Archive Page 25

Ass Whoopin on the AC Transit: Epic Beard Man, and Why I Don’t Ride the Bus Anymore

Published February 20, 2010 Bay Area , California , Oakland , Places , Safety , Transit , USA 5 Comments
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Celebrity sighting on the 53

The voice was barely discernible, muffled by whizzing traffic and excitement. “I just rode the bus with Epic Beard Man! He was giving out candy bars and autographs, and I got a photo with him!”

My friend’s Friday evening commute home had been spiced up by a sighting of Oakland’s latest internet phenomenon. As the number 53 heaved down Fruitvale Avenue, passengers posed for pictures and chanted “Epic Beard Man,” as the grizzlied old dude distributed candy from his backpack and basked in the adoration of the bus riders.

Regardless of your take on Oakland’s latest internet sensation—racist, vigilante or mentally ill bad-ass—one thing is for sure: Epic Beard Man has reached celebrity status. And while a heated, racialized debate rages in chat rooms and on blogs, the actual riders of AC Transit appear to have risen Epic Beard Man to the revered status of folk hero.

Quick low-down, in case you’re out of the loop: earlier this week, a YouTube video of an AC Transit (Alameda County Transit) altercation between a middle-aged black man and an elderly white man (now dubbed Epic Beard Man) made quite a stir—over a million page views in its first day, and countless comments and ensuing discussions over issues of race and safety in Oakland. The story was picked up by local blogs, news outlets, even the Huffington Post. Know Your Meme offers the most complete run-down of the controversy, featuring video responses that capture some telling Oakland sentiments.

You can go to YouTube and dig through all the remixes, follow-ups and tributes, but here’s the original video. Yes, it’s graphic:

It’s no surprise that the video is so popular. It’s another opportunity for people to glimpse into the dysfunctional “urban” reality of Oakland, and people outside of Oakland never seem to tire of that. Several years ago, the city’s other big internet phenomenon fascinated outsiders with its oh-so Oakland cultural collisions and colorful characters (I was living in East Oakland at the time, and the screeching sound of whistle tips really did echo through the streets at all hours).

While responses to the latest video vary, they largely fall into two camps: Epic Beard Man is a racist, or a hero. He’s either an old redneck who asks a black man to shine his shoes, then beats him, or he’s a tough dude who stands up to a punk-ass thug who’s instigating and harassing him. In general, the first camp seems to be populated by guilty white people and advocates of all things ghetto, while the second camp is composed of kids, bus riders and enthusiasts of drama and smack-downs.

My own response lies somewhere between the two. Both men are unstable, not the kind of people you want to sit next to and exactly the kind of people you meet on East Bay buses. Epic Beard Man is obviously not well, further evidenced by follow-up interviews; turns out he was also the star of another YouTube phenomenon, a video where he gets tased at an A’s game for unruly behavior. He’s a deranged old Vet with a tenuous grasp on reality, prone to violent outbursts. Not someone who should be milling around the streets, trying to take care of themselves, but hey, that’s America (thank you, Ronald Reagan). The other dude should have left it alone, realized Epic Beard Man was not all there and not worth the trouble—but in his bravado, he got pumped full of ego and shit-talking and, well, he got served.

What’s most interesting to me is how the people most closely related to the issues raised in the video reacted—that is, AC Transit riders and people with exhaustive experience dealing with both the tiringly whacked-out and tediously ghetto. Most of the folks I’ve talked to feel that while, yeah, Epic Beard Man is totally deranged, dude got what he deserved.

It reminds me of an issue several years ago when an Oakland resident was both vilified and exalted for standing up to the thug kids that plagued his block, in what became a violent incident. While both parties in this instance were African-American, so the race issue wasn’t raised, responses were similar: he was either a vigilante hero, or a villainous attacker of innocent youth. Throughout the controversy, the man insisted that all he wanted was a safe neighborhood in which to raise his kids—what I’d argue the majority of people in Oakland are looking for. In the end, he did what most of the families I grew up with did—unable to afford a nicer neighborhood in Oakland, he moved to one of the outlying working-class suburbs.

Responses to that issue, as well as this one, tap into some very central Oakland issues. While the man from a few years back was a much more sympathetic (and sane) character, and didn’t want to be a hero, many people regarded him as such. I think it speaks to the extent to which people are sick of all the bullshit. People are tired of dealing with puffed up a-holes who think they can say/do whatever to whoever and get away with it, tired of shit-talkers, instigators and intimidators. So much so that they’re willing to revere violent behavior.

The riders on the 53 last night, majority non-white, were literally cheering for Epic Beard Man. Yes, some of it was surely star-struckedness and a glorification of school-yard theatrics, but I think there was something deeper going on there, something almost beyond race. Most of the video responses I’ve encountered are, in fact, from people of color. Epic Beard Man may be nuts, but the other guy was an ass. There’s no video glorifying him—and I don’t think it’s just cause he was the loser in the altercation. It’s a strange thing: an incident so racialized, that at its core, to the people who deal with this stuff day in and day out, has more to do with harassment and basic respect than race.

That the incident took place on a bus is no coincidence. A San Francisco Chronicle blogger (and fellow gym goer) centered his coverage of the issue on the ridiculousness of AC Transit—for him, it was all evidence for why he doesn’t ride the buses in Oakland.

Word. I grew up riding AC Transit, and it served as a serious education in the world. The first post on this blog was a reflection of how riding the East Bay buses prepared me for world travel, while the very first piece I published, as a teenager in The East Bay Express, was a narrative about my fucked-up experiences on AC Transit (I used a line from the piece as the title for this post). While shit like this doesn’t go down on the vast majority of bus rides, it’s not some sort of exceptional incident—it just happened to be captured on tape. I’m grateful for the schooling AC Transit administered; as a result of vital life skills learned on those blue plastic seats, people generally don’t fuck with me. But I’m even more grateful to have a car now.

The Epic Beard Man hype will surely die down—like everything these days, it’ll be discussed and linked to and tweeted wildly, then fade into the buzzing gray, the next craze taking its place (in the digital age, it seems everyone’s 15 minutes of fame are whittled down to 15 seconds). But for the rest of us, the issues the video captures will continue on: race, safety, the crazies that fill AC Transit. They’ll continue to roam around, screaming and bleeding all over our commutes, and I will carry on with my self-centered, polluting aversion to East Bay mass transit.

But I will say—being on that 53 with my friend last night would have been an experience. If for nothing else than the photo ops.

I Heard That Lonesome Whistle Blow: Port Costa and the Past

Published February 16, 2010 Bay Area , Budget , California , Damn, I've Got It Good , Independent , Lonely Girl Loves , Offbeat , Places , USA 11 Comments
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In the hallway

It wasn’t the squeaking of the bats that kept me up all night. It wasn’t the way my shoulders dug in to the thin mattress that kept me rolling over, not the low-voiced howl of the passing freight trains that rattled me out of my half-dreams.

It was that I had to pee. And I was too scared of ghosts get up.

Not that I’m 7, and not that I actually saw or heard any ghosts. Just that, you know, I’m a wuss. The bathroom was only a couple doors down the hall. But I’d heard stories, of ghostly laughs and the clicking of century-old high heels, and I figured—why risk it? I waited until the gray light of dawn sank its fingers through the curtains, brushed the walls and illuminated the shadows. I relieved myself with incident.

The whole overnight to Port Costa, actually, went without incident, the kind that had been hyped and fore-warned: red necks, ghosts, bed bugs, cocaine-fueled partiers—I didn’t see any. What I did see: peeling velvet wallpaper, a spooky porcelain doll, fishermen tromping over gravel and train tracks, a stuffed polar bear, a dude playing a banjo and a whole lot of motorcycles.

We arrived after dark, weaving our way through the shadowed coastal hills of a regional park. The pavement gave way to gravel as we delved into a little valley, dim houses and an old chapel lining the one road of Port Costa. The road dead-ended into a wide parking lot, gravel, train tracks, the misty water of the Carquinez Strait. On one side of us was a three-story, dirt-colored old warehouse, on the other, the bay windows of the Burlington Hotel. That was it.

Inside The Warehouse

We turned the locked knob to the hotel’s door a couple times, until the banjo-playing dude on the corner told us we had to go across the street to the bar to check in. We entered The Warehouse, the main occupant of the 19th-century grain storage-house.  We stared stupidly for a couple moments, taking in the mish-mash of burlesque lampshades, checkered plastic tablecloths, mounted animal heads and vintage signs. We must have stood out—a man in the corner waved at us.

Turned out he was Howie, accompanied by Barbie, proprietors of the Burlington Hotel. They greeted us in what we’d discover was a typical Port Costa way: genuinely friendly and down-to-earth. It wasn’t the affected over-sweetness of a typical tourist town, nor the you-ain’t-from-round-here skepticism of an isolated small town. The vibe was unpretentious and warm, but not overly warm. It was the Goldilocks of small towns—just right.

Everything was just right about Port Costa: just enough overnighters that I didn’t feel too out of place, just enough decrepitude to make the hotel really really cool, just enough vestiges of history to make the town special—not undiscovered, but not blown up or theme-parky.

On the mantel in front of our room.

We wandered around the Burlington Hotel with our jaws dropped—it was the antique/vintage/ creaky dollhouse of cool we’d hoped for. But it wasn’t the stinky filth-pot Yelp reviewers and the Chronicle had made it out to be. Sure, it was faded and had the musty smell of an attic, but I had to wonder—had the people who’d called it dirty ever stayed in a cheap third-world hotel? Or a flea-bag American one, for that matter? It was no Courtyard Inn, but definitely one of the nicer hotels I’ve stayed in the US (not saying much, granted).

Maybe they’ve already started to spiffy up and straighten out, as the Chronicle article claimed. Aside from the lack of bed bugs and grime, there wasn’t a lot of raucous activity either. The other guests definitely looked like they were there for a good time, but the most debauchery we experienced at the Burlington Hotel was some middle-aged folks having a Hank Williams sing-along (I wanted in), followed by some late-night bed creaking (I did not want in). Pretty mild, really.

Ate all that!

As part of the Valentine’s Special, a $99 dinner-room combo, we headed back to The Warehouse for some good ole American eating. I’m usually a free-range, organic kinda girl, but I figured, meh, when in Port Costa. We grubbed on a whole lobster, one pound of prime rib, and unlimited salad/chili/chowder bar, washed down with soda served in a glass jar. My pants felt quite a bit snugger. A post-dinner stroll was definitely in order.

We tip-toed across the puddle-ridden parking lot, through an opening in the chain-link fence, and across the dark of gravel and train tracks. The nighttime mist made everything feel dream-like and removed, like we were somewhere much further away, like those weren’t the lights of a suburb blinking and sighing across the water. The way the Amtrack and freight trains’ horns would wail, the way their lights gleamed like animal eyes, how the heaved and rattled past—it made it feel like we were in some little pocket of the world, not quite forgotten by time, but where time just kind of rumbled past, without really stopping, leaving only a puff of exhaust and the echo of its cry.

Sitting on the rocks, I looked out across the water, and had a strange, back-of-the-head tingle. The lights of a far-off refinery winked in the billows of steam pouring out its towers, glittering like some kind of industrial Oz. Jagged fragments of memory came cutting back. “Fuck,” I said. “I’ve been here.”

High school. Malt liquor and weed and pills. We’d piled into B’s truck, drove around El Sob and Crockett looking for drugs and trouble, finding none of one and only a little of the other. We’d pulled into a parking lot, staggered across gravel. Refineries twinkling. Feet numb, and sides closing in, black. Cigarette smoke in my hair. Wanting to sleep.

My little kaleidoscope of fucked-up broken memories came out of some forgotten fold of my brain, stinging and still alcohol-damp. So I’d partied in Port Costa after all. Who knew.

The next morning, the town was mist-shrouded and dewey-eyed. I was dazed; all night I’d listened to the trains, thinking of all the other people who’d laid in that room before me, in the gray and shadows, listening to that same rumble and sigh. We drank teeth-burning from styrofoam cups and took another tromp around town, then further down the train tracks. Lots of killer photos ensued (currently, only the digital ones are ready; pro film shots will take plenty longer). Coolest find: on some rusty old rails, someone with a similar nerdy affinity for trains and travel left their mark:

The mild afternoon melted past, time a far away thing. The trains continued to pass, rumbling and horn blowing at a couple of kids poking around the rocks and rails of a once-great railway hub, filled with miners and shipyard workers and whores and ferry horns—and now, just the ghostly groan of the trains, passing, passing, but never stopping, no, not anymore.

Photos by Theo Konrad Auer. More on the way…

Where Do Dirtbags Go for Valentine’s?

Published February 12, 2010 Bay Area , California , Living on the Cheap , Offbeat , Places , Punk , Subculture , USA 7 Comments
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One of Aly's photos from the Burlington Hotel

It happened like this:

Making the rounds last Friday at the Art Murmur, I came across the photos of a friend of mine, Aly Su Borst. They were pretty bad-ass: a series of self-portraits set in some run-down opulence that got my spooky/awesome sensors spiked. I took some photos on my phone. At home the next day, I showed my roommate, “Hey, Luke, check out Aly’s photos.”

“Oh, rad, Port Costa.”

“Where’s that?”

That’s how I found out about the overnight destination all the local dirtbags have apparently been partying it up in for decades. And like most things, I’ve found out just in the nick of time: the reputedly haunted, ramshackle old bordello/hotel that serves as the heart of the 250-person town of Port Costa (that despite being 30 miles from my house, I’d never heard of) has plans to spiffy itself up, and recently received coverage by the San Francisco Chronicle. I knew no time could be wasted—I booked a room for this Saturday night. It’ll be a Valentine’s weekend overnight the way I like it: full of bats, bedbugs, dive bar denizens and rock n roll.

The Chronicle‘s article made the Burlington Hotel sound like the very definition of “hidden gem”—not in the Tuscan villa sense of the word, but in the gritty, visceral sense—which is to say, the sense I dig the most. Whether it was in fact an old whorehouse, and whether it is indeed haunted by the ghosts of prostitutes and shipyard workers, one thing seems for sure: the Burlington Hotel is a relic of the Old West California, the one Jack Black captured in the book You Can’t Win—the one that’s all but gone amid the Botox and SUVs of Southern California, and the Blue Priuses and Tibetan prayer flags of Northern California. Which is why I want in.

It won’t be a relaxing, rejuvenating or romantic getaway. Its Yelp reviews reveal as much: “dirty,” “bad-ass,” “like a horror movie,” “whore-tel.” One person laments that it’s no longer the all-night rager spot it had been in previous years (frequented by the likes of none other than the East Bay Rats—nuff said). A raucous bar next door constitutes much of the clientele, including “bikers, transients, nazi crack addicts, and drifters. maybe tourists are in there somewhere, too.” (Really, there’s some effing gems on the Yelp page, read through that shit.)

Already pretty convinced, I came home from work the next night and found Liz and Melissa on the couch. “You guys ever heard of the Burlington Hotel?” They turned their heads slowly towards me. “Oh. Dude.”

They swapped debaucherous stories from their hard-partying youth—Liz being haunted in Room K, Melissa’s heshen friends getting permanently 86-ed (which apparently is saying a whole lot). “Make sure,” Liz advised, “that you bring your own sheets. Bedbug city, yo.”

I called to make a reservation, which wasn’t quite as difficult as the Chronicle article made it out to be. After a long succession of rings, someone picked up; muffled and scratchy, he told me they weren’t quite open yet, but to call back in a half-hour, and they’d be ready to “rock n roll.” I did, and they were. Butt rock blared in the background. All the rooms I’d been advised were the best were, of course, full, but I did get in on the “special” (Valentine’s Day special? probably not): the room and 2 surf-and-turf dinners for $99 total. Now that’s my kind of overnight.

Ridiculous photo from the Smokey's Tangle V-Day Photo Booth, February's Art Murmur

So sadly, since the Chronicle recently did a piece on the hotel, I’m gonna have to dig a little deeper to a) out-do their article, and b) find the right publication for it. The good news is that my partner in crime is bringing along his fancy camera, so the photos, well, they’re going to kill. Hopefully not literally.

Knuckle Bumps and Stomach Punches: VICE Under Fire

Published February 10, 2010 Culture Shock , Offbeat , Safety 2 Comments
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“Negligent.” “Contemptuous.” “Appalling substandard.” “Morally bankrupt.” “A modern version of a colonial diary.”

Ouch. It’s some harsh criticism that isn’t undeserved. The VICE Guide to Liberia, which I did a post about a few weeks ago, has ignited a cauldron of contempt on the blogosphere. Big-time media attention from CNN and the Huffington Post led to impassioned and eloquent arguments against the documentary, and some frighteningly truck-rally-esque endorsements. It’s got me thinking a lot about the travel series I’d formerly enjoyed and endorsed, despite its arrogance, and wondering: did VICE go too far?

Well, the answer is yes. Clearly. As I dug into the dozen or so blog posts, and the scores of ensuing comments, I learned more about the current situation in Liberia. VICE didn’t portray it fairly, or even close to fairly, and fell woefully short of providing the kind of context one would need to draw any kind of informed conclusions about the country. But I don’t think the series was entirely without merit, entirely evil and shallow. And buried beneath smirks and bro language (“heavy vibe” is used a lot), there’s still an emotional depth to the documentary that keeps it, for me, from being too simple of a case: black and white, Western and African, exploiter and exploited.

Most of the voices crying out against VICE are from people personally invested in the country—they’ve lived there, traveled there, done development work there. If I were emotionally linked to the country, I’d be pretty pissed too. Penelope MC’s post post relates stories and experiences of positive progress in Liberia, while Kate Thomas’ post shares some of the tourist-friendly spots. On The Faster Times, Adam Karlin delivers the most seething and meticulous critique of VICE I came across, picking apart the faulty journalistic practices employed. On the other end of the spectrum are the positive comments that fill the VBS website, which basically amount to a Beavis & Butthead “Whoa.” I found only one blog from someone with experience in Liberia that lauded the series, and the rationale there was a little odd. Christine Scott Cheng offered a more nuanced review, as does Ethan Zuckerman, arriving at the point that the series, however flawed, deserves to be watched. I agree.

A different view

The VICE Guide to Liberia paints a bleak picture—so much so that I was surprised, only a week after its release, to come across a New York Times article about the country’s burgeoning surf scene. I began to suspect VICE hadn’t captured the entirety of the situation in Liberia.

Indeed, one of the main qualms people have with the series is that it only shows the most fucked-up parts of Liberia, largely within the capital Monrovia. While it’s true that “this is just what VICE does,” I think that reasoning is a cop out. VICE hypes the situation: the first episode makes it seem like the war is still going on (though I’d argued subsequent episodes firmly depict the war as over), and the UN is claimed to be leaving the country, an incendiary claim that isn’t exactly true.

I don’t have any experience in Liberia, so I did what I always do in this situation: related it to Oakland. Someone could certainly go in to the worst neighborhoods of Oakland and do a series that made the whole city look like a dangerous, drug-riddled hellhole. And that would have pissed me off, for the exact same reason it did people invested in Liberia—the 80s are past, crime is down in Oakland, and a lot of people and organizations are working hard to enrich their communities. That being said, I don’t think going into those places, documenting and interviewing and excavating stories, would be entirely without value. They are hard, painful stories to hear, images to see, but they are true and deserve to be heard. More context certainly should have been provided—something like: “we went to the worst slums and interviewed former warlords”—so that the series didn’t appear to be a blanket of this-is-what-Liberia-is-like. But just because the stories featured weren’t representative of the whole doesn’t mean they shouldn’t be heard.

Ambassador setting up a Girls Empowerment Center

Other arguments against the series include sensationalism, stereotype indulgence and bad-assedness. People argue that host Shane Smith is exaggerating the situation so that he can look tough, and the series more daring, and that in the process he dehumanizes his subjects, treating them like animals in a zoo. There’s a lot of validity to these arguments. The war is over-hyped, and less discerning viewers could certainly draw erroneous conclusions. Shane Smith, to me, looks scared and freaked out in most of the footage; rather than a bad-ass, as many of the site’s commenters lauded him as, he seems wholly untough to me. Not saying that I’d react any better, just that the series didn’t make him seem cool to me.

But the argument I’ve been grappling the most with is the stereotyping and dehumanizing one. Africa is again portrayed as a hellhole, Africans as savage cannibals. I can agree with this statement, but my experience with the series was completely different.

Granted, I’m coming from a pretty left-wing perspective, but to me, the series didn’t evoke an Us Vs. Them reaction. To me, it served as an exploration of how generations of war, poverty and exploitation create dire situations not easily remedied. It’s not an African issue, but a human one. What happens to former warlords and child soldiers? Do they try to reform and make amends for their actions, like Joshua Blahyi, or stay whacked and ready for combat, like former General Rambo? What about the kids growing up in all that, the women and all those folks just trying to live life as they best they can?

The most interesting part of the series to me wasn’t the shocking wartime footage or discussions of cannibalism—it was the visits to the boys school of former soldiers, to the brothels and heroin dens. Not because it was shocking, because it wasn’t, but because of the eyes of the people shown, the pain-beyond-pain. For me, it was incredible humanizing, touched on that part of me that makes me feel like we’re all connected, together in this often fucked-up world. I can see how that wouldn’t evoke the same reaction in a lot of viewers, and maybe the emotional depth wasn’t in the coverage at all, but in my own reaction to it.

At the end of his review, Adam Karlin touched on what the real shortcoming of the VICE series is, to me: “Bad travel is about going somewhere and reconfirming everything you thought you knew before you left, and this is exactly what Vice does in Liberia.” I don’t feel like anything was learned by the people making the documentary—they were shocked, sure, but their ideas and opinions about what was going on appear to have remained unchanged. I’ve never been on a trip like that, where something in my understanding didn’t change. And I hope that I can retain enough open-mindedness and humility not to ever.

Whatever the conclusions, one thing’s for sure: the VICE Guide to Liberia garnered a lot of attention for the country. And for VICE. It got people talking, even if they didn’t want to, and got people like me, who had a hazy understanding of the present-day situation, spending hours online to dig deeper and learn more. It won’t be easily written off, which means there’s more to it than mere caricature and hip packaging. And it might mean that VICE does a more thorough, honest job next time. Cause God knows they certainly have the resources to.

Flowers and Hair Dye: Getting Ready for the New Year in Oakland’s Chinatown

Published February 8, 2010 Bay Area , California , Oakland , Offbeat , Photography , Places , Subculture , USA 1 Comment
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Short women elbowed through stacks of neon flowers. Banners boasted the rejuvenating wonders of herbs, tea, hair dye: “No. 1 Selling Brand in U.S.A.”, “Prince of Peace, The Name You Can Trust!” Distorted pop vocals crackled and hummed from a far-off stereo. Children gazed up at their toy windmills, decorated with carton tigers or Dora the Explorer, black eyes shinning and mesmerized by the spinning, spinning.

This last weekend was Oakland Chinatown’s annual Lunar New Year “Bazaar.” Not quite a street festival, not quite a farmers market, and anything but the well-known San Francisco Chinese New Year Parade (ahem, the “Southwest Airlines Chinese New Year Parade”), the event captured Oakland’s Chinatown: non-glitzy, utilitarian, and not particularly concerned with outsiders.

I’ve been meaning to do a post about Oakland’s Chinatown for awhile. As its Chamber of Commerce website declares: “Oakland’s Chinatown is one of the most fun and authentic of the American Chinatowns. It is quite safe. It is not a line of t-shirt and postcard shops like much of other Chinatowns.” I recently tromped through San Francisco’s Chinatown with out-of-town relatives, which actually gave me a renewed appreciation for its lanterns, pagodas, skinny alleys and countless trinket stores. Growing up here, it’s easy to get blase about what remains alien and alluring for a lot of people. My cousins loved SF’s Chinatown, and I wouldn’t think of bringing them to Oakland’s—it would be totally uninteresting to tourists.

Diagonal crosswalk

Oakland’s Chinatown isn’t glamorous; there’s no self-conscious gestures towards exoticism. It’s not even really a “Chinatown” as much as it is an “Asiantown,” filled with a good number of Southeast Asians (and thus, one of the best Vietnamese sandwich shops around). Still, the history of the neighborhood is Chinese—as evidenced by the bilingual street signs—and the attitude, well, that’s Chinese too. It’s not hostile by any means, it just doesn’t go out of its way to include outsiders. It reminds me of the sentiment Pico Iyer captured in his 1980s essay “The Door Swings both Ways.” A lot of the stores and markets don’t bother to translate signs. Despite one of its main thoroughfares being four lanes wide, double-parking is so rampant it still takes ten minutes to drive two blocks. People ignored crosswalks and traffic signals so much that the city eventually gave up and installed Oakland’s only diagonal crosswalks.

Dingy awnings, block construction and an eerily empty mall are part of the unexotic offerings of Oakland’s Chinatown. And, this last weekend, two of its main streets were closed off for what’s marketed as a Lunar New Year Bazaar, but what’s really a stock-up opportunity for locals. I ran into an old friend who was working the event, and her aunt helped illuminate my hazy understanding of New Years traditions, informed mostly by the annual dragon dance on the playground of my grade school, when we got to throw cabbage and eat those chewy candies covered in rice paper.

Aunt Kathy told me about the purpose of the market, which is to stock up on bright flowers to decorate the home with. Yellow mums and reedy stalks (whose English name we couldn’t figure out) are most popular for their bright color and longevity. People also bought up red envelopes, for money giving; what I didn’t know was that only single people receive envelopes (hint, hint). As opposed to Chinese celebrations, when people have a week off work to visit relatives and feast, American celebrations are more condensed—people usually gather at a relative’s house for a night, eat a ton, and exchange envelopes, candy and sugar-coated fruit. “Like Thanksgiving”—but with a lot more red.

Like most things in Chinese culture, the traditions of the New Year seem to all go back to “good luck.” “Why the colorful flowers?” “For happiness and good luck.” “What’s the significance of the long stalky flowers?” “They live long, don’t die. Bring good luck to the house.” “Why all the candy?” “It’s sweet, bring good luck.”

Oakland’s Chinatown doesn’t hold a New Year parade or celebration, just one big market for all your flower, herb, sunglasses, socks, DVD and good luck buying needs. A couple of other non-Asians milled through the crowd, not quite sure what to do with themselves or why they were there. Where were the food stalls? The ethnic trinkets and radio stations? Meh, it was Chinatown. This was their affair, and they weren’t gonna dress it up for anyone.

Photos by Theo Auer

Aw, crap, forget my pocket phrasebook

Booth selling hair dye

What language is that under "Fast"?

Celebrity endorsement

Digging for goods

Flowers and sunshine

Another mystery booth

Dora the Explorer Windmill

Peeking in to a random shop

Ummm...

"Alright, alright, we'll give you a pagoda."

A jay-walker no more

Exotic...

Even Citibank is in the Year of the Tiger spirit

Buddha and a Raiders Logo

Lady Love: Digging In to the Blogroll

Published February 6, 2010 Inspiration , Lonely Girl Loves , Travel Writing 11 Comments
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Thank you, Flickr, for another gem

I’ve got a long Blogroll. What can I say?—I gotta lotta love.

Recently, I’ve seen some fellow bloggers do posts breaking down their favorite blogs. I was honored to be included in both Abbie Mood and Nancy Harder‘s lists, along with some really great writers I often read.

These posts got me thinking: I should really call out some of my own favorites. Many of my go-to blogs aren’t as widely read as I think they should be, and this’ll serve as a chance for me to give an extra shout out to some deserving, ass-kicking writers.

So I’ll start with the ladies. Five of my absolute favorite lady travel bloggers are…

Click Clack Gorilla

I’m not sure how I discovered Nicolette’s blog, but I’m stoked I did. This girl is old school, a DIY, dumpster-diving punk currently living in a house without heat in Mainz, Germany. She writes killer prose about digging around abandoned buildings, au pairing, living on the cheap and trying to keep warm through the winter. What I love about this blog is that it’s something different—utterly non-corporate and unapologetically  its own. It reminds me of the kind of writing the filled zines I’d find at the old Lookout Records. Thanks for keeping it real, lady.

Girl, Unstoppable

I’ve been following Ekua’s blog for awhile, so I was excited to see her get some big-time props from the folks over at Matador recently. The blog’s title says it all: Ekua is an adventurous lady who writes from a Bay Area perspective about her travels around places like Ghana and Bolivia, as well as her life here in San Francisco. One of my favorite features of her blog is travel quotes, especially this one, from a kid she works with—priceless! Despite living just across the Bay, and talking about it for months, Ekua and I haven’t been able to get it together to hang out yet. One day…

Kanitha Heng

Kanitha’s self-titled blog is a well-kept secret that shouldn’t be. Her stuff is seriously off the hook. She’s an engaging, provocative American writer currently chronicling her travels through her parents’ homeland, Cambodia. Her prose is both unafraid and tender, exploring cultural chasms and haunting histories. Kanitha’s writing consistently blows me away. Get on this shit, y’all.

Posa Tigres

Okay, so technically it’s a joint blog between Sarah, who does the writing, and Jorge, who does the photography. It’s quite the dynamic duo, and Sarah’s writing is some of my favorite out there. She doesn’t water shit down, or shy away from tough subjects—case in point, one of my favorites of hers, about the cultural implications of taking a Dia de los Muertos tour. She writes about living in Oaxaca with her boyfriend—beautiful prose that’s not nuggetized or easily digestible. Get ready to think.

The Mija Chronciles

I started reading Lesley’s blog a few months ago, enraptured by the photos, recipes and, most of all, her sumptuous descriptions of regional Mexican food. She’s currently living in Mexico City with her husband, and writes not just about food, but Mexican culture and the expat life. She’s a solid writer with journalistic credentials, and her tweets about what she’s cooking constantly get me salivating. She once casually invited me to come down to Mexico City for a foodie tour. What she doesn’t know is that I totally plan on taking her up on it one of these days…

Honolulu, Black and White and Back in Time

Published February 3, 2010 Bay Area , California , Inspiration , Lonely Girl Loves , Oakland , Photography , Places , Subculture , USA 7 Comments
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Faces stare out from a two-dimensional black and white. They are laughing, posing, cast in shadows and cut-and-pasted beside lush palm trees, neon hummingbirds, tan thatching and pinkened skies. Sometimes they smile; other times they gaze off, someplace beyond the camera, looking out from thin layer of time and plastic. And I am completely obsessed.

It’s my weirdest and raddest score from the Bay Area’s rummage event of year. The annual Oakland Museum’s White Elephant Sale is a cult event local collectors, scavengers, cheapskates and lovers of vintage live for. The Oakland Museum benefit is held out in a Jingletown warehouse, and hosted by the spunky white-haired ladies of the Women’s Board. Donations are collected throughout the year, culminating in the kitschy bonanza of bargains. The event takes over the neighborhood, complete with taco trucks and a free shuttle to the BART station.

While the main event is a two-day affair held on the first weekend in March, this last Sunday was the special preview—when the die-hards shell out $10-15 months in advance to get first pickings. A friend finagled us onto the guest list; we traipsed down across the train tracks, through the sour estuary smell and into the warehouse bustling with bodies digging for treasure.

Inside the warehouse

There was a little of everything: antique furniture, vintage suits, old Polaroid cameras, $1 LPs, 80s action figures that brought me back to my childhood—even a box of expired condoms. The prices put any flea market to shame, and everyone was in a good mood. The staff was sweet and grandparently. An old dude with a vest full of buttons from previous years’ sales stood by a Thomas Edison record player, explaining to whoever passed how it worked and the history behind it. Some staff dressed up—I saw a Napoleon look-alike—which added to the festive atmosphere and reconfirmed my aspiration to be a cool old volunteer/docent person when I retire (like I’ll ever be able to…). A truly awesome moment came when, rifling through old records, a tween boy with shoulder-length blond hair picked up a Van Halen LP and let out a long, “Yessssss.”

I scored a couple cool vintage-y household items, but by far the coolest thing I came across was a 20″ x 16″ photo collage. It’s cheaply framed, cost $1 and is full of the kind of mystery that gets my wheels turning, my imagination shooting sparks.

The artfully executed collage of photos is from a group of young people’s vacation to Honolulu. The handwritten note on the cardboard back guesses the year to either be 1939, or 1940-43, World War II. Beneath that, four names appear: Virginia Matthiesen, Cole McFarland, Bud Matthiesen and “Sailor Friend.” Those are the only tangibles I have to cling to, the only ones I want. In the grey photos of shorelines and hotel rooms, a garden and a roadside, I have all the fodder for fantasy I need.

The group is young, mid-20s I’d guess. They have the eyes and expressions of old-school rebels, a kind of pre-Beatnik vibe, something carefree and a little wild in their smiles and poses. One has a Neal Cassady look; a girl has sharp cheekbones and piercing eyes; another stares off from above bare shoulders and a shell necklace. In a different photo, Neal Cassady is wearing the shell necklace, leaning in towards the girl as she looks away. The light has caught her blouse, making it blaze with a whiteness that obscures her face.

There’s an impossible number of stories inside the collage, silent and lost like a dream you can’t remember. Whoever made it set it in a border of tiki-style thatch print, then pasted a couple cut-outs of palm trees, to add color and a tropical vibe. It’s visually cool and kitschy enough to be hip. But really, it’s the faces that make me love the collage.

Of course, I’m projecting all of this—maybe they’re not artsy rebels at all. But that’s the fun of it, imagining a trip like that, then: how long it must have taken to get to Hawaii, how rustic and undeveloped it looked, how more pointed and romantic everything looks in black and white. And the timelessness of getting into adventures on the road. I haven’t found the perfect place for it yet; one of my roommates loves it, the other thinks it’s creepy. For now, it’s leaning against my bedroom wall, where I can stare and dream.

At the center of the collage, pasted on a pastel sunset, is a solo shot of the sharp-cheeked woman. She’s looking back, over her shoulder, holding a straw hat down against what might be wind, what might be the passage of time. I like to think she’s looking back at me, out from a moment that’s long passed, a place that isn’t the same, a youth that is gone. Probably, she was looking back at one of the boys in the collage. But a girl can dream, can’t she?

Relatives and Revelations: What My Brother’s Wedding Taught Me about Travel

Published January 30, 2010 Bay Area , California , Damn, I've Got It Good , Family , Home , Lonely Girl Loves , Places , San Francisco , Transit , USA 5 Comments
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Photo booth fun

“What can I say? When you’re children get married, it’s one of the happiest days of your life.”

That was my dad, toasting at my brother’s wedding two weeks ago. Simple, but true: celebrating my brother’s marriage to a rad lady will definitely go down as one of my happiest days. Aside from the awesomeness of why we were all there, it was a gorgeous event at the Julia Morgan Ballroom in Downtown San Francisco, complete with caviar and a five-tier chocolate fondue fountain (that’s right, you heard me). I was surrounded with life-long friends and far-away family, flown in from the Midwest and East Coast.

Of course, as a travel person, my antennaes were perked by all the out-of-towners. Watching them all come in—arrive at the hotel, rent cars, hang wrapped dress clothes in closets—I realized I only travel a very specific way, and it’s lent a very limited perspective.

I’d argue that most Americans travel the way my family did two weeks ago: domestically, in hotels, either shelling out for a rental car or attempting to traverse poorly funded mass transit systems. It’s pretty far-off from the international ramblings I do on second-class buses and cheap pensions/hostels/couchsurfing. The weekend resulted a series of travel revelations—“light bulb moments,” as I’d once heard them described on Oprah.

Before the guests arrived

What shocked me most was the sheer expense of it all. Even at an off-season rate, further discounted for the wedding party, staying in Downtown San Francisco is not cheap. Renting a car is not cheap. Eating at the restaurants and cafes Downtown is also not cheap. No wonder people ask me “But how can you afford to travel so much?” I used to feel that travel within the US was kinda a rip-off. I don’t take it that far now, but I will say you get a lot more bang for your buck elsewhere. (That being said, I have done New York City on $40 a day, so maybe I’m just a cheapskate.)

The night of the wedding, my parents decided to not add battling the Bay Bridge to the day’s ledger, and booked a room, which I piggy-backed on. Which brings me to the next travel revelation I had: looking good on the road is a major hassle.

As far as hassles go, mine were pretty minimal: the morning of the wedding, I dropped my shoes, dress and fancy jacket off at my parents’ house in Oakland before taking BART out to the city to get my hair and make-up done. I toted with me my overnight bag, in which I carried more make-up and hair products, as well as jewelry, nail polish, etc. My parents brought my dress clothes; I met them at the hotel and changed. The next day they took my dress clothes back to the East Bay while I hung out with my cousins. Not bad at all, considering I didn’t even have to negotiate riding the train with a hanger of dress clothes.

Classy as shit

But considering the way I normally travel, this jaunt across the Bay was complicated exponentially by the need to wear something other than jeans and sneakers. When I travel, all bets are off: I bring my most utilitarian clothes, no makeup, a dabble of hair gel and loads of sunscreen. I look like a total ragamuffin—handy, since it tends to decrease the amount I’m hit on. Wanting to look not just presentable, but my drop-dead best, is tricky enough; doing it out of a bag was even harder. I garnered a new appreciation for business travelers, beauty pageant contestants and all other non-backpacker/dirtbags travelers.

Here’s another thing I learned: logistics are tough. Organizing big groups of people, getting them here and there when they don’t know where they are, is really hard. No wonder tour companies charter buses. And no wonder people trundle on them happily.

I’m the kind of traveler that loves transit. I grew up riding buses and trains, and I get a kick out of figuring out new metro systems: where train lines connect, what lines run where, the fastest and easiest way to get from Point A to Point B. There’s a skill to transit, and I’ve honed a kind of sixth sense for the rhythm and order of it. So when my dad started to fret over how we’d get everyone from the Downtown hotel to a Sunday night pizza dinner at my brother’s house on 27th and Dolores, I responded, “We’ll have them take the J-Church.” Easy, right?

Well, it was easier than shuttling loads of people back and forth in the couple of rental cars, but not as easy as you’d suspect. I played transit tour guide, leading everyone to the Montgomery Station, through the turnstiles, down to the platform, on to the train (luckily, we all got seats). I alerted everyone to our stop, got us all out of the back doors (although almost lost my grandfather in the process), and down the two blocks to my brother’s house.

There’s not a lot of hand-holding or coddling on MUNI, and I like it that way. MUNI’s not most intuitive system—you can only pay station turnstiles in coins, have to retain a transfer ticket, and all lines eventually come aboveground, where stops are unmarked. But it’s still cheaper and more comprehensive than BART, long-distance commuter trains that double as mass transit for the Greater Bay Area, with a pathetic number of inner-city stations and a whopping $7 round trip fare from my neighborhood in Oakland to Downtown SF. In my mind, this makes BART infinitely inferior to MUNI. Who needs plush seats and timetables anyway? I’ll take hard plastic and a vague urine smell over a $7 fare any day.

iPhones have no flash, but you can still kinda make out five tiers of fondue.

But riding the train with my relatives, I realized that transit can be damn stressful. If you’re not already in the groove of it, or don’t share my nerdy obsession with maps and routes, it’s really just a pain in the ass. The potential to get lost is huge: you could get on the wrong train, get off at the wrong stop, end up god-only-knows-where. It’s confusing, station agents are exasperated, locals impatient. My relatives that rented cars were hit with overnight parking fees and having to traverse a maze of one-way streets, but when they got lost, they were warm and dry, and could easily turn back around. I realized why, despite the costs, so many travelers opt to rent cars over riding transit. Guiding everyone through the process, I also realized why tour guides carry those little colored umbrellas.

In the end, everyone got to and fro and everywhere inbetween safely. We gussied up, boogied down and had a killer time. And that’s what weddings are all about, right?

Elephant Seals, Artichoke Bread and a Lighthouse: Cheap Kicks on the California Coast

Published January 27, 2010 Bay Area , Budget , California , Damn, I've Got It Good , Independent , Living on the Cheap , Lonely Girl Loves , Offbeat , Places , Tips , USA 1 Comment
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The wind had something to say. Howling, moaning, rattling through the fog-swelled rafters, it talked to us all night. The next morning, it fingered our hair, pinkened our noses, and carried the cries of birth and battles, sea gulls and elephant seals…

I think I’ll start the article something like that, depending on how highfalutin I wanna get. It’s not as ridiculous as it sounds; the drama of the California coast during a winter storm evokes that kind of mulling, moody language. The main character, if you will, of my mini-trip down the San Francisco peninsula was the wind, urgent and unrelenting. But the supporting cast was pretty rad too.

I’m trying not to get too claustrophobic in my own life, and trying to keep the travel writing material a’coming. So despite a heavy-duty week-long storm, my friend Liz and I hopped into my beat-up little car and headed out for a little Northern California overnighting action in Pescadero.

Aside from being super accessible from the inner Bay Area, a trip down to Pescadero is also one of cheapest getaways around. We hiked around redwoods, espied an elephant seal colony, ate “world famous” artichoke bread and local goat milk cheese, and lazed in a cliffside hot tub—all for under $90 each.

Pescadero is an old-school fishing town down the peninsula between San Francisco and Santa Cruz. Aside from some seriously killer breads from Arcangeli Grocery, its main claims to fame are its surroundings: the Pigeon Point Lighthouse Hostel, and Ano Nuevo State Park. Pigeon Point is a pretty basic hostel—except for its dramatic perch literally on the edge of the continent, its historic lighthouse, and its cliffside hot tub (yes, really). Ano Nuevo is a sandy stretch of shoreline best known as the winter home of migrating elephant seals, where they birth and wean and fuss and fight.

"Look, nature!"

The drive from Oakland was about an hour long, Highway 92 delving us down the spine of the peninsula into Half Moon Bay, a quintessentially quirky Northern California beach town. Then we headed down the 1, California’s most famously beautiful highway. It winds you past pastoral fields, green hills, a sprinkling of cove beaches and family farms, and a crashing, crumbling coastline. Everything was grey and heavy and wet. It was perfect Lucero-listening weather.

Huddled on a cliff next to an run-down, chained-off old lighthouse, Pigeon Point Lighthouse Hostel smells like salt, and the ocean winds rattle the humble buildings endlessly. The hostel is divided into three houses, each with its own kitchen and common room. There was only one other couple in the house, fellow overnighters from the East Bay. It was $25 for a dorm bunk; we had a whole room to ourselves.

Pigeon Point Lighthouse

The main draw of the Pigeon Point Lighthouse Hostel isn’t the ocean views or its precipitous perch; it’s the hot tub. I don’t know how a youth hostel came to have a feature like a hot tub, but it’s about the raddest thing you can imagine. A trip to the hot tub cost $7 per person; you sign up for a half-hour slot when you check-in.

We stumbled in the dark to the hot tub, shuffling in our sneakers and shivering in our towels. We kicked it in the hot tub, listening to the sound of wind and waves. It was a dark, cloudy night; there were no stars, just the white froth of water on rocks, and the lonesome beam of the lighthouse.

The next morning, we drove 10 minutes down to Ano Nuevo. Celebrities may have Miami; elephant seals winter in Ano Nuevo. They arrive from Alaska in mid-December; moms birth pups, wean them, and they hang around confused and blubberous until about late March. Mid-January is the best time to check out the seals; on our tour, we saw a birth, a fight, plenty of sulking and lots of squealing.

Hella seals

The seal tour is pretty popular, especially as a field trip for Bay Area schools. You have to take a guided tour, and it’s best to book ahead, but here’s the good news: the tour is an hour and a half long, and only $7. (Parking in the lot, though, costs a $10; there’s not any other viable parking around.)

Our naturalist docent guide was a cool old dude that solidified my opinion that being a park volunteer after you retire is about the most bad-ass thing you can do with your time. Our group of 13 people, mostly all Californians on day trips, headed out into the sand dunes, a mile traipse from the parking lot.

First we passed “Losers’ Alley,” where male seals that have lost the fight for prestige pout and sulk in solitude for the remainder of the season. We got pretty close to one; he arched his back up, his nose/trunk hanging like an absurd, uncircumcised phallus. A guttural, grunting nose erupted, bursting out of his mouth in a gust of white breath; it sounded like a stopped-up toilet. It was his get-the-hell-back cry, and we obliged.

We climbed up a dune that overlooked the colony, and spent about an hour watching them flop around in the sand, squealing and moaning and rumbling their enormous selves around. The pups were adorable, too fat to do much of anything but wiggle their fins around and cry for milk. The moms flipped sand over their backs, rolled over to let pups nurse, and grumbled. The men did what men do: fight.

Bashing chests...

We caught a pretty good fight, full of plenty of screaming, biting and butting. It broke out amid the crowd, dominoed its way through the colony, pups wiggling to get out of the way; it rumbled all the way down to the shore, where the loser got 86ed. “It’s just like a bar fight,” Liz surmised.

Going mad for the placenta

We also got to see a birth. Well, not really. It was too far away to see, but we were alerted by the swooping, squawking riot of sea gulls. Sea gulls, apparently, love to eat placenta, so you can always tell when a birth is going down when the gulls start going crazy, a frenzy of white wings and diving beaks.

Muddy and wind-tossed, we tramped back to the car, cranked up the heat, and headed home. It was invigorating to get out of town, even if it was just for a night. Aside from gathering info for an article (not yet sold, if there’s any takers out there), I needed to clear my mind. It’s so easy to get tunnel-vision, to get caught up in the everydayness of my own life. It’s a good life, but there should be more to it than errands and work and my computer. I really am happiest when I’m traveling, and my mini-trip confirmed that. And reminded me how much killer stuff there is within an hour of where I live. And that it doesn’t need to cost any more than a new pair of pants.

Forget the Guidebook, This is the VICE Guide to Travel

Published January 23, 2010 Culture Shock , Independent , Inspiration , Lonely Girl Loves , Offbeat , Punk , Subculture 9 Comments
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Dolores Park: "You would think VICE Magazine threw up there."---SF Comedian Ali Wong

At the risk of sounding like a gold-lame-wearing, ironic-mullet-sporting Dolores Park denizen, I’m gonna say it: I like VICE Magazine. And I fucking love the VICE Guide to Travel.

Quick run-down, in case you don’t know: VICE grew from a Montreal zine into global empire of youth counterculture, serving as a kind of hipster voice of a generation in what some could argue was the next CREEM magazine. By 1999, VICE had exploded on to the hip-slick-and-cool scene. A free, glossy magazine peppered with American Apparel ads, you’d find issues at trendy clothing stores and serving as coasters on your friends’ coffee tables, or stacked beside the toilet for inspirational reading material. Having reached new heights of hipness, VICE was nearly immediately deemed as have “been better” in previous years, in the perennial way that everything was better before it got big. But here’s a little secret about VICE: it’s got some killer articles. Some are better than others, for sure, and many breach a little too far into the snarky, too-cool-for-school realm. But I’d argue a good half of the magazine is usually filled with quality journalism, covering super interesting international cultural phenomena.

Which leads to the VICE Guide to Travel. It’s not Rick Steve’s, or even Lonely Planet. VICE goes to some of the most fucked locations on earth, “the kinds of places that nobody else wants to visit”; digs up shocking and bizarre stories; sends sweaty dudes in v-neck t-shirts to interview warlords/cannibals/other locals; films it all, and sets it to a soundtrack of doom, gloom and rock. It’s “edgy,” it’s “off-the-beaten-path” (to say the least), and it’s some of the most bad-ass travel journalism out there.

First, some clarifications on the meaning of “bad-ass.” Empty, self-serving sensationalism with no emotional depth or historical perspective is not bad-ass. And there’s plenty of that out there in the travel world.

A couple months ago, I complained about this kind of trying-to-be-bad-ass-edness in a post blog and subsequent Matador article. Later, I came across an article titled “5 Totally Bad-Ass Travel Experiences” that made me want to vomit. The article listed 5 “daring” travel experiences, two of which capitalized on some of the most heinous aspects of a country’s history. The perspective reeked of a privileged disconnect with the suffering caused by events like genocide and drug wars:

Home to one of the biggest genocides and mass killings in modern history, Cambodia is awash in guns and weaponry. It’s a pretty peaceful place these days but there are still opportunities to get a taste of the weapons of war.

Oh, well, bummer the murdering is over, but at least there’s still cool guns to shoot off. I wanted to reach through the computer and punch the writer. Granted, the article struck a personal nerve; I guess when you know people who escaped the Khmer Rouge, but who’s families all died in the killing fields, well, that takes the thrill out of shooting war weaponry in Cambodia.

What separates the VICE Guide to Travel from lame travel “journalism” like this is skill (they hire professionals)—but more importantly, approach. Traveling to some of the most depraved and damaged places in the world, VICE toes the line, certainly runs the risk of lapsing into one-dimensional exhibitionism and aren’t-I-cool pats on the back. Some in the series are stronger than others, but I’d argue that all stay true to the basic purpose of bringing obscure, untold stories from the gnarliest corners of the world to a Western audience. The liner notes of the original 2006 DVD explains:

The news is all bad. Sitting in our Western comfort, it’s easy to forget that most of the world is hell. War, disease, famine, genocide, and poverty dot the globe like big chunks of cancer. Basically, humans are fucked.

We thought we already knew something about current international events, but we didn’t really know shit until we set out and started doing some serious traveling. These aren’t vacations to Disney World, Paris or even some Outward Bound safari. These are trips to the places that you see once in a while on TV and think, ‘No way in hell am I ever going there.’

Well, we went so that you never, ever have to go for yourself as long as you live. We went, and we’re glad we did. Here are the stories to prove it…

What the VICE Guide to Travel offers is what some of my most difficult, but ultimately most illuminating, travels have: a new perspective on this crazy-ass world we live in. It’s tough to watch—the visit to the shell of a high school in the episode in Chernobyl made me tear up—but I think it’s some of the most interesting and important stuff out there in the travel world.

Which brings us to the new series, the VICE Guide to Liberia. The 8-part series is being released on their website; currently, the first 4 installments are up. Prepare yourself: this is some severely brutal material.

While I don’t think I’ll be going to Liberia any time soon, I’m glad that these guys did, and that the stories they found are getting told. In a world of SEO, Twittered trends and Top-10 lists, the VICE Guide to Travel gets down to the unmarketable, inconvenient bone of what travel (for me) is all about: seeing how other people live, and glimpsing into the strange stories that compose this world.

(Okay, so, it may or may not be a secret fantasy of mine to one day tag along on one of these installments. But for now, the website’ll due.)

Lauren Quinn is a writer and traveler currently living in Hanoi. Lonely Girl Travels was a blog of her sola travels and expat living from 2009 to 2012. She resides elsewhere on the internet now.

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