Archive for the 'Places' Category



Vomit Ride Through the Heat-land: Part I

1009173272_3ef7bfbbe6Yesterday I had the most authentic Moroccan experience of my trip so far. It wasn’t in a medina, it wasn’t at any monument; it wasn’t outside of a mosque or inside of carpet shop. It wasn’t in some exotic spice souq, or even with a witch doctor.

It was knees-to-chest, sweating obscenely, holding my breath and trying not a vomit in a catastrophic cauldron that careened its way through the countryside. That is to say, it was on a bus.

There’s two kinds of buses in Morocco: the first-class and the “other.” My previous two bus rides had been on the plush, first-class CTM company. The guidebook doesn’t just recommend CTM; it virtually doesn’t list the times, prices or destinations of other companies. In most cities, CTM’s buses depart from their own seperate offices, far from the chaos and heat and exhaust-laced smell of rotting ass characteristic to most bus stations, not just in Morocco, but around the world.

CTM accepts credit cards and assigns seats; their desk workers speak English. These are not the buses of screaming children or those checkered mesh bags fraying at the plastic seams from the weight of all some old lady’s worldly possessions. These are the buses of laptops and exquisite scarves, polo shirts and heavy gold rings. And independent travelers with Western standards and a low tolerance for long-distance discomfort. Together, we bound competently down the highways, stretching our legs and basking beneath the gentle blow of air-conditioning vents.

Once on board a CTM bus, you usually make a stop at the big messy main bus station before departing a city. In Tangier, I parted my curtain and peered out at the shouting, scrambling insanity of the real bus station. Jam-packed buses, a jumble of children’s bodies and grim faces pressed against tinted glass, heaved and wheezed and lurched haphazardly through the lot, shouting touts hanging from still-open doors. I have to say, I felt kind of like a chump from my kooshy assigned seat in a half-empty bus. At least once on this trip, I told myself, I’ll ride a real bus.

I intended to fulfill this brazen commitment on some short-distance route—45 minutes, an hour tops. Just, you know, to feel like I’d done it, gotten a taste and promptly gotten out.

The problem is, CTM runs infrequent services to only a few destinations, especially towards the south of the country. In my great haste to flee dishearteningly over-touristed Essaouira, I weighed my options: languish at the bus station and continue to get hassled by hotel and taxi touts for two hours while I wait for the CTM bus, and then have to make a connection mid-way through my journey, or hop on a direct “other” bus leaving in 15 minutes. Comfort flew out the window as I climbed the sticky stairs of the second-class bus.

I found an empty seat towards the back, and observed. This was the bus of acne and deep wrinkles, missing teeth and stern expressions. Children didn’t get seats, were left to swim on the laps of their parents. Upholstery was browned; I could feel the springs through the thinned seat fabric. A tout with a scar on his chin and impossibly stained fingers came off and on the bus, taking money, scribbling crude tickets, counting seats. I was grateful for the wobbling vents that blew a little air down from above my seat.

As the seats filled and the horn honked, people continued to pile on. The tout appeared with a stack of plastic stools; he strained to tug them apart and, after some shouting and coordination, placed them in the narrow aisle. Women were given stool seats first, then men; an adolscent clutching a book and a plastic bag was left standing. As the bus began its lumbering, the tout yelled at him to get down. The boy curved himself into the back stairwell—we slid past the officials at the station gates and were on our way.

The tout continued collecting fares and writing tickets as we lurched through the taxi- and scooter-swarmed streets—not an easy task on an old bus with poor shocks and an aisle full of huddled bodies. To get the job done, he balanced his feet on the edges of seats and literally climbed over people, his crotch in this lady’s face, his elbow in that guy’s chest, his entire torso smashed against my already-sweating body. He clutched a fistfull of bills, carefully folded between each finger, and with each new fare, made an almost tenderly careful note on a worn piece of paper.

We left the city center and began up a steep hill. The bus struggled, slowed to a speed scantly faster than a donkey cart. The effort cut out the faint blow of air-conditioning, and arms raised to fiddle hopefully with vents. The boy next to me unscrewed the top to a pocket-sized perfume bottle, pressed it against his nostril and inhaled. The tout distributed black plastic bags—vomit bags, I suspected. Beside me, the boy tossed a jacket over his head, leaned against the window and was gone.

Less than 15 minutes after departing, the adolscent in the stairwell began politely hurling with a liquidus sound into his plastic bag. I could make out, displayed proudly on the top of the windshield, just the last words of the bus company’s name: “Fadl Allah.” I jokingly translated this to myself as “pray to f%^*ing God.” The boy in the stairwell caught his breath and discreetly tied the handles of his bag together.

We made our first stop, and much shouting and shuffling ensued. The tout had the disembarkers already climbing over the aisle-sitters before the bus was stopped. We paused only momentarily; those getting off were left on the dusty roadside, struggling with heavy bags. Stools were cleared for vacated seats, and a new slew of stern faces took their squatting place on the plastic as we bumbled back on the road.

We fell into a determined quiet, just the struggle of the bus, soft conversations and the gentle gagging of vomiters. The scenery was pebbled and stark, branches bent cryptically; with the vent back a’blowing, I was almost comfortable enough to fall into a ragged sleep.

The Case for Casa

2501980441_83e5e9331eI didn’t plan on spending a night in Casablanca, but my bowels had other ideas.

Traveler’s diarrhoea—whatever, it happens; I’ll spare you the sordid details. Let’s just say that dehydration, gurgling cramps and lack of sleep, coupled with the stifling heat and constricted leg room of the 3-hour train ride from Meknes (this ain’t no Eurostar), were sufficient impetus to delay my connecting 7-hour bus ride in favor of a bed and flushing toilet. And so I ended up spending a night and morning in “the least Moroccan” city in Morocco, famous more for old Hollywood than medinas.

Most travelers and guidebooks will advise the eager tourist against anything more than lay-overs in what is arguably Morocco’s most well-known city. It’s too Westernized, they say, not exotic enough—full of all the traffic and shiny buildings and business men of home. It’s not the real Morocco, the cumin-scented crumbling alleyways of your fantasies.

During my lovely 2-day London lay-over, I read a Guardian travel article about Casablanca that my host had thoughtfully set aside for me. The author argued that Casablanca was just as much the real Morocco as anywhere else—and lacked the hassles and over-tourism of many of the country’s more popular destinations. I nibbled my morning toast and read with skepticism—sounded like a writer working a little too hard for an angle, to say something fresh and different.

Well, I’ll be god-damned if he wasn’t right.

Now, don’t get all excited. It’s true that Casablanca is not a beautiful or artistically cultured city; it doesn’t “boast” a lot of sights and its stray-cat- and donkey-less medina feels more like an outdoor strip mall than a relic of ancient urbanity. But Casablanca reveals a different side of Morocco, the struggles and tensions on the other end of the booming economy and rapidly growing tourism. I’m grateful for my extended stop-over in the city; without it, I don’t think I’d have gotten as full a view of the country.

Casablanca’s streets are filled with a different kind of energy—people swarming rhythmically and cross-walk-less across vast boulevards of sleek new cars and gasping palm trees. French business men and snappily dressed black Africans drop coins into the gnarled cupped palms of beggars. Less fortunate immigrants walk slowly along the sidewalks, displaying goods: tissues, random electronics, watches; they have thin arms, impossibly high cheekbones and a kind of dignified desperation. Young girls wear jellabas like bathrobes, carelessly; just as often, they sport bare arms and skinny jeans. The air is thick with honking horns, the streets grimy and littered. Colonial building facades look as though they’ve grown tired of being elegant; beside them, mirrored-glass new construction shoots into the sky arrogantly.

Despite an thriving economy—it grew nearly 6 percent in 2007—around 19 percent of the Moroccan population lives under the poverty line; no where is this more evident than in Casablanca. On the train ride in, we passed through scores of squatter settlements, sagging structures whose tin roofs were anchored with old tires and heavy rocks, sometimes a satellite dish. In direct contrast is the oceanside Hassan II Mosque, a half-billion-dollar monument to opulence and Islam that would have been offensive if it weren’t so damn impressive.  Since the 80s, Casablanca has also been the site of political uprisings, brutal repressions and suicide bombings.

You get a sense of this all walking the alternatingly busted-up and newly paved streets of the city—or slowly sipping mint tea at the cafes, what my sore stomach called for. I sat and watched the city, its people, pass; it fascinated me past my exhaustation and illness. In exchange, the city largely ignored me; I was just another poorly dressed, sallowed foreigner, totally uninteresting.

Casablanca’s not the kind of place to top itineraries. It’s not for the tourist who gushes glowingly about the authenticity of the Fez medina, or the simple quiantness of mountain village folk. It’s not for those seeking out some preconceived vision of exotism, doesn’t even try to live up to any stereotypes. It’s not for people looking to “get away” from it all. But if you wanna get a glimpse of what’s going on behind the carpet shops and faux guides, if you’re interested in seeing all of a country poised forever at a  crossroads of cultures and continents, if you’re traveling and not vacationing, I’d give it a look. Just be sure to buy some tissue along the way; you’ll need it in the bathrooms.

Bonjour guapa, you want sex?

No way did I flatter those boys with a photo. Here's a busy street in Meknes instead.

No way did I flatter those boys with a photo. Here's a busy street in Meknes instead.

In Fez and Meknes, I finally got a taste of the street harassment all the guidebooks warn of. It was still a lot tamer than anticipated, a multilingual assault of adolescent bravado more than an actual threat. Though the intention spans the confines of language, it’s easiest to brush off these comments when they’re in French or Spanish. It’s a little like having monkeys hurl feces at you; it sticks less when you don’t know the actual words being said.

But those boys are a cunning lot, and have managed to master a few key phrases in English: “massage”, “sex”, “fuck”, and most telling of all, “you like me?” Just to be safe, they like to mix it up, covering all linguistic bases, just to make sure their intention is entirely communicated.

The harassment comes nearly exclusively from one group, teenagers in Western clothing. Adult men are by-and-large very respectful; if anything, they want to sell you something, but I’ve had far more pleasant exchanges with adult Moroccan men than not. The young guys dressed in traditional jellabas tend to just ignore me, which is A-OK; same with the poorer young men, who just want to shine my dirty sneakers or sell me some tissue. It’s the 12-18 year olds in faux Western clothing you’ve gotta watch out for.

They hang in packs, pushing and nudging and teasing one another. They’re a kind of pathetic lot: thin and self-conscious, somehow lost in their t-shirts and blue jeans, short hair over-gelled and haphazardly spiked. They are consumed by this proposterous posturing, seeming at once to resent and idolize Western culture. They desperately strive to emulate it, can’t quite get it right; their cat-calls and gross comments feel like a plea for acknowledgment, validation. They want so much to be taken seriously, to be something other than what they are—and in that way, I suppose they’re not unlike any other ill-at-ease teenager. I can relate to the insecurity, know so well where it springs from, and I almost feel sorry for them when I see them all there, so sadly absurd in their metallic G Star Raw shirts and bedazzled-pockets denim.

And then they say some dumb shit, and I don’t feel so sorry for them anymore.

It’s a pain in the ass, for sure, but it seems to be something that comes with the territory, part of what it means to be born female in this world. It can wear you down—I may or may not have snapped and thrown a banana peel at a man in Venezuela once—but I’m sure as hell not gonna let it stop me from seeing the world, from being in it as fully as I can. I’m just gonna cover myself in thick-ass skin, maybe a tarp or something. You know, so the feces doesn’t stick.

Fez Through the Window

DSCN3272I arrived last night in the swarming, honking, neon-lit mess of life that is Fez.

The excruciatingly haggled taxi I shared with a mother-daughter duo from the bus station to the medina (we were accused of being “cheap like Berbers”—is racism usually an effective bartering technique?) deposited us at the gates to the 1200-year-old medina, what the guidebooks call the entryway back in time, into another world. After eight hours on a rattling first-class bus through plastic-littered landscapes and vast expanses of mountains, forests and fields, it felt like I had been belched into a place where millennia collided. I was swarmed in the frenzied, electric chaos of humanity—and, as always, I loved it.

I grabbed a room in the first cheap hotel I spotted, a simple space not much bigger than the double bed that occupied it. The wooden shutters were thrown open, revealing the light and noise, the smell of strange spices and the hum of motorbikes, the grit and life and incessant sea of people on the throughfare below. It didn’t matter that the threadbare room was only 80 dirhams (about $10) a night; I wanted it for those windows.

I knew it would be noisy (why one should always travel with earplugs), and I’m sure the novelty of the hustle-bustle will wear off, but so far, I’ve loved sitting hunched over my notebook on the lumpy mattress, staring out through the wrought-iron bars at the street—my own private perch, where I can spy like a secret, and take it all in.

I closed the shutters around 11pm last night, with stereos still bumping, engines groaning, dogs barking and cats crying and men shouting intermittenly. The glass of the shutters had been crudely painted over, so some of the street still got in, a thin illumination reminding me where I was. My earplugs only slightly muffled the medina din.

When I woke, I took out the earplugs and just laid, listening to the street as it arose, stretched, came alive. Birds shrieked in a high-pitched panic; a voice boomed from a loud speaker, wailed in prayer. Metal shutters rattled awake and voices called to one another; somewhere, a rooster crowed. I wiggled the warped wood apart; the smells of cooking meat and mint burst through. I sat and stared from my bed at the ancient city, its beaten streets and ashy rooftops, its sand-colored crumble of stone on stone, its endless passing of colored robes.

I had arrived in the heart of it, and was ready to join in.

Morocco: First Impressions

DSCN3259As I staggered off the Tarifa ferry, through the desserted port gates and into the quiet Tangier morning, I had a thought I’ve had before. It was the same thought I had as I first stared through a taxi window at the hazy Lima streets, when I first stepped out the Bogota airport, when I walked around big bad cities like Caracas and Mexico City. The thought is, “Oh. This is it?”

And I don’t mean it in a disappointed, anti-climatic way. The opposite, in fact. After all the hype, all the warnings and precautions, horror stories and wayward looks, my initial reaction to notorious destinations I’ve encountered is, “Hey, this isn’t so bad. Or so scary or different.”

Okay, I admit the squat toilet I used earlier in a restaurant bathroom was a little different. And I didn’t expect that hooded jellabas would look so curiously like clan robes. But, really—the intense cultural shock I’d been prepping for, again, didn’t hit.

My guidebook had prepared me to be inundated with pushy faux guides as soon as I left the port gates, to be lured into medina shops and held captive till I bought something, to be oogled and followed like a celebrity by sex-starved adolescents because I’m a solo Western female. Guess what? None of these things happened.

DSCN3241What did happen: I left the port gates, took a moment getting my orientation, and found the left luggage office. The clerk and I fumbled with mutally poor Spanish, and I left my backpack secure. I headed uphill, largely ignored by every passerby, and parked it at a cafe along the Grand Socco. I lazed, and have been wandering the Medina and Ville Nouvelle ever since. I plan on getting a coffee at the Beat-beloved Cafe Paris before meeting up with my couchsurfing host (only slightly concerned we won’t actually connect).

So far, the street harassment I so feared is, well, about what it is at home. Maybe less. A few young men have said hello in whatever white-person language they think I might speak; I’ve been the target of one gross kissing sound, and received one offer to be bought coffee. In short, Latin America still wins the prize for harassment, cat-calling and all-around-demeaning (but what kind of prize would that be?).  Attempts in Tangier have thus far proven half-hearted, generally good-natured and easy to brush off.

DSCN3236I’m also surprised by the dress of the women. I wasn’t expecting burkhas or even necesarily hijabs, but I’ve even seen some short sleeves—on the younger women, that is. I’m tromping around town in long sleeves, but I’ve seen many tourists in spaghetti straps and shorts. I have yet to see visible tattoos (does a knock-off Ed Hardy shirt count?), which I’ll take as a que to keep mine covered.

One thing I wasn’t expecting was for half the city to still be shut down for Eid (thus the killing of time in an internet cafe). The attractions I’d starred in my guidebook have all been closed, and I haven’t been able to find any open shops in which to buy better long-sleeve shirts in. I’m hoping for tomorrow.

As I wandered around the Medina’s narrow Medieval “streets” (some aren’t as wide as my arms’ reach), I came around a blind corner and narrowly missed walking dead into a hijab-donning middle-aged women. We paused, made eye contact; we both smiled and laughed, then went on our way. I guess this is the oh-so-frightening Morocco, Muslim, African and not all that different.

On the Edge of Continents

Flying over, on the way back

Flying over, on the way back

A languid, palm-fringed town perched on the edge of worlds feels like the perfect place to end the Spanish leg of my journey.

English derives the word ¨tarif¨ from the town Tarifa, a port city and entryway into Europe for thousands of years. The city occupies the wind-swept space between places: the end of the Atlantic, the lip of the Mediterranean, where two continents nearly kiss. Instead of the edgy instability of a lot of border towns, Tarifa lazes comfortably in this in-between space. It´s not unlike any other beach town: surf shops and gently weathered buildings, sniffing dogs and barefoot children, blown-out tattoos and sun-bleached hair. The surrounding skies are populated with the cheerful kites of windsurfers, punctuated with the horns of the Tangier ferry. Just across the azure waters (for all its hype, the Mediterranean is truly gorgeous), vampiric African mountains crest hazily—¨vampiric¨ because, despite seeming so touchably close, they´ve eluded all my photography attempts. The narrow passageway of streets in Tarifa´s historical center tell the town´s history like lines dug in a palm: an old city wall, a crumbling castle, the remains of abandoned structures stretching lazily into the waters. And always, in every part of the city, a persistent wind rushes through, a transient resident itself.

DSCN3205I can´t think of anything better than to spend a chilled-out day wandering the streets, sitting at the beach, reading, catching up on writing (and sleep), and generally getting ready for tomorrow´s ferry embarkment. The 35-minute ride will deposit me at sister city Tangier, another meeting of worlds, where I´ll begin my Moroccan odyssey.

Europe is a pleasant, lovely place to travel—it´s clean, safe, everyone speaks English, buses arrive and depart on schedule and people generally leave you alone (even construction workers refrained from cat-calling this afternoon). It´s almost too easy, to be honest, feels like something other than traveling (vacationing?).

The real challenge of Europe is the punch-to-the-kidneys expense. I´ve done it about at cheaply as possible, and am still woefully over budget. Transportation costs took me by surprise. My last European adventure rang in at €36 per day; however, the Eurail pass I prepurchased meant I didn´t pay anything in travel between destinations. Of course, I anticipated Spain to be the most costly leg of my journey, so Morocco and Portugal should even things out, if I behave myself.

Here´s a wrap-up of my Spanish travels:

Number of days: 10

Number of cities: 4

Number of nights in a hostel: 2

Things I liked more than I expected: Flamenco, Madrid

Favorite new travel accessories: hat, spray hand sanitizer

Travel accessories as-of-yet unused: sleeping sheet, laundry detergent

Biggest travel splurge: a universal adaptor from El Corté Ingles (€18, adaptor I brought was busted)

Budget Break-down (frighteningly, I keep this scrupulous of track of my finances even at home…)

Daily average: €45

Transportation: €130.5

Food: €170

Lodging: €46

Entrance fees (museums, attractions): €21

Internet: €21

Coffee and sweet treats (gotta have my indulgences): €26

Other (laundry, adaptor, etc): €31.5

Red-Door Flamenco

DSCN3201The drama and thunder of it—

trance-like

when the notes sing sadly,

seem to pluck themselves

from weeping fingers,

when the wails of passion

get inside the hips,

become the bend of wrists,

the fistful of ruffles—

how unapologetic

the stomps are,

the throbs

of a furious pulse,

the exactitude of hands

that don´t stop clapping

until the blood reaches

its final fevered pitch:

a pose of breathlessness,

a sculpture gasping

with life.

BYOB Debauchery: Spanish Botellónes

DSCN3177The roar of voices rose from between the trees, out of the darkness and dirt. Scooters swarmed, freshly broken glass glittered in the dim park lights. Young girls teetered in impossibly high heels and boys stumbled, leaned their faces against the sides of walls as they pissed. And every person clutched a plastic cup.

When Spanairds sigh in disapproving despondency about ¨kids today,¨ they´re talking about botellónes. In a culture of late-night fiestas,  these youth-ridden BYOB binges stand out as particularly debaucherous.

Bottelónes take place in public, on the streets and in the parks; teeangers and early 20-somethings gather to drink, flirt, cause trouble, and leave a mountain of trash in their wake. Increasingly the subject of public controversy, Seville´s bottelónes are known to be especially raucous.

We passed one as we trod through Parque Maria Luisa on Friday during a once-a-year festival of museum open houses and cultural performances. (How Spanish is this?: museums are free to the public from 10pm-3am, and completely full the whole time.) September is festival month in Seville, when residents have returned from August vacations and the oppression of the heat has subsided; it´s also the beginning of botellón season. My couchsurfing hosts and I were walking over to Museo Artes y Costumbres Populares, where we saw a killer flamenco show, and the adjacent Museo Arqueológico, where a classical guitarist´s exaggerated facial expressions were more dramatic than an old guitar-playing friend with Tourettes (RIP, friend).

We passed what I was told was a typically trashy Friday night bottelón. It was like a rave minus the pulsing lights and techno music, like a sideshow minus the cars and firearms. Hundreds of kids filled the open space at the park´s entrance. Teenage girls were dressed to the nines to attire revealing even by Spanish standards, while boys puffed their chests and tried to impress each other, even in curiously effeminate clothing. My hosts spoke of the trash, piss and vomit the parties left in their wake, the shards of glass and tell-tale crushed plastic cups that city workers scurry to clean up the mornings after. (The next day, I passed through the carnage of another botellón, down by the river, and had to say, it was pretty gnarly.)

I smiled to myself as we passed by. I couldn´t help but feel that, if you swapped the heels for combat boots, and blush and blow-drying for heavy eyeliner and multi-colored dreads, it wouldn´t have been too unlike the Rocky Horror Picture Show or Gilman Street of my adolescence. Instead of being out in the open, though, we were relegated to the sketchy corners of the city, to alleyways, public restrooms, the stairwells of parking garages. I wondered if having to hide it—the violent pursuit of oblivion—somehow served to make ours worse, more seedy and powder-laced, more self-destructive and apt to end in institutions and death.

From between the park gates, I spotted a girl hoisted up by two friends, her arms drapped over their shoulders. Her head hung at a sharp angel; her heeled feet scuttled, dragged in the dirt lifelessly. Whether it´s a plague to Spanish culture or kids just being kids, I felt mighty glad not to be a teenager anymore.

The Jugular of Granada´s Street Art

DSCN3131Down a deserted stairwell in a steep tangle of stone streets, I stumbled upon the best street art in Granada.

Literally, I stumbled. The precarious passageway of unleveled rocks made walking an ankle-twisting, sole-bending venture. The vacant lots, abandoned mattresses and wafting bits of urban debris didn´t make the footpath a particularly picturesque one either. But I didn´t care; it was what covered the cement walls and old stone wells that fascinated me. Color-swarmed, vibrant and thoroughly hidden, I´d discovered the best street art in Granada.

This isn´t a difficult feat. The ancient city of intricatly carved Islamic monuments, mammoth cathedrals and labyrinthic streets is, in its modern-day incarnation, also a college town. Chicken-scratch tags and idealistic political statments irreverently adorn any paintable surface; Granada writers have a particular penchant for anarchy symbols, replacing ¨a¨s with the symbol at every opportunity. A crayon box of every imaginable color, the city is swarmed in adolescent scribblings that somehow add to the o ld-world ambiance; they seem to fit.

I decided to take a morning walk through Albaicín to the city´s center. My couchsurfing host, a thin Spanish girl in a black raincoat, had a quiet apartment in the Sierra mountains, a simple tiled space that´s view from the balcony was like a prayer. The building was  just outside the old city wall, a half-crumbled mass that arched down the spine of the steep terrain. Just on the other side was the city´s old Muslim quarter, cascading down the hillside towards the city center. Crumbling buildings mixed in with modest modern architecture, lining the zig-zag of cobbled streets with walls tall enough to block the wind and let in only a bit of the morning sun.

The layout of the streets is utterly random and unintuitive, so I gave myself a couple hours to wander the mile downhill. Small plazas punctuated the skinny streets, most of which were closed off to anything by foot traffic. It was a functioning neighborhood that gave a gentle nod toward the map-clutching, steep-grade-panting tourists that trcikled through: a couple stores sold postcards in addition to fruits and food staples, an internet cafe´s doors were locked for Ramadan. People bustled about their business—old men smoked and the women gathered in an arm-crossed group at a plaza´s market—and us tourists smiled pleasantly at each other in passing.

I maplessly meandered my way to an impressive mirador directly across from the Alhambra, where people posed for photos and looked out over the vast  city view. A slight grumble in my stomach inspired me to move towards the city center. Directionless, I decided to just make my way downhill until I hit a promising-looking street.

DSCN3134The streets I wandered got starker, more litter-filled than people-filled. Abandoned buildings and dirt lots suggested that restoration efforts weren´t the trend in this forgotten corner, perched on a precipice between well-visible, touristed neighborhoods. A steep stone footpath lightning-bolted its way down the hillside; I followed it.

I passed one of the old, gated-up wells that fill the Albaicín neighborhood. This one was covered in slightly different bread of tags, filled with crude characters and comical creatures. Turning a sharp corner, a mural-filled walls of air-brushed portraits and abstract colors stretched out in front of me. A stencil of George Bush with a blood-red clown nose appeared next to a telling tag: Albaicín Crew.

I walked up and down a bit, taking pictures and smiling at the refreshingly creative vibrancy. In one litter-strewn, forgotten footpath, tucked into the secret flesh of the city, I´d found the jugular of Granada´s street art scene.

Granada Fragments

DSCN3127Granada got me all literary…

Bus ride: Sheets of rock like shoulder blades, knobby fingers  pointing skyward in an arthritic ache.

Granada: A town that still rolls its clattering shutters down for siesta, where people lean on bars at lunchtime, where crayon-colored graffiti makes the edifices seem all the older, and more opulent.

Outskirts: Tatiana lived on the outskirts, the broad chest of the Sierra, where  grey blocks of buildings stood stoicly, white-washed walls and flat stone streets filled with people coughing, crossing their arms as they walked to bus stops beneath rain-streaked towers, windows crying mascara tears.

Thursday: It was a moody day, a voluptuous pout of wind and clouds.

Balcony like a prayer: The rain thins, the clouds ascend, and the city sharpens like a reflection in an unfogging mirror—tiled roofs that arch along the spine of the mountain, the grey domes of grey cathedrals, the red crane of steel-boned construction. The birds chatter invisibly from the inside of trees, like children at recess, high voices rising above the thunder of the drainpipes.

Boy at the party: It was the way his shoulder moved beneath his tshirt, how his sneakered feet would pigeon inward, the way his veins vined around his forearms like twine, down, down, to the thick fingers that, unlike yours, were uncalloused and clean.


Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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