Dusk and the birds come out.
Diving dark bodies against a fading pink—the kids are getting ready.
Ripples in the pool, empty cups and sagging neon intertubes, nodding “yes, yes.”
Drums and distortion and a screaming rage, rattling out of too-small speakers, a half-open door. Hanging over the rail of the balcony, smoking and slouching, bad postures and back patches.
A bird swoops, circles, disappears inside a nook under the drain pipe—small squabbling voices: hungry. Ready to be fed.
Skateboarding in the parking lot of the Super 8 as the light fades: pink and darkness stretching, chasing, reaching for the sun and consuming the city instead.
Night is coming, the shows are starting, the air exhales and a breeze from no particular direction blows across the pavement, the hot stretch of steel, winking windshields, “yes, yes.”
The birds keep circling, searching for something to take between their beaks. They are only aware of their wings, the wind—not of their dancing or the shape it makes against the sinking Austin sky.
Lonely Girl Travels 
Austin sounds more beautiful in your words. You’re an interesting person. “Yes, yes.”