Flowers and Hair Dye: Getting Ready for the New Year in Oakland’s Chinatown

Published February 8, 2010 Art, Culture and Rock 'n Roll , Bay Area , California , Destinations , Hot Topics , Oakland , Off-beat , Photography , USA Leave a Comment
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Short women elbowed through stacks of neon flowers. Banners boasted the rejuvenating wonders of herbs, tea, hair dye: “No. 1 Selling Brand in U.S.A.”, “Prince of Peace, The Name You Can Trust!” Distorted pop vocals crackled and hummed from a far-off stereo. Children gazed up at their toy windmills, decorated with carton tigers or Dora the Explorer, black eyes shinning and mesmerized by the spinning, spinning.

This last weekend was Oakland Chinatown’s annual Lunar New Year “Bazaar.” Not quite a street festival, not quite a farmers market, and anything but the well-known San Francisco Chinese New Year Parade (ahem, the “Southwest Airlines Chinese New Year Parade”), the event captured Oakland’s Chinatown: non-glitzy, utilitarian, and not particularly concerned with outsiders.

I’ve been meaning to do a post about Oakland’s Chinatown for awhile. As its Chamber of Commerce website declares: “Oakland’s Chinatown is one of the most fun and authentic of the American Chinatowns. It is quite safe. It is not a line of t-shirt and postcard shops like much of other Chinatowns.” I recently tromped through San Francisco’s Chinatown with out-of-town relatives, which actually gave me a renewed appreciation for its lanterns, pagodas, skinny alleys and countless trinket stores. Growing up here, it’s easy to get blase about what remains alien and alluring for a lot of people. My cousins loved SF’s Chinatown, and I wouldn’t think of bringing them to Oakland’s—it would be totally uninteresting to tourists.

Diagonal crosswalk

Oakland’s Chinatown isn’t glamorous; there’s no self-conscious gestures towards exoticism. It’s not even really a “Chinatown” as much as it is an “Asiantown,” filled with a good number of Southeast Asians (and thus, one of the best Vietnamese sandwich shops around). Still, the history of the neighborhood is Chinese—as evidenced by the bilingual street signs—and the attitude, well, that’s Chinese too. It’s not hostile by any means, it just doesn’t go out of its way to include outsiders. It reminds me of the sentiment Pico Iyer captured in his 1980s essay “The Door Swings both Ways.” A lot of the stores and markets don’t bother to translate signs. Despite one of its main thoroughfares being four lanes wide, double-parking is so rampant it still takes ten minutes to drive two blocks. People ignored crosswalks and traffic signals so much that the city eventually gave up and installed Oakland’s only diagonal crosswalks.

Dingy awnings, block construction and an eerily empty mall are part of the unexotic offerings of Oakland’s Chinatown. And, this last weekend, two of its main streets were closed off for what’s marketed as a Lunar New Year Bazaar, but what’s really a stock-up opportunity for locals. I ran into an old friend who was working the event, and her aunt helped illuminate my hazy understanding of New Years traditions, informed mostly by the annual dragon dance on the playground of my grade school, when we got to throw cabbage and eat those chewy candies covered in rice paper.

Aunt Kathy told me about the purpose of the market, which is to stock up on bright flowers to decorate the home with. Yellow mums and reedy stalks (whose English name we couldn’t figure out) are most popular for their bright color and longevity. People also bought up red envelopes, for money giving; what I didn’t know was that only single people receive envelopes (hint, hint). As opposed to Chinese celebrations, when people have a week off work to visit relatives and feast, American celebrations are more condensed—people usually gather at a relative’s house for a night, eat a ton, and exchange envelopes, candy and sugar-coated fruit. “Like Thanksgiving”—but with a lot more red.

Like most things in Chinese culture, the traditions of the New Year seem to all go back to “good luck.” “Why the colorful flowers?” “For happiness and good luck.” “What’s the significance of the long stalky flowers?” “They live long, don’t die. Bring good luck to the house.” “Why all the candy?” “It’s sweet, bring good luck.”

Oakland’s Chinatown doesn’t hold a New Year parade or celebration, just one big market for all your flower, herb, sunglasses, socks, DVD and good luck buying needs. A couple of other non-Asians milled through the crowd, not quite sure what to do with themselves or why they were there. Where were the food stalls? The ethnic trinkets and radio stations? Meh, it was Chinatown. This was their affair, and they weren’t gonna dress it up for anyone.

Photos by Theo Auer

Aw, crap, forget my pocket phrasebook

Booth selling hair dye

What language is that under "Fast"?

Celebrity endorsement

Digging for goods

Flowers and sunshine

Another mystery booth

Dora the Explorer Windmill

Peeking in to a random shop

Ummm...

"Alright, alright, we'll give you a pagoda."

A jay-walker no more

Exotic...

Even Citibank is in the Year of the Tiger spirit

Buddha and a Raiders Logo

Lady Love: Digging In to the Blogroll

Published February 6, 2010 Inspiration , Living the Dream , Lonely Girl Loves , Travel Writing 5 Comments
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Thank you, Flickr, for another gem

I’ve got a long Blogroll. What can I say?—I gotta lotta love.

Recently, I’ve seen some fellow bloggers do posts breaking down their favorite blogs. I was honored to be included in both Abbie Mood and Nancy Harder’s lists, along with some really great writers I often read.

These posts got me thinking: I should really call out some of my own favorites. Many of my go-to blogs aren’t as widely read as I think they should be, and this’ll serve as a chance for me to give an extra shout out to some deserving, ass-kicking writers.

So I’ll start with the ladies. Five of my absolute favorite lady travel bloggers are…

Click Clack Gorilla

I’m not sure how I discovered Nicolette’s blog, but I’m stoked I did. This girl is old school, a DIY, dumpster-diving punk currently living in a house without heat in Mainz, Germany. She writes killer prose about digging around abandoned buildings, au pairing, living on the cheap and trying to keep warm through the winter. What I love about this blog is that it’s something different—utterly non-corporate and unapologetically  its own. It reminds me of the kind of writing the filled zines I’d find at the old Lookout Records. Thanks for keeping it real, lady.

Girl, Unstoppable

I’ve been following Ekua’s blog for awhile, so I was excited to see her get some big-time props from the folks over at Matador recently. The blog’s title says it all: Ekua is an adventurous lady who writes from a Bay Area perspective about her travels around places like Ghana and Bolivia, as well as her life here in San Francisco. One of my favorite features of her blog is travel quotes, especially this one, from a kid she works with—priceless! Despite living just across the Bay, and talking about it for months, Ekua and I haven’t been able to get it together to hang out yet. One day…

Kanitha Heng

Kanitha’s self-titled blog is a well-kept secret that shouldn’t be. Her stuff is seriously off the hook. She’s an engaging, provocative American writer currently chronicling her travels through her parents’ homeland, Cambodia. Her prose is both unafraid and tender, exploring cultural chasms and haunting histories. Kanitha’s writing consistently blows me away. Get on this shit, y’all.

Posa Tigres

Okay, so technically it’s a joint blog between Sarah, who does the writing, and Jorge, who does the photography. It’s quite the dynamic duo, and Sarah’s writing is some of my favorite out there. She doesn’t water shit down, or shy away from tough subjects—case in point, one of my favorites of hers, about the cultural implications of taking a Dia de los Muertos tour. She writes about living in Oaxaca with her boyfriend—beautiful prose that’s not nuggetized or easily digestible. Get ready to think.

The Mija Chronciles

I started reading Lesley’s blog a few months ago, enraptured by the photos, recipes and, most of all, her sumptuous descriptions of regional Mexican food. She’s currently living in Mexico City with her husband, and writes not just about food, but Mexican culture and the expat life. She’s a solid writer with journalistic credentials, and her tweets about what she’s cooking constantly get me salivating. She once casually invited me to come down to Mexico City for a foodie tour. What she doesn’t know is that I totally plan on taking her up on it one of these days…

Honolulu, Black and White and Back in Time

Published February 3, 2010 Art, Culture and Rock 'n Roll , Bay Area , California , Destinations , Inspiration , Lonely Girl Loves , Oakland , Photography , USA 6 Comments
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Faces stare out from a two-dimensional black and white. They are laughing, posing, cast in shadows and cut-and-pasted beside lush palm trees, neon hummingbirds, tan thatching and pinkened skies. Sometimes they smile; other times they gaze off, someplace beyond the camera, looking out from thin layer of time and plastic. And I am completely obsessed.

It’s my weirdest and raddest score from the Bay Area’s rummage event of year. The annual Oakland Museum’s White Elephant Sale is a cult event local collectors, scavengers, cheapskates and lovers of vintage live for. The Oakland Museum benefit is held out in a Jingletown warehouse, and hosted by the spunky white-haired ladies of the Women’s Board. Donations are collected throughout the year, culminating in the kitschy bonanza of bargains. The event takes over the neighborhood, complete with taco trucks and a free shuttle to the BART station.

While the main event is a two-day affair held on the first weekend in March, this last Sunday was the special preview—when the die-hards shell out $10-15 months in advance to get first pickings. A friend finagled us onto the guest list; we traipsed down across the train tracks, through the sour estuary smell and into the warehouse bustling with bodies digging for treasure.

Inside the warehouse

There was a little of everything: antique furniture, vintage suits, old Polaroid cameras, $1 LPs, 80s action figures that brought me back to my childhood—even a box of expired condoms. The prices put any flea market to shame, and everyone was in a good mood. The staff was sweet and grandparently. An old dude with a vest full of buttons from previous years’ sales stood by a Thomas Edison record player, explaining to whoever passed how it worked and the history behind it. Some staff dressed up—I saw a Napoleon look-alike—which added to the festive atmosphere and reconfirmed my aspiration to be a cool old volunteer/docent person when I retire (like I’ll ever be able to…). A truly awesome moment came when, rifling through old records, a tween boy with shoulder-length blond hair picked up a Van Halen LP and let out a long, “Yessssss.”

I scored a couple cool vintage-y household items, but by far the coolest thing I came across was a 20″ x 16″ photo collage. It’s cheaply framed, cost $1 and is full of the kind of mystery that gets my wheels turning, my imagination shooting sparks.

The artfully executed collage of photos is from a group of young people’s vacation to Honolulu. The handwritten note on the cardboard back guesses the year to either be 1939, or 1940-43, World War II. Beneath that, four names appear: Virginia Matthiesen, Cole McFarland, Bud Matthiesen and “Sailor Friend.” Those are the only tangibles I have to cling to, the only ones I want. In the grey photos of shorelines and hotel rooms, a garden and a roadside, I have all the fodder for fantasy I need.

The group is young, mid-20s I’d guess. They have the eyes and expressions of old-school rebels, a kind of pre-Beatnik vibe, something carefree and a little wild in their smiles and poses. One has a Neal Cassady look; a girl has sharp cheekbones and piercing eyes; another stares off from above bare shoulders and a shell necklace. In a different photo, Neal Cassady is wearing the shell necklace, leaning in towards the girl as she looks away. The light has caught her blouse, making it blaze with a whiteness that obscures her face.

There’s an impossible number of stories inside the collage, silent and lost like a dream you can’t remember. Whoever made it set it in a border of tiki-style thatch print, then pasted a couple cut-outs of palm trees, to add color and a tropical vibe. It’s visually cool and kitschy enough to be hip. But really, it’s the faces that make me love the collage.

Of course, I’m projecting all of this—maybe they’re not artsy rebels at all. But that’s the fun of it, imagining a trip like that, then: how long it must have taken to get to Hawaii, how rustic and undeveloped it looked, how more pointed and romantic everything looks in black and white. And the timelessness of getting into adventures on the road. I haven’t found the perfect place for it yet; one of my roommates loves it, the other thinks it’s creepy. For now, it’s leaning against my bedroom wall, where I can stare and dream.

At the center of the collage, pasted on a pastel sunset, is a solo shot of the sharp-cheeked woman. She’s looking back, over her shoulder, holding a straw hat down against what might be wind, what might be the passage of time. I like to think she’s looking back at me, out from a moment that’s long passed, a place that isn’t the same, a youth that is gone. Probably, she was looking back at one of the boys in the collage. But a girl can dream, can’t she?

Relatives and Revelations: What My Brother’s Wedding Taught Me about Travel

Published January 30, 2010 Bay Area , California , Damn, I've Got It Good , Destinations , Family , Home , Hot Topics , Lonely Girl Loves , San Francisco , Transit , USA 5 Comments
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Photo booth fun

“What can I say? When you’re children get married, it’s one of the happiest days of your life.”

That was my dad, toasting at my brother’s wedding two weeks ago. Simple, but true: celebrating my brother’s marriage to a rad lady will definitely go down as one of my happiest days. Aside from the awesomeness of why we were all there, it was a gorgeous event at the Julia Morgan Ballroom in Downtown San Francisco, complete with caviar and a five-tier chocolate fondue fountain (that’s right, you heard me). I was surrounded with life-long friends and far-away family, flown in from the Midwest and East Coast.

Of course, as a travel person, my antennaes were perked by all the out-of-towners. Watching them all come in—arrive at the hotel, rent cars, hang wrapped dress clothes in closets—I realized I only travel a very specific way, and it’s lent a very limited perspective.

I’d argue that most Americans travel the way my family did two weeks ago: domestically, in hotels, either shelling out for a rental car or attempting to traverse poorly funded mass transit systems. It’s pretty far-off from the international ramblings I do on second-class buses and cheap pensions/hostels/couchsurfing. The weekend resulted a series of travel revelations—“light bulb moments,” as I’d once heard them described on Oprah.

Before the guests arrived

What shocked me most was the sheer expense of it all. Even at an off-season rate, further discounted for the wedding party, staying in Downtown San Francisco is not cheap. Renting a car is not cheap. Eating at the restaurants and cafes Downtown is also not cheap. No wonder people ask me “But how can you afford to travel so much?” I used to feel that travel within the US was kinda a rip-off. I don’t take it that far now, but I will say you get a lot more bang for your buck elsewhere. (That being said, I have done New York City on $40 a day, so maybe I’m just a cheapskate.)

The night of the wedding, my parents decided to not add battling the Bay Bridge to the day’s ledger, and booked a room, which I piggy-backed on. Which brings me to the next travel revelation I had: looking good on the road is a major hassle.

As far as hassles go, mine were pretty minimal: the morning of the wedding, I dropped my shoes, dress and fancy jacket off at my parents’ house in Oakland before taking BART out to the city to get my hair and make-up done. I toted with me my overnight bag, in which I carried more make-up and hair products, as well as jewelry, nail polish, etc. My parents brought my dress clothes; I met them at the hotel and changed. The next day they took my dress clothes back to the East Bay while I hung out with my cousins. Not bad at all, considering I didn’t even have to negotiate riding the train with a hanger of dress clothes.

Classy as shit

But considering the way I normally travel, this jaunt across the Bay was complicated exponentially by the need to wear something other than jeans and sneakers. When I travel, all bets are off: I bring my most utilitarian clothes, no makeup, a dabble of hair gel and loads of sunscreen. I look like a total ragamuffin—handy, since it tends to decrease the amount I’m hit on. Wanting to look not just presentable, but my drop-dead best, is tricky enough; doing it out of a bag was even harder. I garnered a new appreciation for business travelers, beauty pageant contestants and all other non-backpacker/dirtbags travelers.

Here’s another thing I learned: logistics are tough. Organizing big groups of people, getting them here and there when they don’t know where they are, is really hard. No wonder tour companies charter buses. And no wonder people trundle on them happily.

I’m the kind of traveler that loves transit. I grew up riding buses and trains, and I get a kick out of figuring out new metro systems: where train lines connect, what lines run where, the fastest and easiest way to get from Point A to Point B. There’s a skill to transit, and I’ve honed a kind of sixth sense for the rhythm and order of it. So when my dad started to fret over how we’d get everyone from the Downtown hotel to a Sunday night pizza dinner at my brother’s house on 27th and Dolores, I responded, “We’ll have them take the J-Church.” Easy, right?

Well, it was easier than shuttling loads of people back and forth in the couple of rental cars, but not as easy as you’d suspect. I played transit tour guide, leading everyone to the Montgomery Station, through the turnstiles, down to the platform, on to the train (luckily, we all got seats). I alerted everyone to our stop, got us all out of the back doors (although almost lost my grandfather in the process), and down the two blocks to my brother’s house.

There’s not a lot of hand-holding or coddling on MUNI, and I like it that way. MUNI’s not most intuitive system—you can only pay station turnstiles in coins, have to retain a transfer ticket, and all lines eventually come aboveground, where stops are unmarked. But it’s still cheaper and more comprehensive than BART, long-distance commuter trains that double as mass transit for the Greater Bay Area, with a pathetic number of inner-city stations and a whopping $7 round trip fare from my neighborhood in Oakland to Downtown SF. In my mind, this makes BART infinitely inferior to MUNI. Who needs plush seats and timetables anyway? I’ll take hard plastic and a vague urine smell over a $7 fare any day.

iPhones have no flash, but you can still kinda make out five tiers of fondue.

But riding the train with my relatives, I realized that transit can be damn stressful. If you’re not already in the groove of it, or don’t share my nerdy obsession with maps and routes, it’s really just a pain in the ass. The potential to get lost is huge: you could get on the wrong train, get off at the wrong stop, end up god-only-knows-where. It’s confusing, station agents are exasperated, locals impatient. My relatives that rented cars were hit with overnight parking fees and having to traverse a maze of one-way streets, but when they got lost, they were warm and dry, and could easily turn back around. I realized why, despite the costs, so many travelers opt to rent cars over riding transit. Guiding everyone through the process, I also realized why tour guides carry those little colored umbrellas.

In the end, everyone got to and fro and everywhere inbetween safely. We gussied up, boogied down and had a killer time. And that’s what weddings are all about, right?

Elephant Seals, Artichoke Bread and a Lighthouse: Cheap Kicks on the California Coast

Published January 27, 2010 Bay Area , Budget Travel , California , Damn, I've Got It Good , Destinations , Hot Topics , Independent Travel , Living on the Cheap , Living the Dream , Lonely Girl Loves , Off-beat , Tips , USA 1 Comment
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The wind had something to say. Howling, moaning, rattling through the fog-swelled rafters, it talked to us all night. The next morning, it fingered our hair, pinkened our noses, and carried the cries of birth and battles, sea gulls and elephant seals…

I think I’ll start the article something like that, depending on how highfalutin I wanna get. It’s not as ridiculous as it sounds; the drama of the California coast during a winter storm evokes that kind of mulling, moody language. The main character, if you will, of my mini-trip down the San Francisco peninsula was the wind, urgent and unrelenting. But the supporting cast was pretty rad too.

I’m trying not to get too claustrophobic in my own life, and trying to keep the travel writing material a’coming. So despite a heavy-duty week-long storm, my friend Liz and I hopped into my beat-up little car and headed out for a little Northern California overnighting action in Pescadero.

Aside from being super accessible from the inner Bay Area, a trip down to Pescadero is also one of cheapest getaways around. We hiked around redwoods, espied an elephant seal colony, ate “world famous” artichoke bread and local goat milk cheese, and lazed in a cliffside hot tub—all for under $90 each.

Pescadero is an old-school fishing town down the peninsula between San Francisco and Santa Cruz. Aside from some seriously killer breads from Arcangeli Grocery, its main claims to fame are its surroundings: the Pigeon Point Lighthouse Hostel, and Ano Nuevo State Park. Pigeon Point is a pretty basic hostel—except for its dramatic perch literally on the edge of the continent, its historic lighthouse, and its cliffside hot tub (yes, really). Ano Nuevo is a sandy stretch of shoreline best known as the winter home of migrating elephant seals, where they birth and wean and fuss and fight.

"Look, nature!"

The drive from Oakland was about an hour long, Highway 92 delving us down the spine of the peninsula into Half Moon Bay, a quintessentially quirky Northern California beach town. Then we headed down the 1, California’s most famously beautiful highway. It winds you past pastoral fields, green hills, a sprinkling of cove beaches and family farms, and a crashing, crumbling coastline. Everything was grey and heavy and wet. It was perfect Lucero-listening weather.

Huddled on a cliff next to an run-down, chained-off old lighthouse, Pigeon Point Lighthouse Hostel smells like salt, and the ocean winds rattle the humble buildings endlessly. The hostel is divided into three houses, each with its own kitchen and common room. There was only one other couple in the house, fellow overnighters from the East Bay. It was $25 for a dorm bunk; we had a whole room to ourselves.

Pigeon Point Lighthouse

The main draw of the Pigeon Point Lighthouse Hostel isn’t the ocean views or its precipitous perch; it’s the hot tub. I don’t know how a youth hostel came to have a feature like a hot tub, but it’s about the raddest thing you can imagine. A trip to the hot tub cost $7 per person; you sign up for a half-hour slot when you check-in.

We stumbled in the dark to the hot tub, shuffling in our sneakers and shivering in our towels. We kicked it in the hot tub, listening to the sound of wind and waves. It was a dark, cloudy night; there were no stars, just the white froth of water on rocks, and the lonesome beam of the lighthouse.

The next morning, we drove 10 minutes down to Ano Nuevo. Celebrities may have Miami; elephant seals winter in Ano Nuevo. They arrive from Alaska in mid-December; moms birth pups, wean them, and they hang around confused and blubberous until about late March. Mid-January is the best time to check out the seals; on our tour, we saw a birth, a fight, plenty of sulking and lots of squealing.

Hella seals

The seal tour is pretty popular, especially as a field trip for Bay Area schools. You have to take a guided tour, and it’s best to book ahead, but here’s the good news: the tour is an hour and a half long, and only $7. (Parking in the lot, though, costs a $10; there’s not any other viable parking around.)

Our naturalist docent guide was a cool old dude that solidified my opinion that being a park volunteer after you retire is about the most bad-ass thing you can do with your time. Our group of 13 people, mostly all Californians on day trips, headed out into the sand dunes, a mile traipse from the parking lot.

First we passed “Losers’ Alley,” where male seals that have lost the fight for prestige pout and sulk in solitude for the remainder of the season. We got pretty close to one; he arched his back up, his nose/trunk hanging like an absurd, uncircumcised phallus. A guttural, grunting nose erupted, bursting out of his mouth in a gust of white breath; it sounded like a stopped-up toilet. It was his get-the-hell-back cry, and we obliged.

We climbed up a dune that overlooked the colony, and spent about an hour watching them flop around in the sand, squealing and moaning and rumbling their enormous selves around. The pups were adorable, too fat to do much of anything but wiggle their fins around and cry for milk. The moms flipped sand over their backs, rolled over to let pups nurse, and grumbled. The men did what men do: fight.

Bashing chests...

We caught a pretty good fight, full of plenty of screaming, biting and butting. It broke out amid the crowd, dominoed its way through the colony, pups wiggling to get out of the way; it rumbled all the way down to the shore, where the loser got 86ed. “It’s just like a bar fight,” Liz surmised.

Going mad for the placenta

We also got to see a birth. Well, not really. It was too far away to see, but we were alerted by the swooping, squawking riot of sea gulls. Sea gulls, apparently, love to eat placenta, so you can always tell when a birth is going down when the gulls start going crazy, a frenzy of white wings and diving beaks.

Muddy and wind-tossed, we tramped back to the car, cranked up the heat, and headed home. It was invigorating to get out of town, even if it was just for a night. Aside from gathering info for an article (not yet sold, if there’s any takers out there), I needed to clear my mind. It’s so easy to get tunnel-vision, to get caught up in the everydayness of my own life. It’s a good life, but there should be more to it than errands and work and my computer. I really am happiest when I’m traveling, and my mini-trip confirmed that. And reminded me how much killer stuff there is within an hour of where I live. And that it doesn’t need to cost any more than a new pair of pants.

Forget the Guidebook, This is the VICE Guide to Travel

Published January 23, 2010 Art, Culture and Rock 'n Roll , Culture Shock , Hot Topics , Independent Travel , Inspiration , Lonely Girl Loves , Off-beat , Punk 9 Comments
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Dolores Park: "You would think VICE Magazine threw up there."---SF Comedian Ali Wong

At the risk of sounding like a gold-lame-wearing, ironic-mullet-sporting Dolores Park denizen, I’m gonna say it: I like VICE Magazine. And I fucking love the VICE Guide to Travel.

Quick run-down, in case you don’t know: VICE grew from a Montreal zine into global empire of youth counterculture, serving as a kind of hipster voice of a generation in what some could argue was the next CREEM magazine. By 1999, VICE had exploded on to the hip-slick-and-cool scene. A free, glossy magazine peppered with American Apparel ads, you’d find issues at trendy clothing stores and serving as coasters on your friends’ coffee tables, or stacked beside the toilet for inspirational reading material. Having reached new heights of hipness, VICE was nearly immediately deemed as have “been better” in previous years, in the perennial way that everything was better before it got big. But here’s a little secret about VICE: it’s got some killer articles. Some are better than others, for sure, and many breach a little too far into the snarky, too-cool-for-school realm. But I’d argue a good half of the magazine is usually filled with quality journalism, covering super interesting international cultural phenomena.

Which leads to the VICE Guide to Travel. It’s not Rick Steve’s, or even Lonely Planet. VICE goes to some of the most fucked locations on earth, “the kinds of places that nobody else wants to visit”; digs up shocking and bizarre stories; sends sweaty dudes in v-neck t-shirts to interview warlords/cannibals/other locals; films it all, and sets it to a soundtrack of doom, gloom and rock. It’s “edgy,” it’s “off-the-beaten-path” (to say the least), and it’s some of the most bad-ass travel journalism out there.

First, some clarifications on the meaning of “bad-ass.” Empty, self-serving sensationalism with no emotional depth or historical perspective is not bad-ass. And there’s plenty of that out there in the travel world.

A couple months ago, I complained about this kind of trying-to-be-bad-ass-edness in a post blog and subsequent Matador article. Later, I came across an article titled “5 Totally Bad-Ass Travel Experiences” that made me want to vomit. The article listed 5 “daring” travel experiences, two of which capitalized on some of the most heinous aspects of a country’s history. The perspective reeked of a privileged disconnect with the suffering caused by events like genocide and drug wars:

Home to one of the biggest genocides and mass killings in modern history, Cambodia is awash in guns and weaponry. It’s a pretty peaceful place these days but there are still opportunities to get a taste of the weapons of war.

Oh, well, bummer the murdering is over, but at least there’s still cool guns to shoot off. I wanted to reach through the computer and punch the writer. Granted, the article struck a personal nerve; I guess when you know people who escaped the Khmer Rouge, but who’s families all died in the killing fields, well, that takes the thrill out of shooting war weaponry in Cambodia.

What separates the VICE Guide to Travel from lame travel “journalism” like this is skill (they hire professionals)—but more importantly, approach. Traveling to some of the most depraved and damaged places in the world, VICE toes the line, certainly runs the risk of lapsing into one-dimensional exhibitionism and aren’t-I-cool pats on the back. Some in the series are stronger than others, but I’d argue that all stay true to the basic purpose of bringing obscure, untold stories from the gnarliest corners of the world to a Western audience. The liner notes of the original 2006 DVD explains:

The news is all bad. Sitting in our Western comfort, it’s easy to forget that most of the world is hell. War, disease, famine, genocide, and poverty dot the globe like big chunks of cancer. Basically, humans are fucked.

We thought we already knew something about current international events, but we didn’t really know shit until we set out and started doing some serious traveling. These aren’t vacations to Disney World, Paris or even some Outward Bound safari. These are trips to the places that you see once in a while on TV and think, ‘No way in hell am I ever going there.’

Well, we went so that you never, ever have to go for yourself as long as you live. We went, and we’re glad we did. Here are the stories to prove it…

What the VICE Guide to Travel offers is what some of my most difficult, but ultimately most illuminating, travels have: a new perspective on this crazy-ass world we live in. It’s tough to watch—the visit to the shell of a high school in the episode in Chernobyl made me tear up—but I think it’s some of the most interesting and important stuff out there in the travel world.

Which brings us to the new series, the VICE Guide to Liberia. The 8-part series is being released on their website; currently, the first 4 installments are up. Prepare yourself: this is some severely brutal material.

While I don’t think I’ll be going to Liberia any time soon, I’m glad that these guys did, and that the stories they found are getting told. In a world of SEO, Twittered trends and Top-10 lists, the VICE Guide to Travel gets down to the unmarketable, inconvenient bone of what travel (for me) is all about: seeing how other people live, and glimpsing into the strange stories that compose this world.

(Okay, so, it may or may not be a secret fantasy of mine to one day tag along on one of these installments. But for now, the website’ll due.)

Havana in Pictures

Published January 19, 2010 Art, Culture and Rock 'n Roll , Caribbean , Cuba , Destinations , Family , Lonely Girl Loves , Photography 6 Comments
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To end my series of Cuba posts, I’m bringing you photos from my brother’s trip to the forbidden island. Aside from being a far better photographer than me, my brother traveled with a Cuban-American friend and his family, so he had even cooler adventures (cooler than wrecking plumbing? I know, it’s hard for me to believe too). All photos are from Havana. Enjoy, and  thanks for all the comments and feedback throughout the series.

Bolsa Blues: Adventures in Cuban Plumbing

Published January 16, 2010 Blunders , Caribbean , Cuba , Culture Shock , Destinations , Hot Topics , Off-beat 7 Comments
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This is half of a narrative written about my raucous New Year’s in Havana. The first, less-gnarly half is being considered for publication (fingers crossed and breath held), but I’ve decided that this side of the story is far too raunchy to get accepted anywhere. So, I’ll inflicted you all with it…

Bolsa Blues or The Other Reason You Should Always Carry a Plastic Bag in Cuba

I waken to a pale face in half-light. It looks down at me, desperate and pleading-eyed, washed in a light sweat and slashed by the stripe of sun that invades through the crack in the wooden shutters.

“Dude,” I croak. “What the—“

A tight-throat urgency cuts me off. “The toilet’s busted,” my boyfriend declares. “And I gotta crap.”

It’s New Year’s Day, and we’re stark naked in our tiny casa particular room, somewhere near the crumbling heart of Havana. The cigars, Rumba and rum of the previous night rumbles in our stomachs.

It’s the cardinal rule of Latin American traveling: never flush the toilet paper. A continent-and-a-half held together by a rattling grid of rusty old pipes, the Western traveler is beseeched by earnest signs Scotch-taped to the walls of restrooms: “Dear Mr. Customer, Please to not put paper in the toilet.”

It’s a hard-to-break habit of ours, this depositing of smeared bundles into the toilet bowl; it takes a couple days to train the hand to shift, move, not drop the paper straight down but into a wastebasket beside the toilet. It was only our third day; we had a couple slips. But surely, I assured Adam the night before, nothing extreme enough to reek pipe-wrecking havoc.

But the plumbing gods were watching, laughing, and struck swiftly with their reprisal. And my boyfriend, beset with hangover bowels, is paying the price.

I leap from the tangled sheets, hair sticking straight up and nude. I peer in at the toilet from the doorway. “There’s no way,” Adam answers before I can ask.

He’s right—the mess inside has disintegrated into a thick, gurgling stew at the bottom of the bowl, streaks running down the sides. I glance back at Adam, hunched over and leaning against the wall. “It’s bad,” he tells me.

“Let’s get dressed and go somewhere.”

“Yeah, but where?”

Attempting to smoke a cigar, the previous night

He’s right again—all shops and restaurants in walking distance have less-than passable, if any, facilities. I suggest taking a cab to the fancy hotels in Centro and using their lobby bathrooms, a tactic we employed earlier during our outings. Adam shakes his head, “I don’t think I can make it. I’ve been holding it all night.”

I suggest trying to use the casa owners’ bathroom. I then consider the vocabulary necessary to construct a plausible explanation, and nix the idea. “You could go in the trash can,” I laugh. He chuckles, grimacing slightly. “Or in a plastic bag.” We laugh harder.

Our laugh gives way to silence. We look each other in the eye and nod. “Lemme see if we have one.”

I begin rummaging through our piles of clothes, books, snacks, while Adam sits on the rim of the tub, mentally preparing. “Got it!” I exclaim, waving like a flag the small plastic bag that carried the crackers we’d bought during our layover in Mexico. I hand it to him with a reassuring smile.

“Okay.”

“Okay.”

I shut the door behind me. I intend to go wait politely on the edge of the bed, but the camera appears in my hands. I creep towards the door, inch it open. He’s squatting in the middle of the room, veins bulged in concentration, with the black bag clutched under him. I get him in the frame; the camera clicks.

“Oh, come on! What the fuck!” he shouts. I giggle and slam the door.

“Really, Lauren,” he says from the other side. “Is that necessary?”

“Yes.” I laugh hysterically as I examine the view finder. “Yes, it is.”

He emerges from the bathroom a couple minutes later, eyes down. “Well?” I ask. He looks at me, nods. I peer in the bathroom; he’s neatly tied the handles of the bag and set the bundle on the edge of the tub.

“What do we do with it now?”

It seems wrong to leave it there, in plain view, when the poor owners will have deal with the mess in the toilet already. I picture us sneaking into the kitchen and throwing it in the trash, but that doesn’t seem right either. Nor does our sheepishly handing them the bag and running out of the apartment. “We could hide it in a drawer and flush it when the toilet’s working again,” I offer half-assedly.

“Do you have any idea how awful it’ll smell in here when a bag of shit’s been festering all day?” Adam, always the practical one, retorts.

“We could smuggle out in my bag.” It seems like a viable option.

Adam gets off the bed, moving towards the window. “I wonder if we could open these shutters.” He runs his hands down the solid wood covering the windows.

“You wouldn’t really throw it out of the window, would you?”

“You wanna carry my shit in your bag?”

We pry the latch open and groan the hinges open. Daylight blasts into the room; our pupils wince.

Adam stands on a chair, craning his neck to see as far out the window as the wrought-iron bars will allow. “What’s out there?”

He steps off the chair, defeated. “It’s one of those air shafts. People have all their laundry hanging up. And someone’s got a garden down at the bottom.” I refrain from a bad joke about fertilizer.

We collapse on the bed and stare at the ceiling. “Well,” I venture, “we could just put it in the bathroom trash can. I mean, it’s already got our used toilet paper in it, so I doubt they’d really look.”

“I guess you’re right.”

We get dressed quickly. I gingerly bury the plastic bag beneath the top layer of used toilet paper in the wastebasket. I put the lid down on the toilet before we leave the room.

“Bueno dia,” our casa owner greets us warmly, looking up from the newspaper.

“Bueno dia,” we mumble (we’ve learned to drop our “s”s, just not our toilet paper).

“Quieren desayuno?” his amicable, aproned wife asks.

“Um, no, no gracia.” We stand there for a moment, awkwardly. I take a step towards the owner. “Um, pardon, senor.” I fidget, look down. “Hay un problema en el bano.” He nods earnestly at me. “Lo siento.”

Maybe it’s a situation he’s encountered before—poor plumbing meets the foreigner’s paper-flushing habit, topped off with a rocking drinker’s shit. We exchange helpless smiles, and Adam and I scuttle out the front door as fast as we can.

Down on the street, we feel relieved. Neither one of us can stop laughing.

“I think,” Adam declares, “that you’re the best person to be in a bad poo situation with.”

“Really?” I beam at the compliment.

Malecon

“Well, yeah. I mean, anyone can be practical. That’s not really what you need in a bad poo situation. What you need is someone who will find it absolutely hilarious.”

I take his hand. “I’m honored.”

We continue down the street, holding hands under the half-clouded Cuban sky, towards the Malecon, and a new year.

Che Marti-ni: The Cuban Cocktail of National Heroes

Published January 11, 2010 Art, Culture and Rock 'n Roll , Caribbean , Cuba , Destinations , Hot Topics , Inspiration , Lonely Girl Loves , Off-beat , Poetry 1 Comment
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Oh, the sweet taste of revolution. And martyr worship.

There’s no escaping Cuba’s two biggest icons. Revered, quoted and placed on pedestals/t-shirts, these tragical heroes loom large in the national psyche. They give impassioned words and a photogenic face to the struggle for independence that has characterized the country for centuries. One, you’ve heard of; actually, you’ve had him shoved down your throat by starry-eyed ultra-lefties. The other lurks in the dusty corners of used bookstores, in the syllabi of Latin American Studies courses; you’ve heard his words, but never his name. Until you land in Havana.

Che stencil I saw around in Berlin. In case you can't tell, Che's wearing a Che shirt.

Okay, okay, I’ll tell you. One is Che Guevara, the Argentine renegade who’s become synonymous with Cuba, guerilla warfare and revolutionary politics. He’s arguably the country’s biggest cultural export, and a ubiquitous presence within Cuba (hey, an atheist country’s gotta worship something). This is relatively unsurprising as a visitor; what’s more surprising is this fetish they’ve got for Jose Marti. You could call him the OG—he advocated and fought for Cuban liberation from Spain, calling on the same ideas of Latin American unity and anti-imperialism that Che later did. But when you actually start to read his essays and poems, you wonder why in hell you haven’t been inundated with Marti your whole life too (one answer: he shoulda swapped the funny moustache for a guerilla beard—far more flattering). Even more intriguing is what lies at the intersection of these two figures, and what they reveal about the country that adores them.

Jose Marti and Che Guevara share more than just a saintly status in the heart of a nation. The die-hard revolutionaries were both privileged boys of good education, who gave voice and garnered fame for the struggles of Cuba. Both were seasoned travelers; both had a vision of a unified Latin America free of imperialism; both died fighting battle for their cause, the cause of “the people.” Both pumped out enough good quotes to rival Mao, and both are exalted in the streets of Cuba. And both were, at the risk of sounding ridiculous, guided by feelings of love.

"Viva Che." Etched into the sidewalk in Berkeley. Spotted this on my Marti hunt this morning.

Jose Marti was a 19th-century Cuban-born revolutionary, poet, writer, thinker and traveler. His writings about the Cuban struggle for independence captured the culture in a way no one previously had, and his words served as the voice of a people. So much so that the first lines from his famed poems “Versos Sencillos” were adapted as the lyrics of Cuba’s most famous song and de facto anthem, “Guantanamera.” But what’s most interesting about Marti is how his writing has endured, and the ways it’s remained relevant.

Already a national hero, Marti’s anti-colonial, pro-America (Latin America, that is) ethos was invoked during Castro’s revolution. Castro framed his revolution as an extension of the one Marti fought and died for, and depending on your politics, it’s pretty easy to agree. What fueled all Marti’s work was a fierce defense of justice inspired by a complex and tender understanding of human nature. I won’t play lecturer and drag you through tedious citations, as the Marti Wikiquote page serves as evidence enough. But the famous poem “I Grow A White Rose” captures the Marti sentiment pretty well:

I grow a white rose
In July just as in January
For the sincere friend
Who gives me his frank hand.
And for the cruel man who pulls out of me
the heart with which I live,
I grow neither nettles nor thorns:
I grow a white rose.

Che cigarettes, purchased in Peru. Each cigarette had a tiny Che on it.

And then there’s Che. Aside from being charismatic and hot as hell (yeah, I said it), Che’s enduring legacy, I’d argue, comes from his compassion. Not necessarily for his enemies, but for the people, the struggle. Sure, he had the bad-ass lines like, “I would rather die standing than live life on my knees,” but he also came out with quotes like, “One must harden without ever losing tenderness.” It’s not just rebel girls that swoon at lines like these; a whole nation does. And that says a lot about them, wouldn’t you say?

You definitely get beaten over the head with the two in Cuba, a combo that will flatten you faster than a Cube Libre (not really). Che’s legacy does retain a little more depth here than in the rest of the world, where the commodification of Che is more depressing than consumerist Hot Topic punk. And to be fair, the elevation and exaltation of national poets isn’t purely a Cuban phenomenon, but a Latin American trait; Gabriela Mistral is also pictured on the currency of her native country, Chile. (Imagine paying for groceries with a Walt Whitman note.) Call it the Latin flair for passion, but it’s enough to make a US Creative Writing major weep.

Wheatpaste in London. Che's image composed of corporate logos.

Together, Che and Marti conspire to create a revealing picture of the Cuban culture and psyche: revolutionary, lyrical, learned, passionate, martyred. Both figures have been reduced, their lives and work co-opted for the purposes of others, commercial or otherwise. And while the world is oversaturated in Che juices, Marti remains little-known, a recluse of national monuments and smelly old bookstores. But the true picture, I think, lies somewhere between the two—between national fame and international obscurity, the commodification and the worship, the intrigue of an outsider and the love of a people.

I’ll end with a Marti poem I worked hard to bring you. I once owned a Marti collection; who knows who I lent it to or what move it got lost in. I remembered a poem that captured the intricate relationship between colonizer and colonized, and decided to find it. Google gave me nothing, so today I missioned to 3 book stores and 1 library. In a dim, 4th-floor corner of an independent bookstore, I finally found the poem, in the lone Marti book stuffed amid the over-packed shelves. I slyly photographed the pages with my phone, and transcribed them. As far as I know, this is the only available translation of “Little Prince” on the web. Enjoy. And keep fighting.

Little Prince

This party is for

A little prince.

He has long hair,

Soft blond hair

That hangs over

His white shoulders.

His eyes appear

To be black stars

That move like the wind,

Shine, quiver and give off sparks.

He is my crown,

My pillow and my spur.

My hand, that bridles

Horses and hyenas,

Goes where e’er he takes it.

When he frowns, I tremble.

If he complains,

My face, like a woman’s,

Turns white as snow,

Then red, as blood

Pours through my veins.

His pleasure causes

My blood to ebb and flow.

This party is for

A little prince.

/

Come, my gentleman;

Come this way.

Come, my tyrant,

Into this cave.

When he appears

Within my sight,

It seems a pale star

Casts its opal

Brilliance o’er all

In a dark cavern.

/

When he goes by

The shade acquires textures

Like the sun,

That wounds the blackest clouds.

Behold me, at arms,

In the struggle.

The prince wants me to fight again.

He is my crown,

My pillow and my spur.

And, just as the sun,

Breaking up the black clouds,

Turns shadows

into bands of colors,

When he touches the thick wave,

He embroiders

My red and violet

Battle colors there.

So, my master wants

To return to life?

Come, my gentleman;

Come this way.

Come, my tyrant,

Into this cave.

Let me offer life

To him, to him.

This party is for

A little prince.

There’s No Crackheads in Cuba, and Other Things that Strike the American Traveler as Strange

Published January 7, 2010 Americanness , Caribbean , Cuba , Culture Shock , Destinations , Hot Topics , Independent Travel , Off-beat , Safety 8 Comments
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Havana Mural

Hands down, beyond a doubt, Cuba is the most different place I’ve ever traveled to.

Sure, I’ve been to non-Western countries; I’ve trekked through remote jungles studded with indigenous villages and spent a night in a water-world town-on-stilts where the night sky erupted with spontaneous flashes of thunderless lightning. But I’ve never been to another place where capitalism wasn’t a presence, and where the ensuing materialism and infiltration of American culture was so miniscule.

It’s impossible to talk about Cuba without getting into some kind of political discussion. Like everyone else, I’ve got my personal views—seeing as I was raised in a house that had 38 volumes of Lenin on the shelf, I’ll just let you guess what side of the spectrum I fall on.

But I’m not here to talk about that. Not really. What I want to talk about, and what’s of importance to the traveler to Cuba, are the ways in which Cuba is unlike any other country I’ve experienced. These reasons are inextricably linked to the country’s politics, to the revolution and the island’s legacy of struggle.

Yes, I realize I’m walking into a shitstorm. But we either dance delicately around these things, saying the same, tired, noncommittal niceties (Dante had a hell for that), or we get real—sit down, look it in the eye and say what we mean. (I’ll let you guess which option I think has more value.) Besides, I’m back home; I’ve got the toilet paper and functional plumbing to handle barrages of shit.

Oddity #1: Safety

One of the first things I read about Cuba was how safe it was. Touted in guidebooks to be paradise for solo female travelers, where any dark backalley can be delved into any time of day or night, I was willing to accept that Cuba was probably safer than Oakland. Most places are. I was still uneasy about rolling into the country with over a thousand dollars in cash on me, and neither my travel companion nor I could easily shed our well-grained habits of stone-facing strangers and checking our backs like motherfucks. But after a couple days, we loosened up. It was true: Cuba was mellow.

Break between innings

I suppose what strikes one as odd about the lack of violent crime in Cuba is that the country is so terribly poor. In the US, and most other countries in the world, poverty equals danger. From Rio’s famed favelas to Cairo’s ghettos of Sudanese refugees, to deep East Oakland, the relative safety of a neighborhood is most often directly proportionate to the level of wealth, or lack thereof. One look at the crumbling building facades and boys playing baseball with scrap pieces of plywood, and you start to understand just how poor Cuba is. And while, yes, there’s hustlers and pick-pockets, and yes, some laughing 12-year-olds tried to snatch my bag one night, the gravity of the threat of real violence isn’t there. (It would have sucked to have my bag stolen, but it sucks a lot worse to get a gun put under your chin.)

You can chalk Cuba’s safety up to a number of factors, depending on your politics and worldview: The police force is strong and no one wants to risk a lengthy stay in a Cuban prison. Protecting tourists is in the best interest of the island as a whole. Or you can think it’s got something to do with the fact that base needs like housing, education, medical care and some amount of food are all guaranteed by the Communist government, taking the edge of desperation out of the poverty equation.

Whatever the reason, walking around at night and realizing that you have no need to be weary is a strange feeling for an Oakland kid like me. Good thing we didn’t get used to it; less than 48 hours after getting home, my travel buddy was robbed at gunpoint. Welcome home.

Oddity #2: Lack of Homeless People and Drug Addicts

Cienfuegos

Beggars and bleary-eyed glue sniffers are par for the course in the cities of most poor countries. Even in one the wealthiest countries on earth (guess which one), pan-handlers, under-the-freeway encampments, and twitchy characters of all narcotic varieties are everyday fixtures on the streets, even in posh tourist attractions (San Francisco). After a couple of days wandering around Havana, I realized I hadn’t seen any cardboard alley homes and not a single crackhead. Weird.

During my time in Cuba, I got pan-handled maybe half a dozen times, and saw one toothless, staggering old lady that looked like the resident town wino. But when it came to hard-core addicts and homeless people, I didn’t see any.

The lack of homelessness is fairly obvious—the government provides housing. But Cuba is also really strict about the import of drugs. Not wanting to give the US any reason to invade, and perhaps still smarting from its soul-sucking era as a mafia paradise, the Cuban government put the ixnay on drugs, and today they’re really not a presence in Cuba. (Makes you wonder what would happen if the US made such a bold decision—oh wait, wasn’t that what the whole War on Drugs thing was about?)

The night we got home from Cuba, we went to see Neurosis play at the Great American Music Hall in San Francisco. The venue is smack in the middle of the Tenderloin, one of the highest concentrations of human misery on the West Coast. We walked through urine-soaked sidewalks, crunching windshield glass and dodging screaming, contorted derelicts, in a kind of dazed state of shock. After two weeks in Cuba, it seemed inhumane that suffering like that could be tolerated, allowed to exist in such a rich, rich nation. It was the worst culture shock I’ve ever experienced.

Oddity #3: Lack of Advertising and Lots of Government Propaganda

Okay, you’re gonna see a lot of government propaganda. Pro-revolutionary billboards, Vive Fidel banners, smiling pictures of Hugo Chavez: it’s all a little unnerving, I’m not gonna lie. But then you realize why it seems like there’s so damn much of it in Cuba (aside from the fact that there is): there’s no other advertising out there.

You forget how much energy you spend blocking out flashing signs, automated voices, beautifully anorexic, air-brushed girls selling perfume and cell phones and chewing gum. Until you don’t have to do it. I’ve heard really high-end resorts make you feel the same way, like you can let your mental filters down and just relax. Well, until I get a rich sponsor, Cuba’s gonna be the closest I come.

If it’s true that you can learn a lot about a culture through its advertising, then it’s also true you can learn a lot about a culture about its lack of advertising. Cubans are insanely open and friendly, and while there’s plenty of cultural factors contributing, couldn’t one of the reasons be that they’re not constantly fending off the barrage of catchy slogans and glossy images of psychologically invasive advertising? At the same time, the government is an inescapable presence on the island; one is constantly given visual reminders of the pro-government stance everyone’s supposed to take.

It’s a stretch, but maybe. All I know for sure is that my brain got a real vacation in Cuba.

Oddity #4: Havana Has a Chinatown (With Three Chinese People in It)

And it’s actually the oldest Chinatown in the Western Hemisphere.

A then-vegan, I had a mean hankering for some tofu when I was in Havana. I thought my best bet was Chinatown, the touristy relic of Cuba’s once-robust Chinese population, originally brought over in the mid 19th century to work in the sugar fields. I elbowed amid the throngs on foreigners and grabbed a seat under the red awning of a restaurant whose menu listed something I assumed was bean cakes. Ten minutes later, a steaming plate of bean sprouts, and nothing but bean sprouts, was placed before me. My then-boyfriend laughed.

Havana’s Chinatown stands as a reminder that the country has plenty of pre-Castro history, often overshadowed. Most of the Chinese laborers brought over intermarried, infusing the Cuban cocktail with Asian genes; thus, there aren’t a whole lot of fully Chinese looking people left in Chinatown. I saw a couple dudes smoking in the traditional squat, but it was honestly the most un-Chinese Chinatown I’ve ever been to. And the most devoid of tofu.


Oddity #5: The Resilience of Cuban People

It’s kind of a Cuban cliche: some cigar-smoking, deeply wrinkled dude fixing a 30-year-old bicycle with a piece of dental floss and an old Coke can (or something to that extent). Cuban people are renowned as the global experts in reusing everything, wasting nothing, helping each other out and not complaining (partially because of political repression, but still). Cubans are like the one friend you have that can fix anything, who relishes in helping you figure out why your car is making that funny noise and who repairs the holes in their sneakers instead of tossing them to hang over the telephone wires. Yes, part of it is a result of years of rationing and making do, but I think it gets down to a deeper cultural characteristic, one born of imperialism.

Another gem from the Havana mural

The best explanation I read of why Cubans are so resilient and continue to come together and make do is that, by and large, they want the Revolution to succeed. (I’m not talking Miami Cubans now. And this isn’t necessarily my perspective, but a well-informed argument that made a lot of sense.) However deeply flawed and difficult the Revolution is, it’s still the first time in 500 years that the island’s been run by Cubans. From Spanish colonialism to puppet governments to foreign-owned sugar plantations, outsiders had the ultimate power in pre-Castro Cuba. The country was endemically violent and deeply divided down lines of race, class and ethnic origin—divisions that don’t disappear in 50 years, but have improved. Castro’s Revolution is the longest enduring era of Cuban control since the Spanish arrived on the island. That’s a really powerful statement, one that can help you understand why Cubans endure so much and continue to struggle.

Of course, one could easily argue that all this is at risk. The impending end to the US embargo will mean an immediate influx of American culture and goods. And however much outsiders may want Cuba to remain a junkie-free, billboard-less Eden of free health care and high literacy, the end of the embargo will be a damn good thing for Cubans. But I’m glad I got to go pre-post-embargo, and experience some of the strangest things an Oakland girl can.

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