaposition—the crates of bottles I could spy through the windows, waiting for a delivery that never came; the burned-out remains of a warehouse further back, where a fire had once raged, fixtures hanging from holes in the ceiling; the barefoot children that wandered around, peeling back strips of corrugated tin and disappearing inside the blackness. All that, next to trimmed grass and perky flowers, a yard free of rubbish, where a couple of families picnicked in the shade of a tree.

My tuk-tuk driver wandered over to me, as I balanced up on a ledge, beside shorn hedges, trying to get a photo of the inside of the factory. “All the machines are gone,” he told me in surprisingly fluent English. “They went to Vietnam.”

The factory, he said, had sat empty during the Khmer Rouge regime. When the Vietnamese came in 79, they’d dismantled all the machines and took the parts back to Vietnam. Now it was just crates of empty bottles, a silent loudspeaker with its wires disconnected, exposed.

“Why is the garden so nice?” I asked him.

“Oh, it’s a man who lives here. He’s very old, 80, I think. He used to work at the factory before the war. After, he had no family, nowhere to go, so he came back. The government let him keep the grounds. He lives back there.” He waved his hand back towards the burned-out warehouse, where I’d seen laundry lines and pieces of cooked rice sitting in the sun.

“That’s him,” the tuk-tuk driver said casually, gesturing towards an old man who walked slowly with his hands clasped behind his back. He wore an Angkor Wat t-shirt and a krama scarf loosely over his shoulders. You could tell by the way he sucked his mouth that there weren’t hardly any teeth left. The lines in his face were a fine webbing, like wrinkled laundry.

I smiled and bowed for our awkward introduction. What do you say to a man like that?—a man who’d seen all those abandoned places alive, who’d lived it himself, who’d set up a home amid the ruin and spent his days tidying what was left, memories green as grass?

“The garden is beautiful.” The tuk-tuk driver translated and the old man smiled a sunken smile, no teeth to stretch it taut. I bowed again.

Battambang is a dirt road and a child waving, an old man nodding to himself as he walks away.

On Not Riding A Bike In Siem Reap

Published April 18, 2011 Cambodia , Places , Southeast Asia 13 Comments
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I have a deep dark secret: I don’t know how to ride a bicycle.

It’s what I like to think is the last relic of the child I was: hysterical, terrified, subject to daily sobbing break-downs until the age of 8, my parents called in for concerned conferences with teachers. I was afraid of everything, and that included learning to ride a bicycle. My parents couldn’t come up with a good enough reason to force me—or themselves to teach me.

So I never learned. The older I got, the more ridiculous it became. Every once in a while I’d try, boyfriends valiantly declaring they’d teach me. It always ended in me flush-faced, ashamed, the jack-o-lantern cackle of crackheads at the park we’d hang out it, laughing as I fearfully raised one foot, then the other, then wobbled and swerved. It always ended in tears, and I’d be embarrassed about that too.

So when my two friends wanted to rent bikes to cruise around Siem Reap, when they smiled so sweetly and suggested, “There’ll probably never be a better place to learn. Flat roads, old cruiser bikes—a lot better than a roadbike in Oakland.” I nodded at the logic. Yes, I thought, the time has come to finally learn.

I’d actually thought about it the day before, as we rattled in our tuk-tuk through the temple sites. We were trapped on a painful tour, which actually felt more like a school field trip—our guide a well-meaning fellow who insisted we take photos at all the popular spots (“Stand sideways here, so it looks like your nose is touching the statue’s”). A girl had passed us on a rented bicycle, sundress and a basket, steering with one hand as she ate a pineapple wedge with the other. She looked so leisurely, so relaxed, in her own world of solitude with the trees, the stones, the road.

I’d wanted to be on that bike more than anything.

“But I have to warn you guys,” I told my friends as we walked to the rental shop. “I turn into a five-year-old when I try to ride a bike.”

“It’s gonna be fine,” they reassured me. “You’ll pick it up no problem.”

I had a knot in my stomach as they tested the different bikes, adjusting seats and cruising slowly down the dirt road and back. I distracted myself with plans for a blog post, a tender and life-affirming meditation on overcoming fear, letting go of old identities, on the role of place—on how, I imagined, being in a different environment could help you to find yourself or lose yourself, parts of yourself you don’t like—or maybe discover a new version of yourself. Yes, something like that, I thought as my friends paid the rental fee.

We walked down to a shady street with only occasional traffic, bicycles and motorbikes passing every few minutes. I felt nervous but confident as my friends gave me pointers, suggestions, but most of all encouragement. “You’re totally gonna get this,” Suki assured me with her sunlight smile, as Alicia held on to the back of the seat like a father, explaining the science of forward momentum to reassure me.

I wobbled around, lifting feet to the pedals one at a time, then both for quick moments of breath-held balance. “Oh, your so close!” Suki exclaimed behind me. “Any minute you’re gonna take right off!”

A frustration started to mount. It came, it seemed, from some very deep place. As I went back and forth down the country road, the feeling grew. It began to turn into anger, a seething self-hatred I haven’t felt in years but know too well to mistake. A burning began behind my eyes.

“Goddamnit,” I kept muttering under my breath. I knew logically that I could get this—I’m an able-bodied person with full control of my limbs. But my forearms tightened as I gripped the handlebars, staring down at the dirt before me—I couldn’t bear to look up at the world. You’re defective, a voice said.

I know this voice. It’s a tape I like to think I’ve outgrown, that I like to think I’ve smashed the casing of, pulled out the shiny reel, spun it like a fat black spiderweb, like I’d do as a kid—then crumbled and thrown away. I like to think I don’t even own a cassette player anymore.

But it’s there, always there (“What we really have is a daily reprieve…”)—perhaps collecting dust but still waiting for something, feet on pedals, to push play. The more I tried to ride that goddamn bicycle, the louder and clearer the voice became.

The good news is that today, I know it’s just a tape. And I told myself that, sweating in the morning heat: These are just old beliefs. They aren’t true, and you can choose not to believe them.

A motorbike and a bicycle passed concurrently, raising a plume of dust. I glanced up. I saw five faces, turned back over their shoulders to look at me. The expression wasn’t of pity or amusement or superiority—it was of concern. They’d seen me, these strangers, glimpsed a very private and shame-filled and ultimately very true part of me, on a roadside in their city.

I put my feet down, stood up. “I can’t do anymore guys,” I said in a shaky voice. I grabbed my purse, not wanting to look my friends in the eye. “I’m going for a walk; have a good day.” I rushed away.

The tears came freely as I kept my head down, walking through the roads of outer Siem Reap. Tinsel New Years decorations hung from doorways as amplified voices of chanting monks filtered through the trees, along with the lethargic sunlight.

“Fuck, fuck fuck,” I chanted to myself. There I was, 28 years old in Cambodia, and still feeling like a little kid, like that girl I used to be and hated.

Can travel really change us? Can discovering new external landscapes help us to discover new landscapes inside ourselves? Does anyone really ever “find themselves” traveling? Is it all one massive distraction from the pain of it, the pain we’ve nestled away, the way they say we store memories in our knotted muscles? Can travel be a kind of accupressure? What are we hoping to find, and what are we hoping to get rid of?

I walked. I passed a group of half-clothed children playing with a ball. They smiled and waved, “Hello!” and giggled when I said hello back. I passed a cemetery, where a shirtless young monk hung his orange robe on a clothesline, then lit a cigarette and stared. A skinny-ribbed dog sniffed through a pile of rubble, a magazine of tired black nipples. She looked up at me with startled eyes, flinched at the sight of me, lowered her head and stepped backwards.

I wanted to take that dog, to sit down and let her lie her head in my lap. I wanted to sit like that, the two of us in the trash and smashed cement, a random road outside Siem Reap.

But I just kept walking.

A Vision at Sunrise, Angkor Wat

Published April 16, 2011 Cambodia , Places , Southeast Asia 8 Comments
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I had a vision.

Standing on the ancient stone of Angkor Wat, watching the red fist of a sun rise, reach up through the horizon’s haze to ignite the sky, to silhouette that crumble of bygone glory, to light the ponds in the earth red too, to make them become a mirror between the lily pads—there, I had a vision:

What would happen if everyone put their cameras down?

Few things get me out of bed before 7am, and watching the sun rise at Angkor Wat is one of them. Yes, it’s touristy. But it’s one of the wonders of the world (depending on what list you consult; on the List of Me, it’s there), and getting there before the tour bus hordes, when the day was still cool, early, innocent and young—that sounded worth it.

I didn’t expect it to be so goddamn beautiful. I didn’t expect the sun to blaze like that, be red and burning like that, to glare against the expanse of ruin and palms.

I glimpsed it as I came through the gates. I gave it a quick glance and a gasp. As I scurried along the stone wall, rushing past Apsara carvings and other tourists, I reached in my bag. I pointed the camera, saw the landscape through the viewfinder, clicked. I did this before I even looked at the image myself, gave myself time to soak it in, breathe it in—to simple see it.

We moved down towards a pool of water, “a very good place for photos” our well-meaning guide assured us. Through the politely jostling throngs, we could see that, yes, it was a good photo op. So good, in fact, it was the same image on the postcards that little girls in sweatshirts and messy ponytails clutched, tugged at you—“Lady, you buy, 10 postcards, $1”—a voice too low and raspy to belong to a child.

I watched us all there, taking turns and swapping camera, posing with smiles, embraces: “Look at me, I was here.” It seemed more important to get the photo, the proof, the documentation, than it did to bear witness to the immense and startling beauty of it—to just be there.

What would happen, I wondered, if we all put our cameras down, just for thirty seconds, and stood and watched?

I suspected a silence would fall. I suspected some of us might start crying. I suspected something huge would wash over us, come up from inside us, that kind of humbling you feel in the presence of the world’s greatness, that particular pang in your heart when you see something so beautiful it overwhelms you—a feeling you think is private but that really might be communal, like a great inkwell a monk tattoos from, writing our particular fates with shared blackness.

But that’s just a guess. Really, I wouldn’t be able to know, won’t ever know. We all kept clicking at the blaze of a red sun, in the shadow of Angkor Wat.

The Lucky Ones at the War Museum

Published April 13, 2011 Being American , Cambodia , Culture Shock , Dirty Tricks , Places , Southeast Asia 5 Comments
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Instruments of death don’t die. They rust.

Fifteen minutes from the happy pizza restaurants and nibbling-fish pedicure tanks of Siem Reap’s Old Market area is the War Museum. It’s not much of a museum, per se—it’s a grassy field filled with mango trees and the skeletal carcasses of tanks, missiles and planes used during the Cambodian civil war (the 1960s Lon Nol era through the fighting of the mid-90s). The “exhibits” sit exhausted and silent in the heat of the field. They’ve been striped for parts, all that’s left of them slowly turning brown, the same brown as the the earth.

“The memorials in Cambodia are so raw,” Anna’d remarked. “At Auschwitz, everything is behind glass or protected. You felt more separated. But in Cambodia, at the Killing Fields or S-21, there’s less between you and the stuff you’re seeing.”

I thought of Anna’s comment as I walked into the War Museum, past the massive helicopters that slept like corpses in the entrance. I’ve never been to Auschwitz or any similar genocide memorials, so I don’t have anything to compare the ones in Cambodia to. But there’s definitely a rawness. And it’s a rawness you feel in the whole country, not just at the memorials, but that the memorials seem to capture, to be the pure essence of, in a way that reminds me of whiskey distillation—too pure, the uncut soul of the thing, that if’s not diluted could kill you.

A guide approached us, a young man in a fake Lacoste shirt, frayed stitching and tell-tale grin on the alligator’s face. He was missing an arm; a nub extended beneath the sleeve, a little past his shoulder, and you could see it move around in there as he walked.

A sign announced that guides were free, so we went along with him, assuming a small tip would be expected. He spoke English well and was knowledgeable about the artifacts, mute metal that sat, refusing to decompose. Small wooden signs had explanations penned in a haphazard English.

“What is your nationality?”

“USA,” I replied. A pause. “We’re American.”

“Ah. America is rich country. Cambodia is poor. So if a pilot not fight well, if a soldier not hit target, he get killed—it a waste of ammunition. The pilot, they cannot eject from the plane, they trapped. The soldier get locked inside the tank, and if he don’t fight good, he stay in and die. We find still the bodies in many of these tanks.”

We stared at the machines; they reminded me of dinosaur bones or the great cranes at the Port of Oakland—metal with so much power, sitting still.

As we walked, he told us the story of how he lost his arm: when he was 14, his dad brought home a landmine. He was trying to dismantle it; we couldn’t make sense of why. The bomb exploded, killing his parents and two siblings, and leaving him with a belly full of shrapnel and one less arm.

“I’m lucky I’m okay,” he told us. “But I am very lonely, I have no family.” He went on to explain the difficulties of life as an amputee in Cambodia, with discrimination and lack of healthcare. He paused, looked at us. “You are very lucky, you have family.”

Types of landmines

We kept moving. He pointed out common types of landmines, explaining which countries they’d been made in: Russia, Bulgaria, the US. He told us 1-2 people a day in Cambodia are still injured by unexploded ordinances. “You are very lucky, your country no have landmines.”

As he stood talking, I slid a modest note into the “Donations for Landmine Victims” box. He watched me. When he finished explaining the table of empty shells, he pointed to the box. “This money go to the government first, then the people. The government take a lot.” I squinted my eyes, nodding slowly. It’s true—there’s a lot of corruption in Cambodia. But I could also sense where this was going. “It better you give to the people.”

I cocked my head as he lead us away. Everything I’ve read in every country I’ve been to—including the sign at the guesthouse I’d just left (that among other things encouraged me to not have sex with children)—tells you not to give directly to people but to worthy, legitimate organizations. It was unsubtle foreshadowing.

He kept us moving at a steady pace. I thought of my guide at the pre-Angkorian temples a week earlier—also missing an arm but older, darker, a man who only spoke Khmer. I thought of the way he’d clasped his phantom hands behind his back, and the way it made something in me pound, then sink.

This guide didn’t clasp his hands. He was wearing short sleeves.

We paused under the hot breath of the sun. “How many sibling you have?” he asked each of us and we each responded.

“That good. You lucky. I have no brother or sister now.”

We came to a row of wooden shacks, displays of exploded bombs. They looked like peeled fruit, like some modern-art interpretation of peeled fruit that you’d see in some chic lounge, that was trying to make some sort of terribly deep and obvious statement. But this wasn’t art and it wasn’t a lounge—it was a shack and twisted metal.

They’d sawed the blown bits of his arm off with a wire. Because he was young and still growing, he had to go back every four years, to have the bone re-sawed. He couldn’t afford to get the shrapnel from his belly removed; at $100-200 a pop, he said he’d had to leave it to float around in there.

“In America I hear they make a machine arm.” He looked around at all the dead, rusted machines. “Maybe soon they make it in China. It will be cheaper there, and if I work enough, one day I can get. This is my dream: you come back and I can give you a hug with my robot arms.”

We got to the end of the tour. “It is good if you give a tip,” he told us flatly, “so I can pay for my surgery. Many people give $20-30 each person.”

Suki and Alicia looked at me. They’d each been in the country less than 24 hours. I considered the fact that a construction worker makes $3 a day, your average tuk-tuk driver $5. I considered the fact that my daily budget was $30.

He stood a few steps back, staring at us, waiting. “Can you give us just two minutes?” Suki asked.

We whispered, gathered bills. We gave him a fair tip, said thank you.

Then he walked back to our tuk-tuk, heavy with sweat, our ankles covered in dirt the color of rust.

Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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