Archive for the 'Cambodia' Category



News Flash: Cambodia Is Hard

And apparently this is only news to me.

Actually it’s not. I knew coming out here that, as a Westerner, Cambodia is simultaneously an incredibly easy and incredibly difficult place to live. That seems to be the jam with developing countries.

On the one hand: the almost ridiculous ease of getting a visa; the nonexistence of work visas; the number of other expats; the way they throw English teaching jobs at you; the way they cater businesses to your rich, Western ways. I mean, I can buy peanut butter in the grocery store here. I can’t even do that in most of Mexico. I hang out at swimming pools and get shoes special made; I have house cleaners and I pay other people to do my laundry for me. I can buy whole fucking coconut for 50 cents.

But then… There’s all the other, developing country stuff. There’s the lack of reliable things you don’t really realize you depend on: health care and a postal system and electricity that doesn’t randomly cut out. There’s how I can’t buy clothes that fit me, how all the towels are made of some nonabsorbent material that leaves a trail of linty residue across my heat-rash-ridden torso (the $90 doctor visit achieved nothing on that front). There’s how far I am from home—about as far as you can fucking go—and how that makes setting Skype dates a pain in the ass, how it means I don’t get to pop home every six months the way friends living in Latin America or Europe do.

I knew that. I knew all that shit coming in. But as I’m edging up towards the six-month mark, it’s starting to wear on me in a way I hadn’t suspected. There’s the forestry activist that was recently murdered. There’s the terrible accident I saw coming home last week—broken brains on the pavement.

There’s the shitshow of the schools here, how no one seems to care—not the administration or the teachers or 90% of the students—but how there’s that 10% that do care, that are sacrificing to be in your classroom and are getting fuck all out of it. There’s the slow, steady way that disheartens you. There’s how shit the pay is in those easily gotten English-teaching jobs, how you start to feel yourself becoming one of those people who doesn’t care. It’s how there’s NGO workers making more than I did in the Bay Area, and how this is the brokest I’ve ever been in my adult life; there’s the little sense of failure that comes with that.

There’s the social scene here—how I’m too much of a fucking alien to really relate to the Cambodians but how I don’t really vibe with most of the expats either. Cambodia is still a place where people come to go off the rails. And it takes me all the energy I’ve got just to stay on the rails. There’s literally one other sober girl under age 50 here. That shit is hard.

All of which I also knew. But I guess what I didn’t know was the way all that accumulates in you, starts to eat at you. I don’t really notice it in my day-to-day; it becomes normal. I’m so busy trying to stay hydrated and keeping my tattoos out of the direct sunlight and trying to eat right and get enough sleep and still exercise (even though it’s so hot I feel like I’m gonna vomit most of the time) and how there’s a part of my brain that’s constantly thinking about the next spot with AC that I can duck into. That becomes normal, and I forget how much energy I’m spending just taking care of myself.

So you know what happened to me? I left. I went to Malaysia for Khmer New Year and rode glass elevators in the shopping malls and pretended to sea kayak. It was great. But before I even left, when I was at the airport in Phnom Penh, I was browsing the magazine rack and holy shit, I saw an issue of Juxtapoz. Which I don’t even read often in the States, but for the novelty factor, I picked it up. The issue was two months old and $11. I stood there flipping through the pages and skimming the interviews and looking at the silly pictures of silly hipster art and outta nowhere it hit me with this insane sense of homesicknesses. It’s funny, you know, what makes you homesick.

And it occurred to me in that moment that there’s whole conversations going on that I’m no longer a part of. Sure, I follow the blogs and since I’ve only been gone six months, I can still kinda fake it—but it’s starting to slip. I can feel it slipping.

Which I guess is to say that I’m starting to realize how much I’ve given up to be here, how much I’m sacrificing. Again, I knew it coming in. I just didn’t know how it would affect me, the way it would feel after six months.

And you know what? That shit is hard.

None of which is to say I’m ready to give up and toss in the towel on Cambodia. But it is to say that I’ve thought about it. It’s an incredible experience, to live in a developing country—not just any developing country, but fucking Cambodia, with its fucked-up history and centuries of corruption. Where I’m about as much of an alien as a person can be.

Of course there’s things I love. Those are harder to vocalize, because they’re not rational; they exist in these random-ass moments, walking at dusk with the pink sky and the traffic, when I suddenly feel like my heart is gonna jump outta my chest, like there’s this feeling my body physically can’t contain. But I guess I just don’t know if that’s enough. Like, in the long run.

It’s like a person. More and more, I think of places as people and living here is like being in a relationship. It makes sense, right?—the initial buzz has worn off, the honeymoon is over, and the first big conflicts are showing up. I’ve gotten to sit and watch this place, how it really is, and I’ve gotten to watch myself in this place and how I really am in it. And I’m thinking to myself—can I really do this? Can we really be together?

Well, I don’t know. At least not yet. This whole expat thing is new to me. But what I can say is that while it’s incredible and amazing and eye-opening and I’m privileged as hell to be able to do it in the first place, it’s also fucking hard. And it’s even harder to admit it’s hard.

But, you know, whenever it gets too hard, I can always just go chill out by the poolside with a smoothie and some wifi. Cause that’s what being a Westerner in a developing country is all about.

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The World’s Most Amazing T-Shirt!

About a year ago I blogged about the utterly unironic English language t-shirts in Cambodia—nonsensical phrases, constant-clutterfuck non-words, uncouth slang beside hearts and smiley faces.

Well down at the Russian Market recently, I found the shirt to end all shirts:

First off, you’ve got the letters: glittery gold. You’ve got the allusion to gangsta rap (at least I always think of NWA), which is literally and culturally on the other side of the fucking planet from Cambodia. Then you’ve got the fact that a sizable number of the people who’d actually buy and wear this shirt would have no clue what the words even meant, let alone the potent cultural references.

But that’s not all. The brilliance of this shirt, what elevates it from just another joke shirt to The World’s Most Amazing Shirt, is its juxtapositions. It works on so many levels! It’s multi-fucking-dimensional!

Let’s take a closer look:

Okay, so we’ve got a Philadelphia police emblem—cool, at least we’re in the right country.

Wait… Is that… Sting?

Why yes it is.

Oh, but why should we stop there? Gangsta rap versus new wave, UK versus USA, anarchistic anti-authority versus just not liking a band—what do the words “Fuck The Police” really mean? Can any one group claim ownership to the phrase? What does the phrase mean in different contexts?

There are no easy answers. Like any great work of art, the shirt merely raises the questions, leaving the audience to determine their own answers, revelations, resolutions. If in fact there are any. Perhaps the shirt is actually a statement on cultural relativity. Or maybe on the unifying, equalizing distaste for the police so many of us share.

You can’t be sure. So is the world we live in.

But is it possible, is it conceivable, that inside the glittery block letters, wedged between the emblems clustered around the words, there’s yet another meaning? A third and possibly more sinister layer of context?

Let’s get Crass involved:

Well now I’m really at a loss.

As you can see, we no longer have any fucking clue as to where we are or what any of this means. We’ve got an English-language t-shirt making references to three English-language bands that were all trailblazers in their given genres and decades. But that’s the only cohesive thread I can find (other than the snazzy black stitching along the shoulders). Do we hate Sting or are we trying to stir up revolt? Are we making references to racialized police brutality or a more class-driven variety? What fucking continent are we even on? What decade—scratch that, what century? Why is this shirt in Phnom Penh, at the fucking Russian Market, a sweat-bomb of stalls overflowing with bootleg H&M clothes, sacks of rice and touristy trinkets? Why is it $6? Why am I buying it? And wearing it around town?

And why do I not know if I’m wearing the shirt ironically or unironically?

Well, so is my life these days. An Oakland girl living in Phnom Penh—why should any of it make sense? Why should I even try to make sense of it? Better to just pay the $6 (“Really? $6? Why so expensive? I pay $4? $5? Ok.”)—better to put on the shirt, enjoy the glitter and the juxtapositions and relax in the fact that I’m not ever gonna figure any of it out.

But I can still look fly in the meantime.

Being An Asshole Abroad

I am one.

Not all the time. Not most of the time or even some of the time. But on ever so rare occasions (at least I like to think), I have been known to snap. I’d like to water it down, cushion the blow to the ego, but that doesn’t do anyone any good—I can be a big flaming asshole, and that’s just the truth of it.

That’s what my latest piece on World Hum “The Particular Anger of Powerlessness” was about. You guys might remember the piece—an earlier draft appeared on this blog around a year ago. It was a gamble publishing it for a couple reasons. One, it incriminates my parents for traveling illegally to Cuba. But the good news about having supportive parents is that they’re so stoked to see their kid get published, they’re willing to risk their own hides.

But the main gamble is that I was opening myself up to attack. It’s like going in for a knee in Muay Thai—better keep your hands by your face cause someone can clock you good at that proximity. Basically, I reveal myself to be an asshole in the piece. Or rather, I reveal myself at one of my asshole moments—one where I’m not the picture of cultural sensitivity or a deep, abiding sense of my own privilege. Instead, I’m the picture of An Ugly Westerner.

I knew I was doing it—leaving myself open. In fact, I knew I was doing it in the moment, when I acted that way, and it was mighty uncomfortable. It’s like I was watching myself do it and some other part of me was shaking my head—I knew how it looked. But I couldn’t help myself.

Why?

That’s the question I try to delve into in the piece. We all act like dicks sometimes, right? We’ve all flicked people off while driving; we’ve all snapped at grocery clerks; we’ve all been snippy at waitresses—whatever your version is, there’s been a moment when you’ve thought, “Fuck, did I really just do that?” There’s a certain vision one has of oneself and there’s moments that prove that vision, and there’s moments that contradict it. It’s easier to just push them aside and not think about them. It’s less easy to force yourself to go back and make amends. And it’s even less easy to delve into it, to look at it squarely—“This is not how I’d like to act, so why did I do it?”

My fifteen minutes on the Lao-Cambodian border last year was one of those moments. And the answer I came up with, after looking real hard at the situation, was powerlessness.

This may or may not be the right answer. But the point, at least I like to think, is that I wanted to look it. Cause travel pushes you beyond yourself, right? It pushes you out of your comfort zone; it exposes you to new things, some of which are exhilarating, some of which leave you fuming/confused/rushing for the bathroom. But the idea is that travel expands you, that you’re not the same after a trip, that you learn something—both about the world and yourself.

I knew some people would take up issue with it. And when the comments started to come in—“I thought we independent travelers were supposed to be culturally sensitive”; “Way to go, rubbing the guy’s poverty in his face, you definitely came out ahead there”—they didn’t really bother me. I mean, that was the shit I was saying to myself, in my own head. (I realize in retrospect that I should have worked that angle more explicitly in the piece, instead of leaving it hanging around in the subtext…)

The thing is, they’ve got a lot of valid points. The whole speaking-on-other-people’s-behalf thing makes me a wee uncomfortable, chimes itself of a kind of imperialist attitude—but yeah, you know, I get where they’re coming from. You do carry a certain amount of responsibility as an outsider in a someone else’s country, and there’s a certain level of respect one ought to conduct oneself with.

Which is a whole nuther rant for a whole nuther day. But what happens when you fall short of that? Or when you watch other people fall short of that?

It’s something I have ample opportunity to muse over, living here in the shitshow of Phnom Penh. I mean, fucking Cambodia—it’s Westerners Behaving Badly all over this MF. A lot of folks come here for the sole purpose of acting in ways they can’t get away with at home—sleeping with prostitutes, drinking all day, etc.

And believe me, I was way the fuck judgy at first. I remember standing in line at Lucky Supermarket, watching this guy in front of me totally berate the clerk for not wanting to accept a wrinkled $20. It was ugly. Being Cambodian, the clerk didn’t get back in the guy’s face, but instead apologized and groveled and looked real ashamed/embarrassed. Then I felt ashamed/embarrassed. I shot the guy dart-eyes and, after he left, apologized to the clerk on his behalf.

But you know what I’ve realized? Well, one, that apologizing for someone else’s behavior is not my job, regardless if we’re both Americans in another country. But more importantly, that milder versions of the same thing have happened to me. That—holy shit!—I’ve been on the other side of it. Maybe not that bad, but still. That afternoon on the Lao border was one of those times.

It’s humbling indeed to discover you have that in you. (As one friend says, “Cambodia reduces you to what you really are.”) I hate to say it, but I’ve snapped at tuk-tuk drivers, gotten mad at slow service, yelled at people in English when they’ve nearly run me over on the street. I’ve seen poor dudes from the countryside pissing on the sidewalk and blowing snot rockets and thought, “Ugh, poor people.” And I’ve been fucking horrified at myself.

I’ve talked to a lot of expats here about this and there’s always this cringy way we admit it. At least some of us admit it—that sometimes we snap and act like assholes. Maybe it’s the difference of living somewhere versus passing through on holiday—all the shit you could brush off in the moment becomes your life.

Whatever the reason, I realized I had to look at it. I mean, I’m here, this shit is happening, it’s not how I want to act, so I need to at least pretend to be a grown-up and deal with it.

There are some things I just don’t get. I mean, they can be explained to me and I can conceptualize some sort of understanding, but at it’s core it just seems wrong. Bribery and corruption are one of them. It’s a cultural difference, but guess what?—I’m culturally different. You will never convince me that bribery is okay, on any level, no matter how much it’s rationalized. (The same with pissing on the street. It just fucking smells.)

But here I am, in their country (which I can do, being privileged, and they by-and-large cannot)—so what do I do? Well, one is that I accept it bothers me. I don’t play the tape of oh-you-should-be-more-culturally-sensitive. Nope, I just accept that it doesn’t fucking seem right to me. The second is that I notice that it only reeeeally bothers me when my tolerance is down—when I’m stressed/tired/hungry/lonely/hot/dehydrated/whatever. So, in the interest of not being a raving asshole all the time, I do my best to not get stressed/tired/hungry/lonely/hot/dehydrated/whatever. When I’m taking care of myself, when I’m rested and full and happy, it’s a helluv a lot easier to shrug and say, “Well, that’s not how I roll, but so be it.”

It’s what I’d do now if I encountered the border situation today. I’ve grown a lot more comfortable with bribery—I don’t think it’s right, but I’m not gonna fucking fight it every day. And when I see dudes like the one at Lucky that day? Well, I don’t apologize for them but I also don’t really judge them anymore. Most times I honestly think, “Fuck, he must be having a real hard time, to be spreading that kind of negativity around.” It’s the kind of compassion I’d like for someone to look at me with, if they saw me acting like an asshole.

I get lots of great examples, living in this fine city, of how I don’t want to act. And the cool thing is, I’ve learned how to take them as just that: examples and nothing else. And then I try to be my own example of how I do wanna act.

All of which is to say, I’m a lot less bothered by other Westerners’ behavior. It’s kind of not my business. Of course, if you publish a piece about it, then you’re making it everyone’s business. But I did it cause I thought it was a productive thing to do, to come right out and say it. Like I said in my response, I’d love to see a piece by someone who really lost their shit—cussed out an old woman or some shit. Not for the shock value, but because I think looking at those uncomfortable parts of ourselves is really fucking important. Cause we all have them, right?

Or maybe it’s just me. Maybe the folks that left those comments really have never had their moment of entitled asshole total-melt-down-ness. Maybe they’re uber-PC and culturally sensitive every minute of the every day, every trip they’ve taken, every waitress they’ve encountered, every shit driver that’s been in the fast lane in front of them. If they have, though, I don’t really want to know them—I don’t trust them.

Maybe I’ve just grown a really thick skin from all these years of writing. Maybe it’s one in the same—people are gonna say what they’re gonna say and do what they’re gonna do and god bless em for it.

And if I do see people who piss me off? Well, I’ve got a jam for that:

Because Love Letters and Get Up From the War: Cambodian Teenagers Report on Gender Inequality

“Gender disparity”

I wrote the phrase in blue felt pen on the dingy white wipe board.

“What does this mean?” I asked, underlining the phrase for emphasis. Because it felt teacherly.

I looked out on a chorus of blank eyes.

Which is not actually what I looked out on, but what I’d like to think I did. Really, it was a chorus of chatter, back-of-the-classroom text messaging, shuffling, soda drinking, and probably only a half dozen eyes actually looking at me, the teacher, in the front of the class in my button-down shirt and skinny pants that haven’t been cleaned since Oakland.

This is teaching in Cambodia.

I haven’t written about it much, since I plan to write (and sell) funny disheartening funny pieces about the whole fiasco that is applying for, interviewing for and teaching in Cambodian schools. It’s a complete and total farce. Given that neighboring countries pay double, you really get the dregs of Western society over here. Reminders at the all-staff meeting for the university where I teach evening classes for high school students included: 1) come to class on time, 2) don’t tell your students dirty jokes, and 3) don’t come smelling like alcohol.

Note: Not “don’t come to school drunk.”

“Don’t come smelling like alcohol.”

Are we beginning to get the picture?

So I teach in this rundown ramshackle-ass classroom with trash in the corners and a door that won’t close all the way, that some industrious student wedges a plastic straw in the doorframe to keep it shut. The majority of class arrive late, play on their phones and cheat on tests—all of which I’d been warned of and told was best not to fight against—it’s a losing battle.

But I can’t get myself to totally not give a shit. Especially cause there’s those five kids that sit up near the front and actually appear to somewhat give a fuck. You know, the kind of kids whose eyes light up a bit, whose voices raise timidly after the dead silence of my glaringly obvious reading comp questions.

And as it turns out, they like to write. Well, they don’t actually like to write, they bitch and moan about it, but the class goes real quiet when I make them write paragraphs and when I read them, they’re grammatical bloodbaths but at least they’re original, ie not copied.

And, as a bonus for me, I make them write about shit in Cambodia, so that I can learn a thing or two. The first assignment was to write about how Cambodians celebrate Chinese New Year (cause they do). One kid wrote: “We burn the ghost money.” And if that’s not a goddamn beautiful line, I don’t know what is.

So tomorrow’s International Women’s Day. It’s a public holiday over in these parts, which baffled the shit out of me last year when I was here. Really? In a country with a fucking 80% domestic violence rate, endemic prostitution, fainting garment-factory employees and expatriated domestic help who live like slaves in neighboring countries?

There’s not a lot of irony going on in this country, so yes, really. But, you know, okay—at least we get a day off, right?

I’m supposed to do these listening exercises with them—I read aloud and check their comprehension. If you think reading comprehension is painful in this country, try listening comprehension. It’s painful stuff, and just to make it more painful (for me), I pick stuff not in their boring-ass American textbook that they can’t relate to (ie: the lesson on the NYC subway, to which I opened by asking, “Who’s been on a train before?” No hands raised. Now how the fuck do you teach that??). Noooo, there I go giving a shit again, and I bring in one of the English-language newspapers and read that shit aloud, stopping every few words to explain terms like “gender disparity.”

The gist of the article is that Cambodia ranks lower than any other country in the Southeast Asian region when it comes to gender equality, as measured by literacy, economic participation and empowerment. Of course, the government is disputing this, because disputing stone-cold facts is something they do.

Which I’m not dumb enough to begin a debate around. It’s in my contract that I can’t teach “controversial” material, which given the aforementioned propensity to deny inconvenient facts pretty much includes anything you’d read in the English-language newspapers. So I’m already pushing the envelope. I mean, this article’s got a quote from the (female) opposition party leader. (Should I be writing this on my blog?) That, and it took fifteen minutes to drag the above summary out of them.

So we focus on access to education, since “the Kingdom’s low ranking could largely be explained by social pressures that push women out of the education system.”

“What’s a ‘social pressure’?” I ask. I write the phrase on the boar beneath “gender disparity.”

More blank looks.

We hash it out, and come up with a good little list. A lot of the expected “a woman’s place is in the home” kind of stuff, but I’m surprised by “girls can’t study at the pagoda.” Boys can become monks and study for free; girls can’t become monks. That hadn’t occurred to me.

But I’m most surprised by how quickly some of them say “because the war.”

I just leave it there, on the board beside a bullet point: “war.”

I know better than to ask.

I point to our list. I inhale, “Now, what you’re going to do—” They groan. They know what’s coming. “—is write a paragraph telling me about why you think girls don’t go to school as much as boys in Cambodia. For those of you that have been listening,” I stare not at the kids who’ve been listening but at the ones in the back, “it’ll be easy.

“Oh, and this is how I’m going to take roll today. So you’d all better write something.”

They shuffle around and pass each other sheets of paper, and pretty soon they’re writing, scribbling, and it’s not quiet in the room, but as quiet as it gets—which is kind of like a jungle-quiet, with a constant buzz of insects and the occasional strange what-the-fuck animal call. (It’s usually a ringtone.)

I should say here that these are patently not the population the article is referring to. These girls are the privileged—they have iPhones and bedazzled purses and platform wedge sandals that remind me of Boogie Nights. They’re pursuing higher education, and their families have the means to send them to what is sadly considered one of the better schools in the city.

But still.

The “social pressure.”

“Pressure’s like a hand pushing on you,” I told them, demonstrating on my arm. “It’s what you feel whens something’s pushing on you.”

After fifteen minutes I collect the papers. We review some vocab and I let them go early, their eyes are so glazed.

I read the papers later, over dinner. Some gems:

“Because Khmer old culture they thought that women can’t go to school because if the women get high education they can write love letter to men and it not good for Khmer culture.”

“They think if the girls go to study, girls can go outside and have boyfriends, that is not the culture in Cambodia.”

“I think Cambodia is the small country that get up from war in 1993 and it’s stay from colonial a lot too. Long time Cambodia have one culture that unfair for girl is the boy can go to study but the girl cannot.”

“Some women in countryside [read: poor people] have low knowledge because the parents didn’t bring them to school. And the schools are far from the house. Some students in Phnom Penh didn’t study because they are allowed the foreiner [sic] tradition.”

“They think if women get high education or not is not important because they will become a housewife and only work in chicken and look after the child.”

“They’re think that if they agree the girl go to study, the girl can meet a lot of boy can write letter love and don’t listen parents advice.”

“Because the girl is 15 year old – 18 year old they alway get marries.” [We’ve reviewed “always” like 800 times, so this especially broke my heart.]

Those were from my more stellar students, most of whom are sit-at-fronters and girls to boot. As you can see, I’ve got my work cut out for me, when it comes to correcting and editing this stuff. Guess that’s what you get for giving a shit and trying to go all Dangerous Minds on these kids.

But strangely, it was the half-assed papers that got to me the most—the ones from the boys in the back of the room, who spent the whole class dicking off and then furiously scribbled shotty sentences, or even bulleted lists (NOT sentences, minus points!).

There’s an almost haiku-like starkness to them:

“We don’t have enough schools for students.
A lot of families are poor.
We just finish the war in 1979.”

“Because:
– don’t have money for them.
– Family don’t have enough money.
– Tranditional.
– War along time in the country
– Girl can help housework.”

“Because parents don’t have money to study. Some women is the countryside have low knowledge because the parents didn’t bring them to school. Cambodia have war.”

Or this one, the worst one, in terms of effort, information and sentence structure:

“Because Cambodia just get up from the war.”

Oh, there’s a sentimental old poet still knocking around inside me.

Screw it, I’ll give him the points for it.

Naked Like That (Kep Bungalow)

Tonight I miss America
at night.

Tonight I miss tambourines and harmonicas.
I miss the low whistle
of a train through the dark.
I miss fog-soggy sidewalks
and boys with stubbly beards
smoking cigarettes,
windshield shards
glittering beneath their sneakers
like that:
stars.

I miss driving home—
Bay Bridge jaundice,
hungry tunnel howling,
ears ringing
and headlights
like a lonesome pair of eyes.

I missed cracked windows
and cup holders,
the arch of 580
to 24,
the moment before
the highways touch

And I miss that city
laid out beneath me
and glittering

For one still moment

Like that
Like how I miss that—
Something I could almost touch
At night.

Tonight I’ve got the jungle.
Tonight I’ve got
Cambodia’s muggy black
of birds crying and geckos belching,
the low drone of insects
trying to get in.
Tonight I’ve got the world
behind a mosquito net
and the sea somewhere—
I can hear it.

I’ve got sheets and the shape
of some still body;
I’ve got a lonesome pair of eyes
probing in the dark
and all the goddamn stars in the world,
glittering like that

Naked like that

Like how I’ve always been—
Splayed and waiting

And breathing in the dark.

Surviving Sunset, And My First Motorbike Accident

So, so much for that New Year’s Resolution.

To be fair, I was on my friend’s motorbike, so I was still acting in accordance with the half-assed guidelines I’d set for myself. But that’s not really the point, now is it? The point of not riding a motorbike was to avoid accidents, to avoid getting injured and thus avoid medical treatment and having to deal with open wounds in a swampy climate in which I am unaccustomed to dealing with open wounds.

As far as accidents go, it was pretty uneventful. We were on a dusty highway outside of town—though “highway” isn’t quite the right word. It’s a big road with a gravel-and-dirt shoulder, filled with wheezing trucks and swerving motorbikes and minivans full of black-eyed workers heading home, the unlucky of whom were relegated to sitting on the roof. It’s one of the big roads outside of town, lined with garment factories and gas stations and bakeries and endless rows of roadside markets selling t-shirts and produce and weird smoldering meats, from beneath endless rows of beach umbrellas displaying names of cell phone companies.

It’s one of those roads that make you realize how big this city actually is, how little of it you actually know, living in the expat bubble of the inner-city. Which is why we’d headed out there—my friend’s company put him up in a housing division out there and he’d kept telling me I had to see it: “It’s totally different out there. Makes the riverside look fancy.”

That and we were chasing the dusk—wanted photos of smoldering sunsets, red as a wound behind a horizon of dust and exhaust, this particular breed of humanity all cast in silhouette. Everything’s more beautiful as a silhouette; anything can be beautiful as a silhouette.

So we were weaving and rolling through the bottlenecks and break-necks, me on the back snapping photos and trying not to slide in too close to the driver, but knowing that each time we narrowly missed another bike, I’d reflexively squeeze my legs. You’re never sure if that’s the kind of message you want to send, or if you want to send a message at all. Sometime you do.

So I was only half paying attention when an old man wobbled slowly on a motorbike in front of us. He moved out from the shoulder suddenly, and we couldn’t slow down in time. We probably wouldn’t have fallen over if it hadn’t been for all the dust—the same dust that was making the sunset so damn pretty.

We fell, I skidded and it was over before I realized it happened. It didn’t hurt, because most things don’t hurt till later, unless they’re really bad. We stood up, shook off the dust and I laughed as the blood blossomed from my knee.

People from the storefronts and markets came out, stood along the dirt that passed as a sidewalk, and stared. “White girl bleeding on the side of the highway,” I thought and laughed. I waved.

They smiled and waved back.

Blurry, but still...

We cruised back towards my friend’s apartment, stopped at a pharmacy that was really just a medicine cabinet in the front of a family’s living room. The woman tsked at me in a motherly way, stroked my shoulder and disappeared; a smiley guy I took to be her husband tenderly cleaned me up.

The wound foamed under the hydrogen peroxide, and the Betadine was drippy and the color of old blood, rusty blood, and it stung but in a clean way. The smiley guy cut up gauze and taped my wound shut as my friend looked sheepishly on and apologized.

“Don’t apologize, it’s not your fault,” I said. Then, with a smile, “But if I’d been driving, I’d probably be apologizing too.”

Smiley charged us $2 and my friend insisted on paying, which I didn’t argue about. Then we headed back into the city center, everything blacker than night behind my sunglasses, which I still wore to keep the dirt out of my contacts. But he was right—the city center seemed fancy after that, developed and paved and rich.

So now I’ve got this knee to attend to. Three days and thrice-daily cleanings, and it’s still raw in spots. I’m waiting for the scab to form, cringing each time I look at it, wincing each time I rinse it in disinfectants. I always hate tending to wounds. It’s the same with getting tattooed—it’s not the thing itself that bothers me, it’s the healing, the dealing with it. Which is a metaphor, of course.

But before I’d gotten back on the bike—while I stood on that dusty roadside dripping fresh blood down my leg and feeling the stares on my body like sticky insects—I’d looked out and noticed the sunset.

It was goddamn beautiful.

So I hobbled over and snapped a photo.

Because everything is beautiful at sunset.

The Only Omar I’ve Ever Known

So one of the great things about being an expat in Phnom Penh is all the extra time I have. It’s kind of unreal. Despite the fact I now have two jobs, a volunteer gig, a possible contract position in the works and try to freelance my ass off, I’ve still got buttloads of free time. Why did I never have any in the States? I dunno, but here I fill it with all sorts of productive activities, from sweeping my apartment every morning to kick boxing to spending entirely too much time on Facebook.

Then there’s the bootleg DVDs.

They’re everywhere, and they’re mad cheap. Usually $1.50 a pop.

It’s a dangerous combo.

Add to this the fact that I’ve got a friend who has a killer collection and is about to leave town. I’m urgently trying to convince him that customs agents will freak out if he tries to enter any Western country with a 300+ stash of plastic cases with fuzzy, Xeroxed liners, and that the best solution to this is to leave his collection in my safekeeping. Don’t know if it’ll work, but in the meantime, I’ve been sampling his goods.

And I’ve gotten into The Wire.

I was afraid of The Wire. I was afraid for the same reason I’m afraid of Words With Friends—do I really need another addictive timesuck?

Why, yes, yes I do.

So I’m working my way through Season One, curled up on my less-than-comfortable wooden bench in my kimono each night, eyes glued to the laptop screen adjusted juuuust so.

The world doesn’t need another commentary on the series, so I’ll just keep it to what’s relevant, which isn’t really relevant at all, just feels relevant tonight: my favorite character is Omar. For obvious reasons. But for less obvious reasons, it got me thinking tonight. As I had my nightly cigarette on the terrace (sorry Mom) and watched the stray motorbikes whiz by three stories below, listened to the neighbor’s dog barking, felt one of those rare cool breezes dancing around the edges of my kimono—it got to thinking about the only Omar I’ve ever known.

Omar James. I’ll use his real name, cause why the fuck not?—weird things happen online and I might even find him. We went to grade school together. He was in my class, all the way through, but I remember him most from sixth grade.

Omar was American, which sounds obvious, but half of my grade school was immigrant kids, so it actually kinda narrows it down. He wasn’t a Bad Kid, but he wasn’t a good kid either—that strange kind of inbetween place people float in as kids, before puberty, when all hell breaks loose—that time when everyone’s lives hangs before them, unformed and waiting, like one of those planetary birth charts I’ve never understood or been able to read.

I remember the DARE counselor, a dude named Officer Lee, saying on the first day: “There’s three kinds of kids. There’s the kids that’ll for sure get into drugs and the kids that for sure won’t. Then there’s the kids in the middle.” He’d paused here, for effect. “Those are the ones we’re trying to reach.”

I knew positively I was one of the kids who wouldn’t.

So I’ve been known to be wrong in my life.

But I remember thinking Omar was one of the kids in the middle. He had a real raspy, low voice, so the teachers always caught him when he was talking (“Your voice is like a red race car,” one teacher had told him. “People are always gonna notice it.”) I remember one term we were seated in the same group, warped old wooden desks facing each other, and I’d tried to whisper something to him out of turn—my version of taking a risk—and he’d gotten frustrated, making a pssshhh noise and said, “Man, I can’t hear you.”

I probably turned real red.

Irish blood makes you do that.

No one else in that class had Irish blood.

Omar had real dark skin and a burn from a flat-iron on his forearm. Lots of the black kids had them, and I remember wondering why—in the same way other kids asked if all little white girls were born with parts in their hair.

He had rough hands too; I remember that. They had little scars on them, callouses and patches of grayed skin, and they’d seemed to me like grown-up hands, man hands. I remember watching them, holding a pencil during tests. I remember watching that shiny burn too, the way the light seemed to gleam off it someway special.

He also had these little gray hairs all over his head. They curled around the rest of his hair, in a way that made them seem curlier, though probably they weren’t. He said he’d always had them, and I’d remember that, since second grade, he had. He said his grandpa had them too, and that that was who he’d gotten it from.

Omar also had a Starter jacket. That was a big deal back in the day. Cause they were expensive and fly. Kids in Oakland fought over Starter jackets, the way kids also fought over Air Jordans, and the kids who had them had a reputation for, you know, the kinds of things kids with fancy shit in poor cities have a reputation for. The Oakland School Board got frustrated and decided to ban the jackets at all schools. This was before the days of semi-mandatory uniforms in public schools, so the ban was also big deal. The school board meeting where it was discussed made the nightly news, and I remember thinking, “Not all kids with Starter jackets are thugs—Omar’s got one.”

No one, I should say, ever tried to fight Omar for his.

Which is maybe why The Wire Omar made me think of him.

But I really don’t know why the fuck I should remember any of this. Maybe it was the hair, the little gray hairs, and how they made me have a picture of his grandpa—some old dude as a little boy once, somewhere, hella long ago, with the same little gray hairs. And picturing that had made me picture Omar as an old man, the same way his rough hands did.

Neither one of us would be old now.

But still.

Then I left that school—we all left, graduated—and I went to a nicer public school up in the hills, followed by a string of other schools—the typical hustle for a decent education in Oakland—and I lost touch with most of those kids. I’ve found some through Facebook—Alekist, who went to Brown and works for a biotech company; Dartanyan, who used to do backflips off the stairs and has a record label now. (Okay, so, I found two kids.) But even before The Wire, even before Phnom Penh and expathood and this weird ass new life of mine that has made me nostalgic for random shit I can’t explain, I’d looked for Omar a few times—plugged his name into the search bar and got nothing.

Cause some people stick like that. Some images stick like that.

Like a race car in the red.


Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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